Esci dall'ordinario con questo esclusivo piatto per burro Yvonne Ellen! Aggiungi un vivace tocco di brio al tuo piano di lavoro con la sua giocosa tonalità pastello e il bagliore dei dettagli dorati. È il modo perfetto per portare un po' di stravaganza nella tua cucina!!!!Prodotto in porcellana fine per una sensazione favolosamente lussuosa.17 cm x 7 cmPrima del primo utilizzo, lavare il prodotto in acqua tiepida e sapone e asciugarlo accuratamente. Non esporre a fonti di calore dirette. Non lasciare in ammollo per lunghi periodi di tempo. Lavare solo a mano.Yvonne Ellen London è una gamma davvero unica di articoli per la casa e da regalo nata dalla forte passione di Yvonne per la bellissima porcellana vintage, insieme all'amore per le illustrazioni eccentriche e decorative. Le splendide gamme sono create dal pluripremiato designer e sono l'aggiunta perfetta per aggiungere fascino e intrigo alla tua vita e alla tua casa.
Hot. humid brain. Clouds too full to stay afloat. No focus. Time to walk away from existing projects. Instead, I had a quilt camp week. Two very promising artists participated. We talked about modules, grids, color theory, stitching and machines. They both learned how to build compositions from scra
Learn how to make a beginner friendly Cyanotype print using the sunlight in our complete guide to making a DIY cyanotype print.
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Mini Maitsse
Prepare to dive into a burst of colors with these 53 flower coloring pages that are yours to download and print for free! These vibrant sheets are a fantastic option for parents and educators wishing to guide children into the breathtaking world of flora, putting a spotlight on the vast variety and beauty of flowers.
Die Bodenfliesen der Serie Arte sind ein klassisches Fliesenquadrat in den Abmessungen von 22,3 x 22,3 cm und bietet eine beliebte Wahl für den Innen- und Außenbereich. In jeden Raum zaubert das Modell einen Hauch von Vintage-Optik gepaart mit Unkompliziertheit und Eleganz der klassischen Fliese. Als eine robuste Feinsteinzeug-Anfertigung sorgt es zudem für einen langlebigen Schutz, selbst bei starker, täglicher Beanspruchung der Fläche.
Grade 8's made dragons for their clay unit. Before this project they practised drawing dragons with an oil pastel project you can see here. They had the choice of either an Eastern Asian style snake-like dragon or the more traditional 'fairy-tale' European winged dragon. I demonstrated both techniques, emphasizing the Asian dragon was slightly easier. The Western dragon involved fusing together two pinch pots in order to get a hollow body, then the biggest challenge of attaching the legs, wings and head. This was a challenging project but I was really happy with the end results. My sample: a bisque fired Asian style dragon. I used a wooden coffee stir stick from a coffee shop to create the scales. A popsicle stick would create larger scales. My other sample: a bisque fired Western style dragon with wings. Here are some students' work waiting to dry (let them dry a week, at least). Here are some glazed dragons waiting to be fired (we used Mayco Stroke and Coat glazes) Ta da! This guy was inspired by the film "How to Train Your Dragon".
Exquisite large 2 sheet flower stencil The Large Agapanthus Stencil – based on Henny’s closely observed drawings of the beautiful agapanthus flower. The Large Agapanthus Stencil perfectly captures the stately elegance of the Agapanthus (African Lily) in full bloom. This design is perfect for creating modern feature walls, panels and fabric drops. Use tones of purple, lilac, blue and green for a clean, fresh modern look, or stencil in silhouette white on coloured backgrounds for a unified style. Use the whole design or just the flower section to create different effects. Two layer flower stencil with easy to use registration dots. VISIT www.hennydonovanmotif.co.uk FOR FULL PRODUCT RANGE AND TOP TIPS Product Specifications Large two layer stencil. The tall single motif is approximately 80cm (31 1/2″) tall x 28cm (11″) wide at widest points. Full flower width 22cm (8 3/4″), half flower width also 22cm (8 3/4″) wide at furthest points. Copyright © Postage/Shipping for this stencil We despatch on Mondays, Wednesdays and Fridays and accept orders up to 11am on day of despatch for despatch on that day.
Teacher Sample Fall is so much about color and a bountiful harvest. Indian corn is both of these things. I'm fascinated by the colors, the glossy kernels and the wild, papery husks and knew this would be a wonderful theme for an art project. I explored and experimented with a few mediums and approaches (like close-up kernels and coloring with marker) and eventually settled on watercolor and pen. This project focusses on observational line drawing, watercolor and pen techniques, and color. Process Day 1 Students become familiar with Indian corn. We look at many pictures, illustrations, and paintings of Indian corn, in all it's colorful and diverse glory. Students are presented with the objectives for our project: Draw 2-3 corn cobbs with husks Overlap corns and husks (think about composition - husks should be various sizes, shapes and go off in different directions Draw corn kernels (not too small, and no more than 4-5 vertical rows) Shade with pen using hatching, cross-hatching and stippling Objectives and demo Kernel drawing demo Drawing: I demonstrated on the board how I might draw a corn cobb (not too fat, not too thin, a bit wider at top and narrower and rounded at bottom. Then I underlap two behind the first in a visually pleasing manner. Husks are trickier. We looked at husk pictures and the actual husks I brought to class. We noted the papery texture and the many bends and crinkles. I demo'd how husks grow up and out of each corn cobb and go every which way. Some are wide, others thinner, some longer, others shorter, some bend forward or backward, many overlap each other. Students draw out their compositions. Some students had to be encouraged to draw their corns larger, or to add more husks. Kernels: Kernels look tricky but are actually quite easy. I demo'd how to draw 4-5 vertical rows down the front of our corn, and how to fill each row with plump kernels. Kernels should very in shape and size a bit, so as not to end up with a super 'perfect' row, which would look unnatural. Kernels should be plump, and a bit disc-shaped, and should touch up against each other. There should not be any space between kernels. When the lines of our kernels meet up against each other, it creates a darker line, which in the end will create the illusion of depth. Kernels at the very bottom get smaller, and might even look like little balls. Kernels on the outer vertical rows of our corn might be a bit smaller too, because they are curving back in space, so we only see a portion of them. The rows in front are larger. This creates a 3-D look. Students were surprised at how much dimension their corns had. Once everything was drawn, we traced our pencil lines with permanent black fine liner marker and erased our pencil lines. As always, we used various widths of marker - larger for main contours, and smaller for details and shading. Shading: Students used hatching, cross-hatching and stippling to add shading, texture and detail to their corns and husks. As a rule of thumb, I tell the kids that any place that is overlapped or right up against another place will have a shadow, so make some marks there! Some students chose to stipple or color in a few of their corn kernels, since Indian corn is often randomly dotted with very dark kernels. This was what we managed on day 1 (90 minutes) Day 1 illustrations, little class (7-8) Day 1 illustrations 8-10 years Day 1 illustrations 8-14 years Day 2 As always with watercolor, we start with very light washes of color, and slowly build up more color intensity. Students decided which colors their corn would have. I suggested warm colors, cool colors and rainbows colors. To keep colors a bit less bright, and more autumnal, we mixed in some browns and ochres and ultramarines in with our colors. Basically, I encouraged students to not be afraid of using the 'dirty' side of their palette when mixing their colors, and to allow for some unexpected colors to mix. Toning colors down will give us a more realistic Indian corn feel. Corn were painted in their choice of colors. Our painting technique was less 'painting with brush strokes', and more 'dotting or dabbing' our brush around our corn, randomly dotting a light wash of color here and there. Then another color was 'dabbed' around our corn here and then, and then another, unill our corn had a few different colors. Because we used lots of water on our brush and a light wash of color, these colors subtly bleed into each other creating a soft but colorfully subtle under-layer. Once a bit dry, we went back into our corns and dabbed again, this time with a more intense color (less water, more pigment) and dabbed just a few kernels here and there with this color, then a second color and a third. Students were encourage to not paint each kernel, rather, just a few. The more intense the color, the more dimension and interest our corn gets. Husks were painted in a similar manner. The super light wash of our lightest color first (a grayish, neutral yellow or ochre). This color was dabbed around with a very wet brush anywhere where our husks are catching the most light. Our color must be transparent! Then we did this again with a second color, a bit darker (more intense grey, darker brown mixed with ultramarine) but focussed on areas that are slightly in shadow or shaded, or where areas overlap. And again with our third, darkest color, we dabbed color anywhere where we have more intense hatching, cross hatching or stippling. Since we already shaded with pen, it was easy for the kids to see where their darker paint should go. Each application of paint should be somewhat transparent, to ensure we can still see the beautiful pen illustration underneath, and to impart lots of light and dimension (the beauty of watercolor). Backgrounds were done wet on wet, also with a very wet brush and super light wash of color. Again, brushwork involved dabbing and slightly pushing color around, rather than streaking color with brush strokes. This gives us a more cloudy, foggy, softer look, and prevents that streaky appearance. My kids of all ages (from 7-14) and my adults were all wowed by their results. Petra, adult Lisa, adult Anuradha, adult Rune 7 Phoebe 10 Vita 12 Daniel 8 Dasheng 10 Sif 10 Adult class Adult class Little class (6-7 year old) Kids 8-14 Kids 8-10
Questo post é dedicato all'artista Alexander Calder, celebre per i suoi mobiles e per le sue tele dove primaggia il colore giallo, blu, rosso, nero e bianco
Blog di craft, decòr, handmade, feltro, cucito creativo, stoffe, tessuti e diy.
Uniting form and function, ceramic artist Avital Avital sculpts delicate, botanic-inspired vessels from porcelain.
Du magst es gerne lebendig und liebst Vintage? Dann ist die Bodenfliese Pamesa Arte Corot 22,3 x 22,3 cm wie für Dich gemacht. Durch ihr einzigartiges Dekor in einem matten grau-rot Ton, macht sie jeden Deiner Räume zu etwas besonderen. Bestelle Dir jetzt ein Muster nach Hause und lass Dich begeistern
Vidrio y Porcelana Opaco es una pintura opaca que se puede utilizar sobre vidrio, porcelana y cerámica, disponible en 20 colores y 2 prácticos estuches. Dado que esta pintura no es transparente, se usa sobre todo en porcelana y cerámica, pero también se pueden conseguir efectos extraordinarios sobre artículos de vidrio. Recicla tus artículos de vidrio y porcelana lisos y añade tus propios toques personales con puntos, líneas, dibujos y estampados en colores vivos. Modo de uso: Antes de aplicar la pintura, asegúrate de que el objeto esté limpio, sin grasa y seco. Aplica la pintura usando una esponja o un pincel plano para lograr una cobertura uniforme. También puedes utilizar palillos o un pincel pequeño para crear detalles, puntos y líneas delicados. Elimina los excesos de pintura o errores con agua tibia. Después de aplicar tu diseño, deja secar la pintura durante 45 minutos. Introduce el objeto pintado en el horno frío, fija una temperatura de 160 °C y hornea el producto durante 45 minutos cuando el horno haya alcanzado la temperatura adecuada. Se puede lavar a mano después de que se haya fijado. Solo para decoración.
Ricetta della Pasta di Mais o Porcellana Fredda: preparazione senza cottura.
Print by Esaias van Hulsen, plate from a suite of 6 designs for goldsmith's ornament, Dutch, 1617
De Cubo Graphite is een prachtige keramische patroontegel met een klassiek vintage motief uit het einde van de 19e eeuw. 20 x 20 x 0,8 cm Prijs is per doos van 30 stuks (1,20 m2) Keramisch, dus onderhoudsvrij! Vorstbestendig. Dus ook geschikt voor buiten. Levertijd 2 tot 5 werkdagen. De tegel thuis bekijken? Vraag hier een sample-tegel aan!
Culinary herbs & spices stock art illustrations: basil, rosemary, nutmeg, turmeric, cacao, ginger, lemongrass, capers, cloves, cinnamon, parsley & oregano,
Die Pamesa Arte Seurat beige – blau klingt nicht nur nach einem Kunstwerk, sondern ist es auch. Mit der Serie Arte hat Pamesa wieder eine meisterliche Handwerkskunst bewiesen. Das Muster der Arte Seurat beige – blau wirkt am besten mit vielen Fliesen, die ein Maß von ca. 22,3 x 22,3 cm aufweisen. Für Vintageliebhaber ein absolutes Highlight im Flur oder im Bad. Mit einer Umrandung der Arte blanco wirkt Dein Projekt einmalig und harmonisch. Die Kombination kann verschieden verlegt werden und setzt der Fantasie keine Grenzen. Verlegung am Boden? Kein Problem, selbst bei Fußbodenheizung. Verlegung an die Wand? Kein Problem mit der Arte Seurat beige – blau. Setze doch eine Highlightwand als Küchenspiegel. Erkunde die Welt der Künstler und bestelle ein Muster der Arte Seurat beige – blau.
Ecco tante idee carine per apparecchiare la tavola in stile marina. Se ami i suggestivi paesaggi marini e le atmosfere delle vacanze non potrai rinunciare a que
