I posted this earlier but have since repainted the background so here it is finished. large robin painted cherry woodcut block 11” x 15.5” x 2” Lisa Brawn 2010
John and I had a fun day in the studio recently. We both wanted to do a bit of experimental mark-making, to explore new ideas. John is looking for inspiration for his printmaking and I thought it would be interesting to play with marks and compositions which could be the starting points of new drawings or which might possible translate into textiles. We gathered lots of tools and then made a few new ones, looking for anything which would make an unusual mark if dipped in paint: We decided to stick to black and white, so we could concentrate on marks and tone. I mixed up a tub of black acrylic and got out some Platignum Calligraphers Black Ink too (a good non-waterproof ink, as it separates into pretty colours when wet, rather than just going grey). I found an oil bar and some liquin too, which is great for smearing not just oil bars but also oil pastels. Plus a Derwent Inktense block and grater (tiny gratings can be scattered onto wet paper or sprayed with water for speckled effects). We both put on latex gloves and set-to on a big piece of cartridge paper each. It was such fun - no pressure to make something which 'works', just pure experimentation. This was my first sheet: I am particularly interested in randomness, so many of the new tools we made were designed to make the marks more hard to control. To add to the random element, we both cut up our sheets into equal pieces, using pre-decided measurements, not aesthetic judgement to create the sections: I like the way it changes things when you isolate a section. The emphasis on the various elements changes, because of the enforced edges, and you start to get interesting things happening with composition. On my 2nd sheet, I started with some large marks in a grey emulsion, to create a new element of contrast. I made a new tool too - a piece of corrugated card to print with. You can see the marks top right: I cut this one into squares. As the paper's dimensions didn't divide exactly into squares, this allowed me a slight element of judgement, as I could move the composition of any square a centimetre or two to the left or right. I then selected the best 6 squares from the 9 created. These are my favourites. It's surprising how well they work just as they are, but you can also see how they could be taken into print or textiles. It would be fun trying to find ways to reinterpret the marks and tones in the different medium. I can highly recommend this as a very enjoyable way of exploring new techniques and getting new inspiration. The randomness is important though, as a way of forcing you not to be too controlling and letting unexpected things happen. John did some experiments using blotting paper, which he tore into strips. Even the offcuts were interesting, which I saved as we were clearing up. The beautiful blue is the Platignum ink: Even my offcuts were quite interesting: Have a go. Even before we got drawing, it was good fun making the tools from odds and ends we found around the studio, taping them to bits of stick and then finding out what marks they made.
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Famous Artist Beatrix Potter is one of the world’s best-selling and most-loved children’s authors. Learn more in this Beatrix Potter From Nana's Back Porch podcast.
Today, we continue our Exploring Art History with Preschoolers series, sharing the first preschool reproduction using one of the masters’ techniques: Matisse Cutouts! Painting with Scissors – Exploring Matisse Cutouts This represents a number of firsts for us: the first Kids Activity in our Exploring Art History with Preschoolers series…
Award-winning children's book author who speaks in schools and keynotes conferences worldwide.
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Yes, John has been editing like a demon and we have now finished the 2nd of our two new films about creating a set of roughs. This one tells you how I designed some of the many animal characters for Jungle Grumble. If you are new to my blog, Jungle Grumble is the latest book I have been working on with author Julia Jarman. In this 2nd film, I show you how I begin with photographic reference and how I play around with facial features in particular, to turn each animal into a character more suitable for a picture book: We shot the footage for this film back in September, at the same time as the one I published last week. I had just finished all the line-drawings and had submitted them to the publisher, so it seemed a good idea to talk about the process while everything was fresh in my memory. But both films got put on a back-burner for a while, because of school visits and festivals. Then suddenly I had my artwork deadline to meet. We finally got round to editing them a couple of weeks back, while I was still having to sit around, because of my bad foot. Anyway, I really hope you like our efforts. We have over 1000 views on the first film, which is great: Please, please, please - if you enjoy the films, do share the links and tell your friends! The next film to be uploaded to my YouTube channel will be another demonstration with pastels at my drawing board, showing you how I turn one of my roughs into a piece of finished artwork. Let's hope we get that one edited together a little more swiftly for you!
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Stai cercando diversi disegni riguardo a un post e ti imbatti nei disegni di Glen Keane, uno degli animatori di punta della Disney, almeno fino a un anno fa perché cercando informazioni, trovi la notizia che lui si sia ritira
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Ca y est, il est terminé ! J'avais prévu au départ, une marge de 2 cm pour relier les feuilles directement entre elles. Mais je me suis aperçu qu'au dos de certaines feuilles, il y avait de la peinture. Ca ne faisait pas très joli. Alors j'ai choisi...
This gallery celebrates the world’s biggest drawing festival – The Big Draw – which runs until 3 November 2014. Illustrator and author Marion Deuchars invites you to take inspiration from the great artists from Andy Warhol to Frida Kahlo in your art
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