Hoy os traemos un tutorial para que deis un toque especial a vuestros recuerdos. Una foto antigua o una nueva, usa la que quieras. Es un bonito regalo, un recuerdo de un momento especial para decorar
Hoy os traemos un tutorial para que deis un toque especial a vuestros recuerdos. Una foto antigua o una nueva, usa la que quieras. Es un bonito regalo, un recuerdo de un momento especial para decorar
Looking for a simple flower outline for your next craft project or activity? Then we’ve got you covered! Below you’ll find 6 different flower templates in all different sizes that you can use as a stencil or pattern. There’s 26 different printable pages and they’re all free for you to download and print! These flower shapes are great for spring, Mother's Day crafts, cards or invitations, coloring pages, or any craft or activity where you might need one (or many!) flower outlines. Keep reading for some fun ways to use these outlines! RELATED: Rose Outline These printables are for personal and school use
Hoy os traemos un tutorial para que deis un toque especial a vuestros recuerdos. Una foto antigua o una nueva, usa la que quieras. Es un bonito regalo, un recuerdo de un momento especial para decorar
Ícone vetorial gratuito. Baixe milhares de ícones de hobbies e tempo livre grátis em formato SVG, PSD, PNG, EPS ou como ICON FONT #flaticon #ícone #régua #fitamétrica #amedida
Il y a quelques semaines, Carole Tolila m’a proposé de rejoindre les intervenants du Festival Nananère organisé chaque année par le départe...
Baixe e imprima gratuitamente desenhos para bordado variados para você bordar lindas peças. Confira no post.
Confira neste post inspirações de Desenhos de Flores Para bordar a mão. Você viu aquele desenho e pensou: "esse daria um ótimo borda...
Há vários tipos de pontos de costura que podem ser feitos à mão. Aqui vai um pequeno exemplo. Assim que lembrar a fonte, eu a edito aqui. F...
Animals seem to be a popular embroidery subject. They are everywhere online. I know that the Royal School of Needlework (RSN) teaches 'pet portraits' to their certificate and diploma (C&D) students, but it's not been available as a day class until recently. I had the good fortune to participate in the first offering of this online version of the class to non-C&D students. These are some of the bits and pieces that I had acquired by the end of the class: The class had a lot going for it even beyond the fact of it merely being available. It was six weeks long and held on Saturdays. Because the instructor, Jen Goodwin, was willing to teach at night in the UK I had a wonderfully civilised 10AM (California time) start time. The sessions were only three hours long which I found to be a good length for a Zoom class. (I tried a single six hour RSN class several months ago and it was tiring, not to mention the class started at 7AM for me which was just too early.) I did the entire class on a phone, but a tablet or something larger would be nicer! The following is going to be fairly geeky. I'm writing this with the intent to share and also as notes for myself. We spent the first four weeks with lectures and sample stitching. Jen gave us guidance on good and bad source materials for our animals and she helped us select our photos. I chose a head shot of one of my cats: Meili at nine months old from last November. She's in pretty good focus and her eyes look really nice which was something that was important to me. Once our source photos had been selected we started working on developing a stitching outline or pattern. Jen gave us good directions on how to create the outline. We then used those patterns to do more prep work including a stitch direction diagram, a black and white shaded drawing, a colour pencil drawing and an order-of-work breakdown. These were all excellent exercises intended to help us to really get to know our photo and how it would eventually be embroidered. I haven't had time to finish all of the prep work, but will before I start working on the final piece. We started the process of choosing appropriate ground fabrics and thread colours. I find choosing thread colours to be very challenging, so this was probably the part that interested me the most. We used colour photos of our animal subjects and held threads up to the photos to see what matched. Or, we used the actual animals themselves sometimes: The next steps were to stitch several samples of different types of fur one might encounter when stitching an animal. The class was geared towards helping us learn how to stitch any animal through the various exercises. Employing a subset of the threads that we intended to use on our portraits, we stitched the samples on muslin/calico. We weren't necessarily stitching samples of our animals, we just used colours that we had already selected for future use. The exercises were fun and very informative. (There were only six required samples. I added more boxes to play with later.) The most interesting thing about stitching the fur is that, unlike traditional shaded work where you come up in an already stitched area, you go down into an already stitched area. You want to see the end of the fur. That was kind of weird to get used to, but well worth it! I had a bit of a conundrum over which ground fabric to use on my project. I narrowed it down to two natural-coloured Italian Graziano linens. They are sold in the States as 'manuscript vellum' (left) and 'sandcastle' (right). (Cutting out Mei Mei's head from the cluttered background of the original photo made things much easier!) I ended up choosing manuscript vellum because I like the contrast better. At this point we could transfer our patterns to the ground fabric and start stitching, but I decided I would work on practice pieces first. We started with the eyes on our actual animals and, in my case, the neck which would be the first area I would start stitching on besides the eyes. I had a lot of trepidation over stitching the eyes. Our penultimate class was wholly dedicated to the eyes. By the way, after the first class, I didn't do any stitching during classes, I just observed and took notes. That worked better for me as I could completely focus on what was being taught. We could send Jen photos during the week of our progress if we wanted to. Back to the eyes....they were difficult, but not as hard as I thought they would be. I followed Jen's excellent instruction and ended up with these: They need a little more tweaking, but they're not bad for a first try. I put several copies of the eyes on one of my practice pieces (via ink jet). I want to try some other colour combinations as well. That's about where we ended the class. I think there will be many challenges ahead, but we were given excellent instruction. I feel I have a solid grounding in how to proceed, but I'm still going to have fun figuring out the colours. However, this is good for me to do and I'm glad I took the class so that it forced me to try something I knew would be difficult. The class had a nice amount of rigour, but we also laughed a lot! I highly recommend it if you are interested in learning to embroider animals. References Royal School of Needlework The class proved very popular and they plan on offering it again. As of this writing there is a class in the Fall. Some of the students in the class are sharing their work on Instagram. You can follow via #rsnspringpetportrait2021 Jen Goodwin Embroidery
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Bobiné con tulipanes abiertos y dibujos para descargar Material necesario: 140 x 140 cm. de batista fina. Al partirlo por la mitad os saldrán 2 bobinés triangulares, o uno cuadrado dobl…
Explore Riscos & Rabiscos' 295 photos on Flickr!
Aprende a bordar dibujos con lana en tu labor, no necesitas utilizar la técnica de de Jacquard, puedes hacerlo con punto duplicado. Te enseñamos como.
Beaded Poppies Quick Reference: Flat Stitch Beading Basics https://www.tiktok.com/@sundaylacecreations/video/7160678576277228805?q=sundaylacecreations&t=1678292557161 *Pre-step Glue down/Sew down your pattern on the top of the beading foundation. Then place the middle black gem in the center, either gluing it down
Voici le travail de broderie proposé cette année par notre animatrice : une jolie branche de mimosa : normalement, elle devait être brodée au point de noeud, mais je me suis trompée : je l'ai faite au point de poste, c'est à dire un travail de broderie...
1. Petits animaux brodés • 2. État d'amour • 3. Passer le contour • 4. Fleurs brodées • 5. Star sur un T-shirt • More ...
In this previous installment of our series on how to embroider wheat five different ways, we stitched the two stalks on the right side of the bundle using bullion knots in different ways. Today, in the last of the four tutorials in this collection, we’re going to work a relatively quick satin stitch for the ...
When you think of a tattoo, you'll almost certainly imagine it made up of either black or colored inks. However, there some tattoo designs that contain nothing but a single white ink, and their delicate and subtle nature is becoming more and more popular.
Projeto de educação infantil para trabalhar com releitura de obras de Romero Brito na primavera.
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Cut out duck feet template
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Existem várias possibilidades para apresentar obras de arte para as crianças, mas a melhor delas, com certeza, é através do brincar! Brincando, colorindo, fazendo releituras e conhecendo cada detalhe da obra, a criança vai aprendendo e conhecendo aos poucos quem a pintou, como e por quê. E aliar conhecimento cultural com diversão é tudo de… Continuar lendo Vamos colorir OBRA DE ARTE com as crianças?
Téléchargez ces Vecteur premium sur Ensemble de branches d'arbres doodle dessinés à la main avec des feuilles sur fond blanc, et découvrez plus de 15M de ressources graphiques professionnelles sur Freepik
Um dos novos artistas brasileiros que tem feito muito sucesso internacional, sem dúvida alguma é Romero Brito. Nascido em pernambuco, tem uma biografia incrível que você pode ler aqui, se tiver interesse em saber mais sobre sua vida e suas obras. Sua obra e imagens são muito alegres e inspiram muita gente, com as cores … Continuar lendo Atividades de Artes – Romero Britto
