Ici vous pourrez accéder à tous les ressources académiques pour le module de Microbiologie S6 SVI. Bachelor/Licence Sciences de le Vie, de la Terre et de

Ich teile hier meine Erfahrungen von meinem Ökotrophologie Studium an der CAU in Kiel sowie Module, Studieninhalte, Zukunftsaussichten usw.

Another surprising thing about this building, visible in plan but easily overlooked: it's not quite symmetrical, since the door is jammed on at a funny angle to the body of the church, and anyway the whole thing is situated slightly askew to the mountainside. When you're seated inside facing front, none of this is in play - but it makes for a startling moment when you first step in, you have to adjust yourself to the church's geometry. I have to say I like this kind of move better than the ideal of virtually every church from the fall of Rome until the 20th century, where the axis to the altar is nailed from a mile off. The Zumthor church is simultaneously more humble (since the church doesn't demand that you conform to it, even when you're on a plaza or something outside), and more focused on itself. This reading also helps salvage the rather unimpressive concrete stair, which struck me the very first time I saw this building as being bizarrely out of tune with the vernacular materiality of the shingle wall and the attention to carpenter's detailing inside - the staircase really looks like the main work crew had a death in the family and called in Stewart from maintenance to finish things up. The idea that there might be a deliberate attempt to break mood passing from exterior to interior might serve as a handy rationalization for this thing I perceive as a problematic disjunct. "Might."

Image 12 of 13 from gallery of AD Classics: Koshino House / Tadao Ando Architect & Associates. Photograph by Kazunori Fujimoto

KOSHINO HOUSE DESIGN BY TADAO ANDO KOSHINO HOUSE DESIGN BY TADAO ANDO Tadao Ando’s design for the Koshino House features two parallel concrete rectangular confines. The forms are partially buried into the sloping ground of a national park and become a compositional addition to the landscape. Placed carefully as to not disrupt the pre-existing trees on the site, the structure responds to the adjacent ecosystem while the concrete forms address a more general nature through a playful manipulation of light. The northern volume consists of a two-storey height containing a double height living room, a kitchen and a dining room on the first floor with the master bedroom and a study on the second floor. The southern mass then consists of six linearly organized children’s bedrooms, a bathroom and a lobby. Connecting the two spaces is a below grade tunnel that lies beneath the exterior stairs of the courtyard. Ando used the space within the two rectangular prisms as a way to express the fundamental nature of the site. This space reveals a courtyard that drapes over and contours to the natural topography. A wide set of stairs follows the sloping land into the enclosed exterior space and allows the light that penetrates through the canopy of trees into the sunken courtyard. This self-governing space represents the fold of nature that has been bound by the conditioned structures and become synthetic. Narrow apertures have been punched through the façades adjacent to the exterior staircase and manipulate complex crossings of natural light and shadow into the interior spaces. The patterns provide the only amount of ornament to the simple rooms. Other slots are cut from various planes of the two modules to produce the same effect of complexity throughout the entire house. Four years after the original construction, Ando designed a new addition to the compound. Placed to the north of the existing structures, the new cave-like space rests within the upward sloping piece of land. The study features a bold curve in contradiction to the rectilinear organization, initiating a completely new rhythm. Separate from the original courtyard design, the space between the addition and the original mass allows nature to remove the forms from each other. A patch of grass weaves its way between the concrete structures, while the curved wall extends from the building to define the exterior space. Similar to the other boxes, a slice of the ceiling plane along the curved wall is removed to add that bit of complexity and ornamentation to the interior; however, the curved patterns of light greatly differ from the linear patterns in the former building. Architect: Tadao Ando Location: Ashiya, Hyogo, Japan Project Year: 1980-1984 References: Yukio Futagawa, WikiArchitectura Photographs: Gonzalo Perez, Hoiol, Kazunori Fujimoto, Mariana, Simone Catania http://www.archdaily.com/161522/ad-classics-koshino-house-tadao-ando/ B TADAO ANDO Tadao Ando, born in 1941 is one of the most renowned contemporary Japanese architects. Characteristics of his work include large expanses of unadorned architectural concrete walls combined with wooden or stone floors and large windows. Active natural elements, like sun, rain, and wind are a distinctive inclusion to his style. He has designed many notable buildings, including Row House in Sumiyoshi, Osaka, 1976, which gave him the Annual Prize of Architectural Institute of Japan in 1979, Church of the Light, Osaka, 1989, Pulitzer Foundation for the Arts, St. Louis, 2001, Armani Teatro, Milan, 2001, Modern Art Museum of Fort Worth, 2002 and 21_21 DESIGN SIGHT in Tokyo, 2007. Among many awards he has received are; Gold Medal of Architecture, Academie d'Architecture (French Academy of Architecture) in 1989, The Pritzker Architecture Prize in 1995, Gold Medal of the American Institute of Architects in 2002, and Gold Medal of Union Internationale des Architectes in 2005. Ando is an honorary member of the American Institute of Architects, the American Academy of Arts and Letters, as well as the Royal Academy of Arts in London. He was also a visiting professor at Yale, Columbia, UC Barkley, and Harvard Universities. http://www.tadao-ando.com/bio_E.html

We’ve been invited to see the new exhibition Polyphon at the Langen Foundation with artists of the Collection Viehof….

Geen zorgen voor morsen. Deze hoes is gemakkelijk schoon te houden, want hij kan in de machine worden gewassen en is gemakkelijk af te nemen en weer aan te trekken. De stof is zowel duurzaam als zacht met een zichtbare textuur.

MODUL architectural bureau has released details of their proposed transformation of an old factory building into a modern showroom in Voskresensk.

Ubicada en una paradisiaca playa al sur de Sri Lanka, en una bahía llamada Mirrissa Hill, de arena blanca bañada por el Océano Índico, se levanta esta imponente casa, diseñada por el arquitecto japonés Tadao Ando, por encargo de un importante empresario belga.

siemens 'foodlab' by studio rygalik is a culinary station created alongside polish concordia taste restaurant.