This is the first of a four-part post on the French artist Pierre Bonnard (1867 – 1947). The feature Bonnard’s paintings, lithographs, and lesser known commercial art. Bonnard was born in 1867 in Fontenay-aux-Roses, France. He began studying law in Paris in 1887. In the same year he also attended the Académie Julian, and in 1888 entered the Ecole des Beaux-Arts, where he met Ker-Xavier Roussel and Edouard Vuillard, who became his lifelong friends. Bonnard gave up law to become an artist, and, after brief military service, he joined the group of young painters called the Nabis (the prophets) in 1889, which was organized by Paul Sérusier and included Maurice Denis, Paul Ranson, Roussel, Vuillard, and others. The Nabis, influenced by Paul Gauguin and Japanese prints, experimented with arbitrary colour, expressive line, a wide range of mediums, and flat, patterned surfaces. In 1890 Bonnard shared a studio with Vuillard and Denis, and he began to make colour lithographs. In the following year, 1891, he met Henri de Toulouse-Lautrec, and had his first show at the Salon des Indépendants and in the Nabis’s earliest exhibitions at Le Barc de Boutteville. He exhibited with the Nabis until they disbanded in 1900. Bonnard worked in a variety of mediums – he frequently made posters and illustrations for La Revue blanche, and in 1895 he designed a stained-glass window for Louis Comfort Tiffany. His first solo show, at the Galerie Durand-Ruel in 1896, included paintings, posters, and lithographs. In 1897 Ambroise Vollard published the first of many albums of Bonnard’s lithographs and illustrated books. In 1903 Bonnard participated in the first Salon d’Automne and in the Vienna Secession, and from 1906 he was represented by Galerie Bernheim-Jeune, Paris. He travelled abroad extensively and worked at various locations in Normandy, the Seine valley, and the south of France (he bought a villa in Le Cannet near Cannes in 1925), as well as in Paris. The Art Institute of Chicago mounted a major exhibition of the work of Bonnard and Vuillard in 1933, and the Museum of Modern Art, New York, organized Bonnard retrospectives in 1946 and 1964. Bonnard died on January 23, 1947, in Le Cannet, France. 1891 Woman with Dog 1894 Woman Washing her Feet c1894 Two Dogs in a Deserted Street c1899 Table Setting under the Lamp 1907 In the Bathroom 1907 Woman Bending Over 1908 In the Mirror 1908 Table in the Garden c1908-12 Hambourg, Picnic c1909 Woman in front of a mirror 1910 Girl with Parrot 1912 La Place Clichy 1912 Saint-Tropez, Pier 1912 Summer in Normandy 1912 Summer, Dance 1912 Woman with Cat c1912-14 Lane at Vernonnet 1914 La Toilette 1915 Coffee c1916-20 Earthly Paradise 1919 Nude in Front of the Mantlepiece 1919 The Bowl of Milk c1919 Bathing Woman, Seen from the Back 1920 Balcony at Vernonnet 1920 Interior with a Woman in a Wicker Chair 1921 The Open Window In part 2: more paintings from 1921 and 1946.
Pierre Bonnard, Work Table, 1926 - 1937, via A Long Time Alone The Art Story Pierre Bonnard via A Long Time Alone Pierre Bonnard Pierre Bonnard Pierre Bonnard, The Garden via A Long Time Alone Pierre Bonnard, The White Cat, 1894 Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard via A Long Time Alone Pierre Bonnard, Bord de Mer aux toits Rouges, c. 1933 Pierre Bonnard, Carnations, c. 1921 via A Long Time Alone Pierre Bonnard, Child with Cat, 1906 Pierre Bonnard, In the Bathroom, c. 1940 Pierre Bonnard, Les Pivoines, c. 1930 Pierre Bonnard, Montmarte in the Rain Pierre Bonnard, Nude in Yellow, c. 1938 - 49 Pierre Bonnard, Pink Palm in Canet, 1924 via A Long Time Alone Pierre Bonnard, Summer, 1917 via A Long Time Alone Pierre Bonnard, Terasse a Vernon, 1923 Pierre Bonnard Pierre Bonnard Pierre Bonnard, Breakfast Pierre Bonnard, La Table Pierre Bonnard 1921 Works by Post-Impressionist Les Nabis painter and printmaker, Pierre Bonnard, (1867 - 1847)
This is the first of a four-part post on the French artist Pierre Bonnard (1867 – 1947). The feature Bonnard’s paintings, lithographs, and lesser known commercial art. Bonnard was born in 1867 in Fontenay-aux-Roses, France. He began studying law in Paris in 1887. In the same year he also attended the Académie Julian, and in 1888 entered the Ecole des Beaux-Arts, where he met Ker-Xavier Roussel and Edouard Vuillard, who became his lifelong friends. Bonnard gave up law to become an artist, and, after brief military service, he joined the group of young painters called the Nabis (the prophets) in 1889, which was organized by Paul Sérusier and included Maurice Denis, Paul Ranson, Roussel, Vuillard, and others. The Nabis, influenced by Paul Gauguin and Japanese prints, experimented with arbitrary colour, expressive line, a wide range of mediums, and flat, patterned surfaces. In 1890 Bonnard shared a studio with Vuillard and Denis, and he began to make colour lithographs. In the following year, 1891, he met Henri de Toulouse-Lautrec, and had his first show at the Salon des Indépendants and in the Nabis’s earliest exhibitions at Le Barc de Boutteville. He exhibited with the Nabis until they disbanded in 1900. Bonnard worked in a variety of mediums – he frequently made posters and illustrations for La Revue blanche, and in 1895 he designed a stained-glass window for Louis Comfort Tiffany. His first solo show, at the Galerie Durand-Ruel in 1896, included paintings, posters, and lithographs. In 1897 Ambroise Vollard published the first of many albums of Bonnard’s lithographs and illustrated books. In 1903 Bonnard participated in the first Salon d’Automne and in the Vienna Secession, and from 1906 he was represented by Galerie Bernheim-Jeune, Paris. He travelled abroad extensively and worked at various locations in Normandy, the Seine valley, and the south of France (he bought a villa in Le Cannet near Cannes in 1925), as well as in Paris. The Art Institute of Chicago mounted a major exhibition of the work of Bonnard and Vuillard in 1933, and the Museum of Modern Art, New York, organized Bonnard retrospectives in 1946 and 1964. Bonnard died on January 23, 1947, in Le Cannet, France. 1891 Woman with Dog 1894 Woman Washing her Feet c1894 Two Dogs in a Deserted Street c1899 Table Setting under the Lamp 1907 In the Bathroom 1907 Woman Bending Over 1908 In the Mirror 1908 Table in the Garden c1908-12 Hambourg, Picnic c1909 Woman in front of a mirror 1910 Girl with Parrot 1912 La Place Clichy 1912 Saint-Tropez, Pier 1912 Summer in Normandy 1912 Summer, Dance 1912 Woman with Cat c1912-14 Lane at Vernonnet 1914 La Toilette 1915 Coffee c1916-20 Earthly Paradise 1919 Nude in Front of the Mantlepiece 1919 The Bowl of Milk c1919 Bathing Woman, Seen from the Back 1920 Balcony at Vernonnet 1920 Interior with a Woman in a Wicker Chair 1921 The Open Window In part 2: more paintings from 1921 and 1946.
On view at the Tate Modern, Pierre Bonnard: The Colour of Memory focuses on the French Post-Impressionist's mature work, from 1912, when color became his chief concern, until his death in 1947.
This is the first of a four-part post on the French artist Pierre Bonnard (1867 – 1947). The feature Bonnard’s paintings, lithographs, and lesser known commercial art. Bonnard was born in 1867 in Fontenay-aux-Roses, France. He began studying law in Paris in 1887. In the same year he also attended the Académie Julian, and in 1888 entered the Ecole des Beaux-Arts, where he met Ker-Xavier Roussel and Edouard Vuillard, who became his lifelong friends. Bonnard gave up law to become an artist, and, after brief military service, he joined the group of young painters called the Nabis (the prophets) in 1889, which was organized by Paul Sérusier and included Maurice Denis, Paul Ranson, Roussel, Vuillard, and others. The Nabis, influenced by Paul Gauguin and Japanese prints, experimented with arbitrary colour, expressive line, a wide range of mediums, and flat, patterned surfaces. In 1890 Bonnard shared a studio with Vuillard and Denis, and he began to make colour lithographs. In the following year, 1891, he met Henri de Toulouse-Lautrec, and had his first show at the Salon des Indépendants and in the Nabis’s earliest exhibitions at Le Barc de Boutteville. He exhibited with the Nabis until they disbanded in 1900. Bonnard worked in a variety of mediums – he frequently made posters and illustrations for La Revue blanche, and in 1895 he designed a stained-glass window for Louis Comfort Tiffany. His first solo show, at the Galerie Durand-Ruel in 1896, included paintings, posters, and lithographs. In 1897 Ambroise Vollard published the first of many albums of Bonnard’s lithographs and illustrated books. In 1903 Bonnard participated in the first Salon d’Automne and in the Vienna Secession, and from 1906 he was represented by Galerie Bernheim-Jeune, Paris. He travelled abroad extensively and worked at various locations in Normandy, the Seine valley, and the south of France (he bought a villa in Le Cannet near Cannes in 1925), as well as in Paris. The Art Institute of Chicago mounted a major exhibition of the work of Bonnard and Vuillard in 1933, and the Museum of Modern Art, New York, organized Bonnard retrospectives in 1946 and 1964. Bonnard died on January 23, 1947, in Le Cannet, France. 1891 Woman with Dog 1894 Woman Washing her Feet c1894 Two Dogs in a Deserted Street c1899 Table Setting under the Lamp 1907 In the Bathroom 1907 Woman Bending Over 1908 In the Mirror 1908 Table in the Garden c1908-12 Hambourg, Picnic c1909 Woman in front of a mirror 1910 Girl with Parrot 1912 La Place Clichy 1912 Saint-Tropez, Pier 1912 Summer in Normandy 1912 Summer, Dance 1912 Woman with Cat c1912-14 Lane at Vernonnet 1914 La Toilette 1915 Coffee c1916-20 Earthly Paradise 1919 Nude in Front of the Mantlepiece 1919 The Bowl of Milk c1919 Bathing Woman, Seen from the Back 1920 Balcony at Vernonnet 1920 Interior with a Woman in a Wicker Chair 1921 The Open Window In part 2: more paintings from 1921 and 1946.
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Tate Modern is encouraging visitors to slow down at its major exhibition of the French Post-Impressionist painter
Listing for a ROLL OF CANVAS or PREMIUM PAPER You'll find a STRETCHED CANVAS for this Painting in our Store, or ask for a CUSTOM ORDER and/or ASSISTANCE Museum Quality Reproduction Painting: (1946) L’Amandier en fleurs "The Almond Tree in Blossom" Artist: Pierre Bonnard (1867 – 1947) was a French painter and printmaker, a founding member of the Post-Impressionist group of avant-garde painters Les Nabis MASTERPIECE WORKS OF ART REPRODUCED TO MUSEUM QUALITY PAINTINGS ARE PRINTED ON HEAVYWEIGHT PROFESSIONAL CANVAS AND/OR SATIN PAPER USING "GICLEE" TECHNIQUE ALL PAINTINGS HAVE A WHITE CANVAS AND/OR MATTE PAPER BORDER OF 1.75" AROUND THE IMAGE DIFFERENT SIZES AVAILABLE - CLICK ON SIZE TAB TO MAKE YOUR SELECTION - (ABOVE QUANTITY TAB) Canvas - (410g/m2, heavyweight bright white acid-free cotton) Satin Premium Paper - (190g/m2, print quality 1200 dpi) Almost any size is available, if you have another size in mind, contact us, and we'll give you the details. DETAILS Printed with vivera pigmented inks, designed to create vibrant color images that resist fading. Designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. GICLEE ART This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are "sprayed" onto high-quality surface. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. SHIPPING - TRACKING NUMBER WILL BE SUPPLIED - SHIPPED IN A STRONG CARDBOARD TUBE TO PROTECT THE CONTENTS FROM DAMAGE - FULLY INSURED USA - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days Canada - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days Outside USA & Canada $24.99 (Any Size) - 7 - 15 Business Days 100% SATISFACTION GUARANTEE - MONEY BACK GUARANTEE
“Tree by the River, 1909 #postimpressionism #bonnard”
Chris Ashley an artist and writer based in San Francisco sent me this image he had found of a drawing by Pierre Bonnard, study for "The Door into the Garden" 1924, pencil and watercolor on paper, 15.5 x 12 cm, private collection. I'm still taking on board just how important Bonnard is for me...this wonderful drawing was unfamiliar to me until now.
Pierre Bonnard - Paysage du Cannet oder Paysage du Midi, 1926 at Kunstmuseum Winterthur Switzerland
Pierre Bonnard 배경화면 오렌지 키컬러 감성 프로필 배경화면 모음 #yellow #orange #wallpaperArchive/BackgroundNowhere Cafe2022-08-28 14:19 선택 안됨 환상동화 판타지 핸드폰 배경화면 BG Wallpaper Daydreamin’Archive/BackgroundNowhere Cafe2022-08-24 19:46 선택 안됨 반짝반짝 파스텔 배경화면 shine your light ✨ TODAY IS YOUR DAYArchive/BackgroundNowhere Cafe2022-08-24 19:40 오렌지 키컬러 감성 프로필 배경화면 모음 #yellow #orange #wallpaper 환상동화 판타지 핸드폰 배경화면 BG Wallpaper Day..
Pierre Bonnard Pierre Bonnard in the studio Pierre Bonnard at work Pierre Bonnard Pierre Bonnard Pierre Bonnard ...
Art and Artists, Paintings, Painters, Prints, Printmakers, Illustration, Illustrators
The Garden at Vernon Pierre Bonnard - circa 1927
Les femmes eurent une place importante chez Pierre Bonnard 1867-1947, bien qu'il resta discret sur le sujet, il ne fut ni insensible à leur charme, ni dédaigneux de leur influence : sa mère, sa soeur Andrée, son épouse Marthe 1870-1942, ses amantes,...
This is the first of a four-part post on the French artist Pierre Bonnard (1867 – 1947). The feature Bonnard’s paintings, lithographs, and lesser known commercial art. Bonnard was born in 1867 in Fontenay-aux-Roses, France. He began studying law in Paris in 1887. In the same year he also attended the Académie Julian, and in 1888 entered the Ecole des Beaux-Arts, where he met Ker-Xavier Roussel and Edouard Vuillard, who became his lifelong friends. Bonnard gave up law to become an artist, and, after brief military service, he joined the group of young painters called the Nabis (the prophets) in 1889, which was organized by Paul Sérusier and included Maurice Denis, Paul Ranson, Roussel, Vuillard, and others. The Nabis, influenced by Paul Gauguin and Japanese prints, experimented with arbitrary colour, expressive line, a wide range of mediums, and flat, patterned surfaces. In 1890 Bonnard shared a studio with Vuillard and Denis, and he began to make colour lithographs. In the following year, 1891, he met Henri de Toulouse-Lautrec, and had his first show at the Salon des Indépendants and in the Nabis’s earliest exhibitions at Le Barc de Boutteville. He exhibited with the Nabis until they disbanded in 1900. Bonnard worked in a variety of mediums – he frequently made posters and illustrations for La Revue blanche, and in 1895 he designed a stained-glass window for Louis Comfort Tiffany. His first solo show, at the Galerie Durand-Ruel in 1896, included paintings, posters, and lithographs. In 1897 Ambroise Vollard published the first of many albums of Bonnard’s lithographs and illustrated books. In 1903 Bonnard participated in the first Salon d’Automne and in the Vienna Secession, and from 1906 he was represented by Galerie Bernheim-Jeune, Paris. He travelled abroad extensively and worked at various locations in Normandy, the Seine valley, and the south of France (he bought a villa in Le Cannet near Cannes in 1925), as well as in Paris. The Art Institute of Chicago mounted a major exhibition of the work of Bonnard and Vuillard in 1933, and the Museum of Modern Art, New York, organized Bonnard retrospectives in 1946 and 1964. Bonnard died on January 23, 1947, in Le Cannet, France. 1891 Woman with Dog 1894 Woman Washing her Feet c1894 Two Dogs in a Deserted Street c1899 Table Setting under the Lamp 1907 In the Bathroom 1907 Woman Bending Over 1908 In the Mirror 1908 Table in the Garden c1908-12 Hambourg, Picnic c1909 Woman in front of a mirror 1910 Girl with Parrot 1912 La Place Clichy 1912 Saint-Tropez, Pier 1912 Summer in Normandy 1912 Summer, Dance 1912 Woman with Cat c1912-14 Lane at Vernonnet 1914 La Toilette 1915 Coffee c1916-20 Earthly Paradise 1919 Nude in Front of the Mantlepiece 1919 The Bowl of Milk c1919 Bathing Woman, Seen from the Back 1920 Balcony at Vernonnet 1920 Interior with a Woman in a Wicker Chair 1921 The Open Window In part 2: more paintings from 1921 and 1946.
Here's a selection of some of the most outstanding artists in history, photographed with their cats. Every pose, every look, expresses their own unique ways and just the right vibrations!
This is the first of a four-part post on the French artist Pierre Bonnard (1867 – 1947). The feature Bonnard’s paintings, lithographs, and lesser known commercial art. Bonnard was born in 1867 in Fontenay-aux-Roses, France. He began studying law in Paris in 1887. In the same year he also attended the Académie Julian, and in 1888 entered the Ecole des Beaux-Arts, where he met Ker-Xavier Roussel and Edouard Vuillard, who became his lifelong friends. Bonnard gave up law to become an artist, and, after brief military service, he joined the group of young painters called the Nabis (the prophets) in 1889, which was organized by Paul Sérusier and included Maurice Denis, Paul Ranson, Roussel, Vuillard, and others. The Nabis, influenced by Paul Gauguin and Japanese prints, experimented with arbitrary colour, expressive line, a wide range of mediums, and flat, patterned surfaces. In 1890 Bonnard shared a studio with Vuillard and Denis, and he began to make colour lithographs. In the following year, 1891, he met Henri de Toulouse-Lautrec, and had his first show at the Salon des Indépendants and in the Nabis’s earliest exhibitions at Le Barc de Boutteville. He exhibited with the Nabis until they disbanded in 1900. Bonnard worked in a variety of mediums – he frequently made posters and illustrations for La Revue blanche, and in 1895 he designed a stained-glass window for Louis Comfort Tiffany. His first solo show, at the Galerie Durand-Ruel in 1896, included paintings, posters, and lithographs. In 1897 Ambroise Vollard published the first of many albums of Bonnard’s lithographs and illustrated books. In 1903 Bonnard participated in the first Salon d’Automne and in the Vienna Secession, and from 1906 he was represented by Galerie Bernheim-Jeune, Paris. He travelled abroad extensively and worked at various locations in Normandy, the Seine valley, and the south of France (he bought a villa in Le Cannet near Cannes in 1925), as well as in Paris. The Art Institute of Chicago mounted a major exhibition of the work of Bonnard and Vuillard in 1933, and the Museum of Modern Art, New York, organized Bonnard retrospectives in 1946 and 1964. Bonnard died on January 23, 1947, in Le Cannet, France. 1891 Woman with Dog 1894 Woman Washing her Feet c1894 Two Dogs in a Deserted Street c1899 Table Setting under the Lamp 1907 In the Bathroom 1907 Woman Bending Over 1908 In the Mirror 1908 Table in the Garden c1908-12 Hambourg, Picnic c1909 Woman in front of a mirror 1910 Girl with Parrot 1912 La Place Clichy 1912 Saint-Tropez, Pier 1912 Summer in Normandy 1912 Summer, Dance 1912 Woman with Cat c1912-14 Lane at Vernonnet 1914 La Toilette 1915 Coffee c1916-20 Earthly Paradise 1919 Nude in Front of the Mantlepiece 1919 The Bowl of Milk c1919 Bathing Woman, Seen from the Back 1920 Balcony at Vernonnet 1920 Interior with a Woman in a Wicker Chair 1921 The Open Window In part 2: more paintings from 1921 and 1946.
Artist: Pierre Bonnard (French, Fontenay-aux-Roses 1867–1947 Le Cannet). Date: 1939. Medium: Oil on canvas. Dimensions: 58 1/4 x 76 3/4 in. (148 x 194.9 c...
lostlilac: Pierre Bonnard
