This is the original release of Hall & Oates “ Big, Bam, Boom” 1984. The artwork alone is worth it’s weight! Includes the hit song, “Out Of Touch”. An added bonus is the lyrics are written on the sleeve on both sides! Very cool! A great addition to your Hall & Oates repertoire! From my personal collection. Album Cover: In very good condition! The vibrancy of the artwork has not aged. There is a small cut on the side of the album cover at the top side. Sleeve: Original Sleeve: In good condition. Has some creases at the bottom right and a small scratch at the left top. No fading. Still as vibrant as when it was originally released. Vinyl: In excellent condition! No scratches!
Featuring Francis Wolff’s photography and Reid Miles’ typography, the best Blue Note album covers influenced mainstream graphic design.
If "Billie Jean" is the cornerstone track of Michael Jackson's 1982 album Thriller, and Thriller is the album that saved pop music, then Hall & Oates, in some not-insignificant way, rescued pop music in the early 1980s, at least according to The New York Times Magazine's Rob Hoeburger.
The 100 Greatest Jazz Album Covers is a visual feast of some of the 20th century's best design...
By January, 1961, when Grant Green’s debut as a leader Grant’s First Stand was released, Green was 26 years old and already a seasoned player. His debut is confident and chock full of suave blues. ome colleagues and friends from the guitarist’s hometown, St. Louis, have said that before the time alto saxophonist Lou DonaldsonRead more
This is Seeed, yo! Die Berliner Dub-Reggae-Dancehall-HipHop-Band ist zurück mit ihrem neuen Album „Bam Bam“. Sieben Jahre nach dem letzten Album „Seeed“ und fünf Jahre nach der EP „Cherry Oh 2014“ wollen die Jungs ein weiteres Ausrufezeichen setzen. Ein scheinbar eingespielter Rhythmus: Zwischen „Next“ von 2005 und „Seeed“ liegen auch sieben Jahre. Im Mai 2018 starb Demba Nabé alias Boundzound, einer von drei Sängern der Band. Seeed entschlossen sich dennoch weiter aufzutreten. „Ticket“, die erste Single von „Bam Bam“, ist ihm gewidmet. Seeed schaffen es, unangenehme Themen wie Trauer („Ticket“) und Trennungsschmerz („Lass Sie Gehn“) in positiven Vibes zu verpacken. Selbst bei ruhigeren Songs wie dem Trettmann-Feature „Immer Bei Dir“ wird es nie schnulzig. Eine Aussage, gerne auch sozialkritischer oder politischer Natur, dürfen die Songs trotzdem gerne haben.
Like gothic script in heavy metal, the fisheye album cover photo seems like a naturally occurring feature of certain psychedelic strains of music. But it has a history, as does the fisheye photograph itself.
Explore wackystuff's 873 photos on Flickr!
The 100 Greatest Jazz Album Covers is a visual feast of some of the 20th century's best design...
Disc 1: 1 - Fisherman, 2 - Congoman, 3 - Open Up the Gate, 4 - Children Crying, 5 - La La Bam Bam, 6 - Can't Come In, 7 - Sodom & Gomorrow, 8 - The Wrong Thing, 9 - Ark of Covenant, 10 - Solid Foundation Disc 2: 1 - Don't Blame It On I, 2 - At the Feast, 3 - Neckodeemus, 4 - Solid Foundation (Disco Cork Mix), 5 - Foundation Dub, 6 - Congoman (12' Mix), 7 - Congoman Chant, 8 - Bring the Mackaback, 9 - Fisherman Dub, 10 - Noah Sugar Pan Disc 3: 1 - Fisherman (Original Black Ark Mix), 2 - Congoman (Original Black Ark Mix), 3 - Open Up the Gate (Original Black Ark Mix), 4 - Children Crying (Original Black Ark Mix), 5 - La La Bam-bam (Original Black Ark Mix), 6 - Can't Come In (Original Black Ark Mix), 7 - Sodom and Gomorrow (Original Black Ark Mix), 8 - The Wrong Thing (Original Black Ark Mix), 9 - Ark of the Covenant (Original Black Ark Mix), 10 - Solid Foundation (Original Black Ark Mix)
Derde album van Camila Cabello heet Familia. Hierop vinden we de hits 'Bam Bam' met Ed Sheeran en 'Psychofreak' met Willow Smith. Translucent Lime Alternate Cover Familia Celia Psychofreak Bam Bam La Buena Vida Quiet Boys Don't Cry Hasta Los Dientes No Doubt Don't Go Yet Lola Everyone at this party
The 100 Greatest Jazz Album Covers is a visual feast of some of the 20th century's best design...
J.R. Monterose - Blue Note Records BLP 1536 12" LP 1956 Design by Reid Miles -- Photo by Francis Wolff Rudy Van Gelder Studio, Hackensack, NJ, October 21, 1956 Ira Sullivan (tp) J.R. Monterose (ts) Horace Silver (p) Wilbur Ware (b) Philly Joe Jones (d)
Shelved after its recording, ‘Minor Move’ was saxophonist Tina Brooks’ debut recording as a leader for Blue Note. It sounds revelatory today.
