Watch the cartoon: Now, the great backgrounds by Irv Wyner. Lots of 1950s modern style here. Fantastic! Hmmm, a rabbit hole! Very jazzy color styling in the next two B/Gs: This is a digitally recreated vertical pan: Terrific use of perspective: Dr. Jekyll's lab: I love a piano! Victorian goes modern, what a great stylization: This music manuscript was painted note by note. Incredible! While not entirely accurate in comparison with the original composition, it's still remarkable. The lab. Aren't those colorful potions intriguing? A Liberace shot, complete with candelabra! The music room (digitally re-created pan B/G): A very modern B/G with floor lamp cel overlay: Store room, door open: Same room, door closed: Three laboratory images: Two final B/Gs from the ending, in the park:
A celebration of the beautiful background art in Disney films
Background art for The Aristocats (1970)
© DreamWorks Animation by Seth Engstrom by Seth Engstrom by Seth Engstrom by Seth Engstrom by Seth Engstrom by Seth Engstrom by Seth Engst...
Here are some of the charming Warner Bros' backgrounds from the ROAD RUNNER AND COYOTE cartoons. They are wonderfully evocative in spite of their simplicity. I smile every time I look at these. How about you?
Incredible watercolor background art for Lilo and Stitch by Xiangyuan Jie! Check out more of his incredible work at his website here x
Backgrounds from Gravity Falls (art director : Ian Worrel, 2016, Disney Television Animation)
This article is about the 1951 animated character. For the 2010 live-action character, see Absolem. The Caterpillar is a minor character from Disney's 1951 animated feature film Alice in Wonderland. He is a resident of Wonderland, known for smoking a hookah from which colorful smoke rises, forming letters, words, and even images that he refers to while speaking. The Caterpillar often over-enunciates certain words such as 'exactly' and 'correctly'. He has a passion for recitation and grammar, and
Whether you love Moana, Maui, Pua, or the Kakamora, we've got a Moana phone background for everyone.
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The Gaze looks a the quiet elegance of Looney Tunes background art, noting how the screen is filled with liminal space without characters.
Newest Update: I made a new video tutorial about How to Paint Ambient Occlusion for Digital Painting. You can download it here: Ambient Occlusion Tutorial It's affordable and very cheap! ;) Hey guys! :D I'm back with my very first Ambient occlusion painting tutorial! :D This tutorial was inspired by an awesome fan art of Frozen by Jiyu Kaze can be found here: https://www.facebook.com/photo.php?fbid=604410012982274&set=a.590138841076058.1073741828.505782986178311&type=1&theater you guys can follow his facebook page here: https://www.facebook.com/jkaze0 and Sam Nielson's tutorial can be found here: http://theartcenter.blogspot.com/2010/03/sam-nielson-painting-process.html follow his blog here: http://artsammich.blogspot.com/ Why Ambient Occlusion or AO painting? Because from what I know, AO is usually a term that is commonly used in 3D software. I use maya myself, and I like AO layer because it will add your 3D object a realistic and solid lighting. So that's why! Solid painting :D This tutorial is more like explanation on how I do it :) so, I hope you guys know about basic things like sketching, lighting and shadow, photoshop, shading, AO, etc So, let's start! :D 1. I always start with sketch! :D I sketch it in photoshop. I made like a really rough and fast sketch, since I designed her before in my sketchbook. Nothing fancy, just a sketch. A clean and neat line is even better, it's easier for painting the next layer. 2. Lighting and Shadow So, I started with blocking the character with light grey color, and in that light grey, I painted the shadow. Try avoiding really black color for this, since you will add that blackness in next layer. So, Imagine that you are painting a clay statue. Analyze the light direction and give the right shadow is important too. 3. Ambient Occlusion or AO painting Okay, here is the tricky part. Don't let yourself too carried away in this process, as you may paint the entire shadow again LOL. Just paint the darkest line that the shadow will create! I started with light grey, well almost white color. And I just painted the shadow with darkest black in 30 opacity brush. Make your painting looks almost like a 3d sculpt in this process. 4. Combining AO and Shadow layer So, when you satisfied with your shadow and AO layers, you may proceed to the next level which is awesome. Put your AO layer above the shadow layer in your layer window. And change AO layer from normal mode to multiply mode. Voila, your painting will looks like a 3D render! Amazing right? But this was my first time doing AO painting, so I've made some mistakes, so I usually would go back to both layers to fix that, so it will looks more solid. 5. Coloring Actually this process could be done before you start the shadowing. But It's completely fine if you do it after. So, you just decide which colors are suitable for your character. Create another layer for color, and change the mode from normal to multiply. Your color will go down and darker, so it's easier for me to separate each of the color layers, so I can adjust them until the result that I wanted. After you've done with choosing colors, you will shock on how flat the painting would be after you multiply all the color layers. Yes, it's so flat and sucks. LOL, that's why we need to proceed to next step. 6. Tweaking and Subsurface Scattering layer As you see, the painting would looks flat, so you should add more color temperature on each of your colors. Go back to your color layer and added some textures on the skin or color gradiation on the cloth, etc. My tips is, don't underestimate the power of bounce light. Add a different but believable colors for your painting. For me, I added oranges in neck area bounce, so It will create a subsurface scattering effect on her skin. Try to play with layer mode too, screen and overlay are the best for me in this process. My layer for tweaking is looks like this with no colors on. 7. Final Image Here is the final Image. I added light diffusion layer and hair layer to make it looks interesting. Do it for the final, this final tweaking usually takes time too. Actually you should spend more time on the detailing in the area that you wanted the viewer to see. 8. Conclusion This method is fun and really technical. You do it step by step instead of just paint. But the result is quite interesting for those who wanted to achieve a solid painting. This is my first time doing the AO painting, so it still took time than my usual painting technique. But I still wanted to develop it. Good luck and Have fun :D You can ask me anything about this tutorial, I'll gladly answer it :)
You’ll find several different meanings for deer tattoos, depending on the culture. In Western cultures, a deer tattoo is often associated with femininity and