Ce soir sur le blog, je vous présente notre arbre d'automne réalisé avec des restes de taillures de crayons...
Printed by Antoine Cellier; see colophon
Avec ces Jeux d'écriture, Denise Lach propose de véritables images écrites, tissées et tricotées sur une calligraphie parfaite, ouvrant un autre chemin entre la
Relief sculpture is an art form that is midway between painting and sculpture in the round. It is a process in which the subject stands out or projects a surface from the background. The surface can be several levels including high relief (deep or almost in the round) or low relief (shallow) or anywhere in between. To create their relief sculptures, seventh graders first learned about the difference between shape and form. A shape is two-dimensional (it has height and width) whereas a form is three-dimensional (it not only has height and width but also depth). Students experimented creating forms out of basic paper shapes by rolling, bending, folding and gluing them. After trying a variety of forms, students chose their favorite and created sixty variations of that form. Students then considered space and balance to position their forms into their final sculptural arrangement. These look awesome on display as they protrude from the wall- it's hard to really see the depth in these individual photos, but the shadows and dimension are super cool up close! Some photos of the students folding, rolling, arranging and gluing: The final pieces: Some views from an angle and up close:
Tout le monde connait au moins de loin la broderie traditionnelle sur textile. Cependant, il est aussi possible de broder sur papier et créer des jolies choses parfois très originale. Zoom sur ce loisir créatif facile même quand on débute!
Mise à jour septembre 18 : + 3 cartes XIXe pour le rituel d'Histoire de l'Art basé sur "Une minute au musée" Je suis en train de finir...
Que la couleur soit avec nous Toto dimensions 100x100cm
Joan Miro was an artist who didn't subscribe to any artistic label. Learn more about this incredibly talented artist with these Joan Miro Projects for Kids.
Boost kids creativity with a new kids art idea to try: ever tried painting on textured surfaces?
Inside you'll find an easy step-by-step Klimt Art Lesson Tutorial, with a template and sample art. Stop by and download yours for free.
Jean Despujols 1886-1965 prix de Rome 1914 professeur à l'école américaine d'art de Fontainebleau la pensée marié à une pianiste américaine, Despujols finira sa
J’ai adoré cette oeuvre quand je l’ai vue… Les personnages sont semblables à ceux de Keith Haring mais il s’agit de l’oeuvre d’un sculpteur David Kracov. Il s’agit d’une sculpture 3D en métal de 100x46x13 cm appelée « Thinking outside the box ». J’ai donc dessiné quelques personnages >ici
Comme vous le savez, j’ai passé un mois et demi dans une boîte à sardines, mais je n’y ai pas fait que patienter sagement en attendant que le temps passe ! Des ateliers d’art plas…
3 v. f
Personne ne se doutera de leur simplicité ou du petit prix payé pour transformer votre maison!
Reprint of the ed. of 1697, also called Troisième edition.
Time to have another go at these lovely flowers, which are still in bloom in Cornwall, even though we are well into October. As things are...
Der amerikanische Künstler David Kracov wurde 1968 in Boston geboren. David war der jüngste Künstler, dessen Kunstwerke im „Boston Museum of fine Arts“ ausgestellt wurden. Er schafft Metallskulpturen, die die Herzen der Menschen berühren.
Toon Joosen est un artiste des Pays-Bas versé dans les collages humoristiques.
These lovely paper masks were made by my second graders. The students learned different paper manipulation techniques including controlled tearing, punching paper with Fiskars squeeze punchers, cutting with paper edgers , crimping paper with a paper crimper, making forms, cutting spirals, folding zigzags and more. I created a poster with paper manipulation techniques using ideas that I had seen on other sculpture posters, like this one. I should have made a poster like this years ago. I have referred students … Read more... →
A collection of drawing exercises, downloadable worksheets and beautiful line drawings: inspiration for the student, artist or teacher.
La broderie au point de tige : 216 pages d'une référence absolue pour découvrir et reproduire les motifs Alsaciens les plus réputés : Cathédrale de Strasbourg, Maison Kammerzell, cigognes, mariage de l'Ami Fritz... En Alsace, la tradition voulait que toutes les jeunes filles apprennent à marquer leur trousseau, à le décorer de motifs propres à l'Alsace au point de croix ...
Et si on mélangeait la tradition de la couronne des rois et la découverte d'artistes peintres en créant une collection de "couronnes d'artistes" ? Après la couronne Mondrian avec ses carrés et ses rectangles, la couronne Delaunay toute en rondeurs,...
Nous célébrons 300 ans de complicité avec les artistes. Cette relation de confiance nous a permis de mettre au point les dernières innovations beaux-arts.
The idea for this lesson came from an image I saw on Pinterest.. but after doing some investigative work - seems to have originated from the blog Art. Paper. Scissors. Glue and before that from the 1991 book written by Sara Beggs, "The No Nonsense Guide to Teaching Art." For this lesson we began by taking about what symmetry is and the difference between linear symmetry (1 line of symmetry) and radial symmetry (more than 1 line of symmetry). Then we talked about what a sculpture is (a piece of artwork you can see from all sides - it is 3-dimensional) and what a relief "sculpture" is (a piece of artwork that has depth on the surface but is not meant to be seen from all sides). Once students understood the principles behind radial symmetry and sculpture we began creating our very own radial paper relief sculptures! Students started by folding a piece of 12"x12" black construction paper diagonally both ways and vertical and horizontally (to create an 'X' crease and a '+' crease). Making these creases makes creating a radial design SO much easier because it gives you guidelines to work with. Once their papers had been folded and their names written, we sat them aside. Before having students begin folding their colored paper (each piece was cut to 3" x 3") to fill the inside of their design, I demonstrated 4 folds to them to get them started. *Students were allowed to deviate from these folds if they wanted to. To download the handout below, click on the arrow button in the top right corner (this will open it in a new window). You can download from there. My kids absolutely LOVED this project! They are already super into origami, so this project was like heaven to them! :) You might also be interested in checking out my Paper Poinsettia Sculpture lesson which uses the same basic concepts. Also available in my Teachers Pay Teachers store!
Shibori patterns are EVERYWHERE right now! I am obsessed with this loose, organic look that’s created through different methods of folding and binding fabric before dyeing. What I didn’t realize is that it is incredibly easy to DIY! I really wanted to do a pillow for my house and a baby blanket or two (I have...
Bonjour ☀, Bienvenue dans la Ruche des Quilteuses 🐝 ! Au cœur de l’été, nous fûmes conviés à une fête champêtre chez nos meilleurs amis à une encablure de Lacaze (dans la vallée suivante qui …
Activités créatives pour enfants avec des fils de laine, incluant des travaux de tricot et des décorations faites maison.
Mademoiselle Pogany III by Constantin Brancusi 1933 Centre Georges Pompidou The atelier of Constantin Brancusi shows the culmination of the sculptor's work at the forefront of the French avant-guarde, reports Jeanne-Marie Cilento from Paris. "There are idiots who define my work as abstract; yet what they call abstract is what is most realistic. What is real is not the appearance, but the idea, the essence of things." ~ Constantin Brancusi Hidden away in the narrow streets crowding around Rue Rambuteau in Paris is the atelier of Modernist sculptor Constantin Brancusi. Italian architect Renzo Piano designed and recreated the sculptor’s studio as it was left in 1957 in a new building tucked in behind the soaring staircases of the Pompidou. Filled with Brancusi’s most evocative sculptures such as Bird in Space, A Muse and Infinite Columns, the studio is a way of experiencing the artist’s best work. He spent his last years grouping, regrouping and photographing his large works to achieve the ideal spatial arrangement. The Atelier Brancusi is the high-point of the artist’s work and an atmospheric way of viewing his famous sculptures exactly in the context he planned them to be seen. One of the great pioneers of modernism, he is considered the originator of modern, abstract sculpture. Today Brancusi’s work commands millions - the Yves Saint Laurent/Pierre Bergé sale in 2009 of Madame LR sold for a record 29.185 million euros - yet the sculptor started life as a poor Romanian peasant. While his parents labored in the fields near the Carpathian mountains, Constantin herded sheep and by nine years old was working in the local town at a public house. It is a remarkable leap from this rural, agricultural background to becoming a world-reknowned artist - in his own lifetime. But Brancusi’s natural aptitude for wood-carving stood him in great stead. As an eighteen year old lover of music and especially Romanian folk songs he created his own violin. It was so well done that a local businessman recognized his latent talent and enrolled him at the Craiova School of Arts and Crafts. He studied wood-working and graduated with honours in 1898. He then went on to receive his academic training in sculpture at the Bucharest School of Fine Arts. In 1904 he travelled to Paris and arrived amid the French capital's foment of new ideas, becoming part of the Parisian avant guarde of the 1910s and 1920s. The sculptor worked with Auguste Rodin for several months but decided that although he admired his work "nothing can grow under big trees". Brancusi was part of a group of artists and intellectuals that included Amedeo Modigliani, Pablo Picasso, Marcel Duchamp, Guillaume Apollinaire, Henri Rousseau and Fernand Leger. Although Brancusi remained based in Paris for the rest of his life, he still liked to dress simply like a Romanian peasant and his house and studio were filled with the rough-hewn furniture in wood and stone that was familiar from his childhood and that we see today in his atelier. Brancusi's philosophy valued "differentiating the essential from the ephemeral" and Plato and Lao-Tzu were great influences. An idealist and ascetic later in life, visitors to his studio noted its tranquil, spiritual atmosphere. The Atelier Brancusi has been moved from it’s original location in Impasse Ronsin in the 15th arrondissment but the studio still provides a calm respite from the Parisian hurly-burly outside. The four small studios and workshops are full of Brancusi's carefully arranged series of sculptures and all of his tools that he left to the Musee National D'Art Moderne in 1956. For more information visit: www.centrepompidou.fr. Click photographs for full-screen slideshow One of Brancusi's four interconnected studios with his sculptures carefully placed in groups, including Leda and Colonnes sans Fin Leda ~ polished bronze on a base of black stone and stainless steel ~ 1926 Yves Saint Laurent's Portrait of Madame LR that sold for 29.85 million euros Constantin Brancusi in his studio in 1934 The studio recreated (above) from the original (below) with Brancusi's series of large works ~ Colonnes sans fin and Grands Coqs. He didn't want to move these as he believed he had found the best arrangement for them to seen as the culmination of his life's work. Photograph taken in Brancusi's Paris studio in 1929 including the sculptures Léda, Colonnes sans fin I à III and Chimère. Sculptures organised by Brancusi around the great stone fireplace from his original atelier. Brancusi's workshop and studio as he left it in 1957 with the famous Bird in Flight in the foreground. Tools cover the work benches and walls near the forge in Brancusi's studio. The sculptor carved directly into his material whether it was wood, marble or plaster to try and reach the form within. He made or modified many of his own tools and used grindstones and sanders to give a highly polished sheen to his marble and bronze sculptures. One of Brancusi's studies for Muse. Sculptures from left to right are Mlle Pogany and studies for a Muse and Danaide. The Kiss sculpted in stone in 1923 www.centrepompidou.fr
Aussitôt trouvé, aussitôt partagé ! Parfaite en ces temps de rentrés, cette idée en art visuel provient de pinterest ! Il s'agit des lettres du prénom d'un enfant, découpées, décorées individuellement
Pour aiguiser le regard et faire travailler la main, rien de tel que cet exercice de dessin au pinceau et à l'encre de Chine !
La période de confinement peut être propice à la réalisation d'activités artistiques en famille. Les enfants, dès la petite section de maternelle, peuvent manipuler facilement des objets. De nombreuses techniques leur sont accessibles.
Dans cet article je vais vous montrer comment produire de belles harmonie des couleurs ; vous n’aurez plus qu’à vous baisser pour les ramasser !
In this three-part series, artnet News aims to find the best and brightest street artists working today, from known entities to emerging artists.
Fais comme cet artiste, en t'inspirant de son oeuvre et sa façon de travailler.
Goal: reducing the visible world in horizontal and vertical lines and primatr colors. Technique: stamping. You need: black cardboard sponges cut in different sizes (squares and rectangles) tempera paint in red, blue and yellow brushes white crayons View these artworks of Mondrian and talk about how he abstracted a tree. Also talk about Victory Boogie Woogie, the painting in which you can see part of the map of New York. Tell students we are going to make our own Mondrian map. Discuss the terms primary colors, square, rectangle, vertical and horizontal lines. Instruction Brushes will not be rinsed, but will remain the same color. Show how to use a brush to rub the sponge with paint. Show how to stamp: do not slide the sponge, but lift it off the paper. This way you'll get a tight shape. Stamp horizontally or vertically only. Do not stamp two of the same colors next to each other. Make sure the shapes don't touch each other. You must be able to see the black roads between them. When the work had dried, draw stripes on the black roads using a white crayon. Elements of art: shape, color, line. Artworks are made by students of grade 1/2.
