Familiefotografering i Lillestrøm⎥Fotograf Skedsmokorset⎥Fotograf Lillestrøm⎥Fotograf Nittedal ⎥Fotograf Romerike ⎥Fotograf Akershus ⎥Fotograf Viken

“La ligereza surge de la simplicidad y viceversa” – Francesc Rifé El estudio ha querido evolucionar el concepto de diseño creado para la firma de..

A neat band collar complements the simplicity of our utility jacket. Crafted from organic cotton herringbone to a curved-hem shape with an internal hanging loop, then garment-dyed for a rich depth of colour. Organic cotton herringbone. Garment-dyed. Band collar. Patch pockets. Centre-back seam. Curved hem. Internal hanging loop. Corozo buttons. ### Details Machine wash 30ºC. 100% cotton. Made in Turkey.Variations/unevenness of colour and gradual fading are characteristic of garment dyeing. The light coloured base of the fabric may show occasionally at stitching points, this should not be considered a defect. Size & Fit Regular fit. Length: Low hip. Sleeve: Full length.Studio model Sara is 5ft 7in/174cm tall and is wearing a size 8.

Friendship is truly a blessing in disguise, we live,love,cry and celeberate with them. It is them because of whom we are never left lonely, true friends are hard to find .Ahead are some of my favourite friendship quotes. 1. Your friend is your...

Eline 't Sant is a Belgian contemporary graphic designer and painter, mostly mixed-media and assemblages. She frequently travels through the African and Asian continents which highly reflects in her work. Eline 't Sant Website: http://www.elinetsant.be/ I’ve always been fascinated by anthropology and archaeology : the primitive state, the purity of materials, the essence of life. Throughout my many voyages I’ve been looking for new basic and raw materials. Elements out of the nomads’ daily life – red earth, blood, milk and cow dung – are either directly integrated into my works or hinted to by use of paint. ABOUT HORNS, PARROTS AND COCKS …and many things related, as the title could go on, is a downright statement: there is something animistic about these works, a spell that lingers on and consumes itself, showing scars of a ritual past. I just initiate what the works have to finish off, bridging the relation between present and past, linking vital forces with the frailty of the objects I reanimate, using ancestral means of packing, and practising wrapping and preserving as if meant for an afterlife. Parrots – shown here without characteristic features, without the flamboyant colours, the playfulness or the remarkable gift of speech which made so many artists use them as religious symbols or metaphors for man. Strange imagery that rises questions as to what is revealed when the still recognizable birds are mummified, stilled, shrouded, drained from all colour and gagged into eternal silence? There are hints, such as the horns. But no different from the other images, assemblages or objects, they are not evident, rather the result of a creative process. Comparable to the noble traditions of death-rites in primitive societies, they too go beyond the visible and the tangible. Indeed, there is more than meets the eye. Strange fossils is what they look like, the buffalo-horns that used to go by pair to defend mighty animals, now stripped to the bare essentials. They’re on their own, unique, without the weakness of what’s missing, not maimed by alienation that seems to be stressed by the growth that completes their deformity and refers to recollections of organic fabrics. Seems and joints made of basic material keep them together : the animal element on one side, lifelessly stiff, and a sequel, an aftermath on the other. Keeping balance between creation and resurrection. Insurrection – next to the second life given to the chosen recycled materials, the worn tissue and torn ligaments, there is an other life for the “parrots” - reminiscent of a distant past, protected as it were by the glass bells, catalogued and labelled. Rebellious, yes, as art is supposed to be, and challenging, resisting as the “cocks” who complete the triad. Obviously, they also serve, who only stand and wait. Necropolis Installation 2008 - Assemblage, Installation - 200cmx60cm Installation with 7 Parrots on metal operating table and light. Sounddesign: Heart-beat and breathing. Parrots are made of latex, fabric, clay, cotton, leather, bone, acrylic, natural pigments and paintings. Selection TEMPUS ARTI 2009 White Parrot view 2008 - assemblage - 46cmx13cm Fabric, leather, clay, skin, bone, acrylic and natural pigments Grey Parrot 2008 - Assemblage - 40cm x 13 cm Fabric, pvc, acrylic, pigment, ash and clay Blue Parrot detail 2008 - Assemblage - 66cmx16cm Fabric, leather, clay, skin, bone, acrylic and natural pigments Red Ngula Parrot- male 2009 - Assemblage - 66 cm x 15 xm Fabric, clay, leather, Ngula pigment,acryl and rope

Regarded by the world as one of the greatest empires to ever exist, the Roman Empire had many accomplishments that we are thankful for to this day. And Roman architecture is definitely one of them. The living testament to its glory are the constructions that still stand to this day, despite around 2000 years of fire, war, wear and scavenging people. It's hard to imagine modern day Rome without the Colosseum despite the fact that it stood to see the Empire rise and fall, hundreds of generations and cultures come and go. It always was and will be one of the greatest symbols of the Roman Empire. Yet while we see what is left in our day, it is always fascinating to see what the iconic structures looked like back in their glorious days. So scroll down below and check out these comparisons.

Ah, Rome. The city where hope springs eternal. It is a city that is proud of its ancient glorious heritage, a city that once expanded its empire throughout Europe, Africa and Asia. Rome is a city drenched in history and Christianity. First-time visitors may be easily overwhelmed by all this magnif

'Wonderful quality product and everything made easy during the process.' Chris This stunning piece combines our newly designed, handcrafted triangular legs with a thick solid wood ash top - providing a unique feel to an all time classic. Built with quality in mind, this table will be a perfect dining room piece for years to come. Why you’ll love it: Customise this product to your size and specification Exceptional handcrafted quality from solid sustainably sourced wood Natural variations in wood colour and grain make each piece one of a kind Designed and handcrafted in house for original style and quality that you won’t find anywhere else Benefits: Stain resistant finishes for everyday use We deliver your furniture free of charge. We can also assemble and take away the packaging (charges apply) We use low and no-VOC finishes, we believe in creating a healthy home for you & your family 5 year guarantee: Our products are built for you to enjoy for generations, each piece of handcrafted furniture comes with a 5 year guarantee Lead time: Made to order in 4-5 weeks

Sant hat cutting or chacuterie board. Made of ash hardwood This product is made of natural wood so color and grain will change for each board.