John Singer Sargent. In a Garden, Corfu. 1909. Oil on canvas. Private collection.

Mrs. George Swinton (Elizabeth Ebsworth) (1897) by John Singer Sargent is produced with printing that covers the entirety of the canvas for a sleek and stylish museum-quality look. Our framed prints are made by expert craftsmen who strive to make each canvas the masterpiece that your home deserves. Each of our framed canvas art prints is hand-crafted and made-to-order to give it a high quality and professional appearance. To ensure the clearest, most accurate depiction of the artists' original vision, we print each work of art on bright white polyester canvas, ensuring the most vivid display and precise details. READY TO HANG - Our canvas prints come with preinstalled D-rings attached to the back of the product to make hanging and displaying your new masterpiece a breeze.

John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 8 also. This is part 9 of a 23-part post on the works of John Singer Sargent: 1892 Miss Helena Dunham oil on canvas 121.9 x 81.3 cm Private Collection 1892 Mrs George Lewis oil on canvas 136 x 77.5 cm Private Collection 1892-93 Camprodón, Spain graphite, watercolour and gouache on paper 46.7 x 31.1 cm National Gallery of Art, Washington, DC 1892- 93 Camprodón, Spain graphite, watercolour and gouache on paper 45.1 x 28.6 cm Private Collection 1892-95c A Street Scene, Spain graphite and watercolour on paper 35.5 x 25.2 cm Sterling and Francine Clark Art Institute, Williamstown, MA 1892-93 Mrs. Hugh Hammersley oil on canvas 205.7 x 114.9 cm Metropolitan Museum of Art, New York 1893 A Jersey Calf oil on canvas 75.9 x 64.1 cm Yale University Art Gallery, New Haven, CT 1893 Louis Alexander Fagan oil on canvas 77 x 64.2 cm Private Collection 1893 Mrs. John J. Chapman ( Elizabeth "Bessie" Winthrop Chandler ) oil on canvas 125.4 x 102.9 cm The National Museum of American Art, Washington, DC 1893-94 Mrs. Mahlon Day Sands oil on canvas 127 x 90.2 cm Private Collection 1893-95 Mannikin in the Snow oil on canvas 61 x 91.4 cm Yale University Art Gallery, New Haven, CT 1893c Eleonora Duse oil on canvas 58.5 x 48.2 cm Herta and Paul Amir Collection 1893c Miss Elsie Wagg oil on canvas 100.4 x 69.8 cm Private Collection 1893c Mrs. Frederick Mead oil on canvas 67.9 x 51.8 cm Yale University Art Gallery, New Haven, CT 1894 Alice Meynell ( née Thompson ) graphite 36.2 x 21 cm © National Portrait Gallery, London 1894 Coventry Kersey Deighton Patmore oil on canvas 91.4 x 61 cm © National Portrait Gallery, London 1894 Lancelot Allen oil on canvas 63.5 x 58.4 cm Private Collection 1894 Mrs. Graham Moore Robertson oil on canvas 160 x 101.5 cm Watts Gallery, Compton, UK 1894 W. Graham Robertson oil on canvas 230.5 x 118.7 cm Tate, London 1894-95 Ada Rehan oil on canvas 236.2 x 127.3 cm Metropolitan Museum of Art, New York 1894c Mrs. Ernest Hills oil on canvas 156.2 x 102.2 cm National Gallery of Scotland, Edinburgh, UK 1895 Etta Dunham oil on canvas 100 x 80 cm Fondazione Memmo, Rome 1895 Frederick Law Olmsted oil on canvas 254 x 139.7 cm Biltmore House, Asheville, NC 1895 Frieze of Prophets, Boston Public Library, Boston MA: 1895 Frieze of Prophets mural Boston Public Library, Boston, MA Central panel of Frieze of Prophets - Moses with the Tablets of Law, flanked by Elijah and Joshua 1892-95c Study for Frieze of Prophets oil on canvas 56.2 x 71.1 cm Museum of Fine Arts, Boston, MA 1894-95 Study for "Frieze of Prophets" Boston Public Library oil on canvas 117 x 188 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1895 Study for Frieze of Prophets - Micah, Haggai, Malacchi, and Zechariah 1895c Study for Frieze of Prophets oil on canvas 46.7 x 39.1 cm Art Institute of Chicago, IL Study for Frieze of Prophets oil on canvas 59 x 87 cm Private Collection * * * * * 1895 Helen Sears oil on canvas 167.3 x 91.4 cm Museum of Fine Arts, Boston, MA 1895 Mrs. Frederick William Roller oil on canvas 223.5 x 113 cm Frye Art Museum, Seattle, WA 1895 Mrs. William Russell Cooke oil on canvas 89 x 68.6 cm Private Collection 1895 Philip II ( after Titian ) oil on canvas 46 x 29.9 cm Private Collection *see below 1549-51 Titian "Portrait of Philip II" oil on canvas 193 x 111 cm Museo Nacional del Prado, Madrid 1895 Richard Morris Hunt oil on canvas 254 x 139.7 cm Biltmore House, Asheville, NC 1895 Street, Tangier graphite, watercolour and gouache on wove paper 35.4 x 25.2 cm Metropolitan Museum of Art, New York 1895 Tangier graphite, watercolour and gouache on wove paper 35.4 x 22.9 cm Metropolitan Museum of Art, New York 1895c Marketplace graphite, watercolour and gouache on paper 25.4 x 35.6 cm Metropolitan Museum of Art, New York 1895c Study of a Young Man ( Cloaked ) lithograph 40.9 x 24.4 cm National Museum of American Art, Smithsonian Institution, Washington, DC 1895c Tangier watercolour on paper 25.4 x 35.4 cm Brooklyn Museum of Art, New York 1895c Women Approaching graphite and watercolour on paper 25.4 x 35.6 cm Metropolitan Museum of Art, New York 1896 A Horse and Two Oxen at a Ford graphite, watercolour and gouache on paper 25.4 x 35.2 cm Private Collection 1895 The Holy Trinity ( after El Greco ) oil on canvas 80 x 47 cm Private Collection *see below 1577 El Greco "The Holy Trinity" oil on canvas 300 x 179 cm Museo Nacional del Prado, Madrid 1895 Study of a Young Man ( Seated ) lithograph Museum of Fine Arts, Boston, MA 1895 Study of a Young Man ( Seated ) lithograph Museum of Fine Arts, Boston, MA 1895-96 Princess Demidoff ( Sophie Vorontzoff-Dashkoff ) oil on canvas 167.6 x 96.5 cm Toledo Museum of Art, Ohio 1895c Princess Demidoff ( Sophie Vorontzoff-Dashkoff ) graphite on blue-flecked wove paper 24 x 15.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1895c Princess Demidoff ( Sophie Vorontzoff-Dashkoff ) graphite on buff wove paper 24 x 15.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1895c Princess Demidoff ( Sophie Vorontzoff-Dashkoff ) graphite on buff wove paper 24 x 15.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1895-98c Madonna and Child and Saints graphite and watercolour on paper 33 x 24.5 cm Metropolitan Museum of Art, New York 1895c Saint with Dragon graphite and watercolour on paper 43.2 x 32.4 cm Private Collection 1895c Spanish Madonna and Child oil on canvas 46.4 x 27.3 cm St. Louis Art Museum, MO 1895c Virgin and Saints, Spain graphite, watercolour and gouache on paper 31.8 x 22.9 cm Private Collection 1895-1908 Arched Doorway watercolour and gouache on wove paper 35.4 x 25.2 cm Metropolitan Museum of Art, New York 1895-1916 Female Head in Profile charcoal on blue laid paper 61.7 x 46.6 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1895c Alhambra, Patio de los Leones oil on canvas 47.6 x 80 cm Private Collection 1895c Expectancy: Frances Winifred Hill oil on canvas 102.2 x 86.4 cm Private Collection 1895c Léon Delafosse oil on canvas 101 x 59.5 cm Seattle Art Museum, Seattle, WA 1895c Man Screaming ( aka Study for Hell ) charcoal 61.9 x 47.6 cm Corcoran Gallery of Art, Washington, DC 1896 Countess Clary Aldringen oil on canvas 228.5 x 122 cm Hirschl and Adler Galleries, New York 1896 Countess Laura Spinola Nunez del Castillo oil on canvas 34.5 x 28.5 cm Private Collection 1896 Gabriel Fauré graphite on paper 25.3 x 18.4 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1896 Jean, Wife of Colonel Ian Hamilton oil on canvas 130.2 x 92.1 cm Tate, London 1896 Joe Chamberlain oil on canvas 165.1 x 94.6 cm © National Portrait Gallery, London 1896c The Morning Walk ( after Gainsborough ) watercolour on paper 31.1 x 24.8 cm Private Collection *see below 1785 Thomas Gainsborugh "Mr and Mrs William Hallett ( The Morning Walk )" oil on canvas 236 x 179 cm The National Gallery, London 1897-88 Mrs. Charles Thursby oil on canvas 198.1 x 101 cm The Newark Museum, NJ 1897-98 Skirt and Feet of Mrs. Charles Thursby graphite on wove paper 24 x 15.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA

18" x 27" John Singer Sargent A White Ox at Siena gallery wrapped premium canvas print reproduced to meet museum quality standards. Our museum quality canvas prints are produced using high-precision print technology for a more accurate reproduction printed on high quality canvas with fade-resistant, archival inks. Our progressive business model allows us to offer works of art to you at the best wholesale pricing, significantly less than art gallery prices, affordable to all. This artwork is gallery wrapped by one of our expert framers, wrapped with 1.5" deep heavy duty wooden stretcher bars, to hang frameless for a high-end designer look. Our gallery wrapped canvas print comes with hardware, ready to hang on your wall. We present a comprehensive collection of exceptional canvas art reproductions by John Singer Sargent .

Listing for a ROLL OF CANVAS or PREMIUM PAPER You'll find a STRETCHED CANVAS for this Painting in our Store, or ask for a CUSTOM ORDER and/or ASSISTANCE Museum Quality Reproduction Painting: (1918) Gassed Artist: John Singer Sargent (1856 – 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era luxury. MASTERPIECE WORKS OF ART REPRODUCED TO MUSEUM QUALITY PAINTINGS ARE PRINTED ON HEAVYWEIGHT PROFESSIONAL CANVAS AND/OR SATIN PAPER USING "GICLEE" TECHNIQUE ALL PAINTINGS HAVE A WHITE CANVAS AND/OR MATTE PAPER BORDER OF 1.75" AROUND THE IMAGE DIFFERENT SIZES AVAILABLE - CLICK ON SIZE TAB TO MAKE YOUR SELECTION - (ABOVE QUANTITY TAB) Canvas - (410g/m2, heavyweight bright white acid-free cotton) Satin Semi-Gloss Premium Paper - (190g/m2, print quality 1200 dpi) Almost any size is available, if you have another size in mind, contact us, and we'll give you the details. DETAILS Printed with vivera pigmented inks, designed to create vibrant color images that resist fading. Designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. GICLEE ART This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are "sprayed" onto high-quality surface. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. SHIPPING - TRACKING NUMBER WILL BE SUPPLIED - SHIPPED IN A STRONG CARDBOARD TUBE TO PROTECT THE CONTENTS FROM DAMAGE - FULLY INSURED USA - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days  Canada - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days  Outside USA & Canada $24.99 (Any Size) - 7 - 15 Business Days  100% SATISFACTION GUARANTEE - MONEY BACK GUARANTEE

I take a closer look at his work to see what example made John Singer Sargent such a remarkable artist and what you can apply to your own paintings.

I take a closer look at his work to see what example made John Singer Sargent such a remarkable artist and what you can apply to your own paintings.

In 1888 John Singer Sargent saw Shakespeare's 'Macbeth' with Ellen Terry as Lady Macbeth. He was so impressed, he was determined to paint her.

This is going to be an extremely large post on the works of painter John Singer Sargent, comprising of more than 1600 works, so I sincerely hope you find it interesting. So that it doesn't take too long I'll endeavour to post every other day. He will be familiar to many as a society portraitist, and he was very good at them too, but Sargent was also an inveterate traveller, and he recorded his travels through his work with flair and a lightness of touch. 1886 Self-Portrait oil on canvas 34.5 x 29.7 cm Aberdeen Art Gallery and Museums, UK The family of John Singer Sargent (1856-1925) had deep roots in New England. His grandfather, Winthrop Sargent IV, descended from one of the oldest colonial families, had failed in the merchant-shipping business in Gloucester, Massachusetts, and had moved his family to Philadelphia. There, his son Fitzwilliam Sargent beacme a physician and in 1850 married Mary Newbold Singer, daughter of a successful local merchant, The couple left Philadelphia for Europe in late summer 1854, seeking healthful climate and a distraction after the death a year earlier of their firstborn child. The Sargents' stay in Europe was meant to be temporary, but they became expatriates, passing winters in Florence, Rome, or Nice and summers in the Alps or other cooler regions. Their son John was born in Florence in January 1856. Jon Sargent was given little regular schooling. As a result of his "Baedeker education," he learned Italian, French, and German. He studied geography, arithmetic, reading, and other disciplines under his father's tutelage, He also became an accomplished pianist. His mother, an amateur artist, encouraged him to draw, and her wanderlust furnished him with subjects. He enrolled for his first-documented formal art training during the winter of 1873-74 at the Accademia di Belle Arti in Florence. In spring 1874, Fitzwilliam Sargent resolved to nourish his son's talents in Paris, which had become the world's most powerful magnet for students. In May 1874, Sargent entered the teaching atelier of a youthful, stylish painter, Carolus-Duran, a leading portraitist in Third Republic France who encouraged his students to paint immediately (rather than make preliminary drawings), to exploit broad planes of viscous pigment, and to preserve the freshness of the sketch in completed works. He also exhorted them to study artists who demonstrated painterly freedom: Frans Hals and Rembrandt; Sir Anthony van Dyck and Sir Joshua Reynolds; and. above all others. the Spanish master Diego Velázquez. The young American moved close to his teacher stylistically and became his protégé. There is almost no work by Sargent, beginning with his successful submissions to the Paris Salons as early as 1877, that does not reflect the manner of Carolus-Duran or the old masters of the painterly tradition. Although Sargent painted, showed, and won praise for both portraits and subject pictures at the salons between 1877 and 1882, commissions for portraits increasingly demanded his attention and defined his reputation. Sargent's best-known portrait, Madame X, which he undertook without a commission, enlisted a palette and brushwork derived from Velázquez; a profile view that recalls Titian; and an unmodulated treatment of the face and figure inspired by the style of Édouard Manet and Japanese prints. The picture's novelty and quality notwithstanding, it was a succès de scandale in the 1884 Salon, provoking criticism for Sargent's indifference to conventions of pose, modelling, and treatment of space, even twenty years after Manet's pioneering efforts. 1883-84 Madame X ( Madame Pierre Gautreau ) oil on canvas 208.6 x 109.9 cm Metropolitan Museum of Art, New York Having gained notoriety rather than fame, Sargent decided that London, where he had thought of settling as early as 1882, would be more hospitable than Paris, In spring 1886, he moved to England for the rest of his life. Fearful that Sargent might sacrifice characterisation to a show of "French style," which they associated with Madame X and, perforce, disliked, English patrons at first withheld commissions. With time and creative energy to spare, Sargent spent several summers engaged in Impressionist projects. These were nourished by his contact with Monet, whom he visited several times at Giverny, beginning in early summer 1885, and by the chance to work outdoors during the summers of 1885 and 1886 in the Cotswold village of Broadway,Worcestershire. Sargent's most ambitious Broadway canvas was the ravishing Carnation, Lily, Lily, Rose (Tate Britain, London). The painting's display at the Royal Academy in 1887 assuaged the doubts of english critics, and its acquisition for the nation augured well for his career in London. Although English patrons still hesitated to sit for Sargent during the late 1880s, Americans were eager to do so during his visits to the United States between 1887 and 1889. Reassured by the conspicuous quality of Sargent's portraits, British patrons finally responded with numerous commissions during the 1890s. While his subjects included businessmen and their families, artists, and performers, Sargent flourished particularly as a purveyor of likenesses to the English aristocracy. He maintained a dialogue with tradition, creating grand-manner pendants to family heirlooms by van Dyck, Reynolds, and others. American patrons also continued to call upon Sargent's skills. 1885-86 Carnation, Lily, Lily, Rose oil on canvas 174 x 153.7 cm Tate, London After a turn of the century, Sargent grew tired of the demands of portrait painting. He was constantly preoccupied with mural paintings for the Boston Public Library, Boston;s Museum of Fine Arts, and the Harry Elkins Widener Memorial Library at Harvard University, for which he had received a series of commissions beginning in 1890. Travel studies in watercolour also came to occupy more of his time and became a new source of critical and financial support. Beginning in 1903, he showed such pictures to acclaim in London and New York, stimulating a great demand for them. Sargent engineered his career so astutely that by 1907, when he pledged not accept any more portrait commissions, he had established a solid reputation as a watercolourist. Biography from: H. Barbara Weinberg "John Singer Sargent (1856-1925)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art www.metmuseum.org This is part-1 of a 23-part post on the works of John Singer Sargent: 1870 Merjelen See graphite and watercolour on wove paper 27 x 38.7 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1870 The Eiger from Mürren graphite and watercolour on paper 39 x 27.2 cm Museum of Fine Arts, Boston, MA 1870 The Matterhorn graphite and watercolour on wove paper 38.8 x 27 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1870-72c Thistle graphite and watercolour on wove paper 16.8 x 11.6 cm Metropolitan Museum of Art, New York 1870-79 Sketch of Profile of a Woman graphite on wove paper 16.7 x 10.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1871 Alpine Village graphite and watercolour on tan wove paper 10.3 x 17.2 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1871 Mountain Landscape, Innsbrück, Austria graphite, watercolour and white gouache on grey wove paper 10.3 x 17.2 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1871 Sketch of a Tree graphite on paper 38.8 x 28.8 cm Museum of Fine Arts, Boston, MA 1871 Tyrolean Shrine graphite and watercolour on wove paper 17.1 x 25.4 cm Metropolitan Museum of Art, New York 1872 Boat with Figures graphite on wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Engelsburg ( graphite ) 27 x 36.2 cm British Museum, London 1872 Hay Wagon graphite, watercolour and white gouache on tan wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Landscape graphite on wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Landscape graphite on wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Mountain Landscape, Engelsburg, Germany graphite, brown ink and wash and white gouache on tan wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Sketch of Small Boats graphite on wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872c Deer charcoal 28.9 x 38.6 cm Worcester Art Museum, Worcester, MA 1874 Oscar and Bobino on the Fishing Smack graphite and watercolour on paper 30.2 x 41.9 cm Metropolitan Museum of Art, New York 1874 Two Wine Glasses oil on canvas 45.7 x 36.8 cm 1874-80 Man Wearing Laurels oil on canvas 44.4 x 33.4 cm The Los Angeles County Museum of Art, CA 1875 Seascape oil on canvas 27.9 x 20.9 cm 1875-77c Seascape with Rocks ( aka Sea and Rock ) oil on canvas 43.2 x 35.6 cm Private Collection 1875-80c A Male Model Standing before a Stove oil on canvas 71.1 x 55.9 cm Metropolitan Museum of Art, New York 1875c Bartholomy Magagnosco graphite 25.4 x 19.7 cm Philadelphia Museum of Art, PA 1875c Rocky Coast graphite on paper 10.8 x 16.5 cm Metropolitan Museum of Art, New York 1875c St Malo graphite on paper 8.9 x 14.4 cm Metropolitan Museum of Art, New York 1875c Two Small Boats Moored to Beach graphite on paper 10 x 16.5 cm Metropolitan Museum of Art, New York 1875c Water's Edge graphite on paper 14 x 19.1 cm 1875c Two Octopi oil on canvas 40.6 x 32.1 cm Private Collection 1875c Violet Sargent oil on panel 26.7 x 23.5 cm 1876 Atlantic Storm oil on canvas 59.7 x 80.6 cm 1876 Deck of a Ship in Moonlight graphite and watercolour on paper 222.9 x 29.8 cm Metropolitan Museum of Art, New York 1876 Mid-Ocean, Mid-Winter ( aka Mid Ocean in Winter ) oil on canvas mounted on board 31.8 x 42 cm Private Collection 1876 The Artist's Mother Aboard Ship oil on canvas 28 x 19.8 cm Private Collection 1876 The Cook's Boy oil on cardboard mounted on board 27.6 x 19.3 cm Private Collection 1876-77c Atlantic Sunset oil on canvas 64.8 x 92 cm Private Collection 1876-77c Seascape oil on canvas 27.9 x 21 cm Private Collection 1876c Moonlight on Waves graphite on paper 9.5 x 14.9 cm Metropolitan Museum of Art, New York 1876 Frank O'Meara oil on canvas 44.4 x 39.4 cm Private Collection 1876 The Model graphite and watercolour on paper 27.9 x 22.9 cm Museum of Fine Arts, Houston, Texas 1876-78 Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver oil on canvas 93 x 73 cm Art Institute of Chicago, IL 1879-80 Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver oil on canvas 57.1 x 46 cm Museum of Fine Arts, Boston, MA 1876 Young Man in Reverie oil 76.2 x 61 cm Private Collection 1876c Gitana ( Gypsy ) oil on canvas 73.7 x 60 cm Metropolitan Museum of Art, New York 1877 Miss Frances Sherborne Ridley Watts oil on canvas 83.5 x 105.7 cm Collection of Mr and Mrs Wharton Sinkler, USA 1877 Mrs. Charles Deering oil on canvas 55.9 x 45.7 cm Colby College of Art, ME 1877-78c A Summer Idyll oil on cardboard 32.5 x 40.7 cm Brooklyn Museum, New York 1877-79c The Flight into Egypt oil on cardboard 44.5 x 53.5 cm Private Collection 1877c Emily Sargent oil on canvas 31.1 x 22.9 cm Private Collection 1877c Figure of a Child graphite on paper 20.6 x 13 cm Metropolitan Museum of Art, New York 1877c On the Sands watercolour on paper 22.5 x 29.8 cm Private Collection 1877c Oyster Gatherers Returning ( aka Mussel Gatherers ) oil on canvas 49.8 x 61.4 cm Nelson-Atkins Museum of Art, Kansas City, MO 1877c Port Scene oil on panel 25.3 x 34.5 cm Private Collection 1877c Portrait of Neville Cain and Study of Mother and Child graphite on wove paper 22.6 x 27.9 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1877c Study of a Bust at Lille oil on panel 30.7 x 20.6 cm Private Collection 1878 A Nude Boy on a Beach oil on wood 26.8 x 35.1 cm Tate, London 1878 Two Boys on a Beach, Naples oil on panel 25.4 x 34.3 cm Private Collection 1879 Neapolitan Children Bathing ( aka Innocence Abroad ) oil on canvas 26.7 x 41.3 cm Stirling and Francine Clark Art Institute, Williamstown, MA 1878 Beach at Capri oil on canvas 26 x 3.9 cm Palace of the Legion of Honour, San Francisco, CA 1878 Boy on the Beach ( aka The Sun Bath ) oil on panel 19 x 29.8 cm Private Collection 1878 Eugene Juillerat oil on canvas 40.6 x 31.1 cm Private Collection 1878 Fishing Boats tempera on panel 26.4 x 35.2 cm Private Collection 1878 Gathering Olives tempera on panel 26.4 x 35.2 cm Private Collection 1878 Head of a Male Model oil on cardboard 59.7 x 49.5 cm Private Collection 1878 Head of a Young Man ( aka Portrait of a Sailor ) oil on panel 22.3 x 12.2 cm Private Collection 1878 Head of an Italian Girl oil on canvas 45.7 x 31.8 cm Private Collection 1878 Low Tide at Cancale Harbour oil on canvas 48.6 x 28.3 cm Museum of Fine Arts, Boston, MA 1878 Memories of Capri ( aka Ricordi di Capri ) oil on panel 34.5 x 26.5 cm Private Collection

Often derided as staidly traditional, John Singer Sargent in fact provided a glimpse of the modern world. Ahead of a major new exhibition, Sarah Churchwell surveys the sensational portraits that caught the imagination of painters and authors alike

The National Portrait Gallery presents an assemblage of 50 John Singer Sargent drawings. Learn more in this exhibition preview.

View Elizabeth Winthrop Chanler (Mrs. John Jay Chapman) by John Singer Sargent and other Artworks on Artvee

John Singer Sargent : El Jaleo (1882) Canvas Gallery Wrapped Giclee Wall Art Print (D4060) Types: ➤Archival Paper Print (rolled) ➤Canvas Print, Gallery wrapped (mirrored edges) on 2cm depth pine wooden frame (stretched), rolled in a tube, or framed (wood floater frame). Options: ➤Archival Paper Print (rolled) ➤Rolled Canvas Print ➤Stretched and Ready to Hang 1 Panel Canvas Print ➤Stretched and Ready to Hang 3 Panel Canvas Print ➤Canvas in Black, Brown or White Wood Floating Frame (2'' | 5cm thick) ★★★WHAT'S THE DIFFERENCE BETWEEN A ROLLED CANVAS PRINT AND AN ARCHIVAL PAPER PRINT? ★★★ Whereas our canvas prints come with that typical characteristic texture own to canvas, our archival paper prints come on cotton rag paper without texture. A rolled canvas print is normally stretched on wood stretcher bars, whereas archival paper prints are not. Additionally, a stretched canvas can be framed, but it doesn't need to be. Thus, our rolled canvas prints come in their advertized size + mirrored edges by default for easy stretching. Prefer a cut to size rolled canvas print instead, because you want to frame it in a traditional fine art frame behind glass? Then just type ''cut to size'' in our personalization box (listing top right ''add your personalization''). Note that our rolled canvas prints do not come with stretcher bars or frames. Either take it to your local framer, or stretch/frame it yourself. Other sizes than listed in our drop-down menu available upon request! Have something in mind that you don't see in our shop? Anything at all? We've got your back! Here you can order anything you'd like: https://www.etsy.com/listing/1528183805 Our high quality images are environmentally friendly printed on museum grade canvas, with high quality inks that will last for over 200 years. Our canvas prints are odorless and stable to UV-radiation. Please note that our standard processing time is 3-5 days. Our actual canvases may slightly differ from the pictures shown, as every item that we sell is created especially for you. Our canvas prints actually look BETTER in real life. Please note: all watermarks shown will not be seen on the actual product. **All images and advertized text courtesy of VNTGARTGallery. All offerings have been fully digitally remastered (updated, restored and retouched to perfection). Text and photos may not be used without written permission.**

John Singer Sargent is mostly known for his finely rendered portraits done in thick oils. But he was also a remarkable watercolor painter. Learn more here.

View The Wyndham Sisters; Lady Elcho, Mrs. Adeane, and Mrs. Tennant by John Singer Sargent and other Artworks on Artvee

Top 10 Most Famous Paintings by John Singer Sargent. Sargent was an American expatriate artist, considered the "leading portrait painter of his generation".

1890c Portrait of John Singer Sargent by Giovanni Boldini oil on panel 27 x 22 cm Private Collection John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 6 also. This is part-7 of a 23-part post on the works of John Singer Sargent: 1888 Portrait of a Man ( probably Nicola d'Inverno ) oil on canvas 61 x 45.7 cm Private Collection 1888 St. Martin's Summer oil on canvas 91.4 x 71.1 cm 1888 Two Girls with Parasols oil on canvas 74.9 x 63.5 cm Metropolitan Museum of Art, New York 1888 Under The Willows graphite and watercolour on paper 35.5 x 23.8 cm Museum of Fine Arts, Houston, Texas 1888-89c Edwin Austin Abbey graphite 35.6 x 25.7 cm Yale University Art Gallery, New Haven, CT 1888c At Calcot oil on canvas 63.5 x 76.2 cm Yale University Art Gallery, New Haven, CT 1888c Landscape with Trees, near Calcot on River Thames oil on canvas 69 x 51 cm Minnesota Marine Art Museum, Winona, MN 1888c River Bank, near Oxford oil on canvas 43.2 x 54.6 cm Private Collection 1888c Cecil Harrison oil on canvas 172.7 x 83.5 cm Southampton City Art Gallery, UK 1888c Jack Millet as a Baby graphite on paper 13.9 x 23.5 cm 1888c Woman with Parasol watercolour on paper 17.2 x 24.1 cm Private Collection 1889 A Boating Party oil on canvas 88.3 x 91.4 cm Museum of Art, Providence, RI 1889 A Game of Bowls, Ightham Mote, Kent ( UK ) oil on canvas 142.9 x 229.2 cm Private Collection 1889 A Portrait of Violet oil on canvas 59.7 x 38.1 cm Private Collection 1889 A Street in Algiers oil on panel 34.3 x 25.4 cm Adelson Galleries, New York 1889 Autumn on the River ( aka Miss Violet Sargent ) oil on canvas 76.2 x 50.8 cm Private Collection 1889 Claude Monet oil on canvas 40.6 x 33 cm National Academy of Design, New York 1889 Clementina Anstruther-Thomson oil on canvas 81.3 x 66 cm Private Collection 1889 Clementina Anstruther-Thomson oil on canvas 106.7 x 74 cm Private Collection 1889 Dorothy Barnard oil on canvas 70.5 x 39.4 cm Fitzwilliam Museum, Cambridge, UK 1889 Ellen Terry as Lady Macbeth ( sketch ) oil on canvas 53.5 x 40.6 cm Ellen Terry Memorial Museum, Tenterden, UK 1889 Ellen Terry as Lady Macbeth oil on canvas 221 x 114.3 cm Tate, London 1889 Gabriel Fauré oil on canvas 61 x 54.6 cm Musée de la Musique, Paris 1889 Head of a Woman graphite on cream wove paper 23.9 x 14.9 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1889 A Javanese Dancer ( study ) watercolour on paper 25.4 x 17.2 cm Private Collection 1889 A Javanese Dancer oil on canvas 172.7 x 80 cm Private Collection 1889 A Javanese Dancer oil on canvas 174 x 80 cm Private Collection 1889 A Javanese Dancer oil on canvas 175.9 x 78.1 cm Private Collection 1889 A Javanese Girl at Her Toilet oil on canvas 64.8 x 53.3 cm Stevenson Scott Kaminer 1889 Javanese Dancer Applying Make-up ( from Sketchbook of Javanese Dancers ) graphite on wove paper 21.6 x 14 cm Metropolitan Museum of Art, New York 1889 Javanese Dancing Girls graphite and watercolour on paper 31.1 x 25.4 cm Private Collection 1889c Javanese Dancer One of forty-five panel decorations painted by various artists fro a house being re-modelled by Sir Lawrence Alma-Tadema: 1889c Javanese Dancer oil on panel 81.3 x 14.6 cm Calouste Gulbenkian Foundation, Lisbon Hall of Panels at the home of Sir Lawrence Alma-Tadema A feature in "The Strand Magazine" * * * * * 1889 Lady Fishing - Mrs Ormond oil on canvas 184.8 x 97.8 cm Tate, London 1889 Violet Fishing oil on canvas 72.4 x 53.3 cm Brooklyn Museum of Art, New York 1889 Mademoiselle Roger-Jourdain oil on canvas 60 x 44.9 cm Sterling and Francine Clark Art Institute, Williamstown, MA 1889 Mrs. Charles F. St.Clair Anstruther-Thomson oil on canvas 148.6 x 97.1 cm Private Collection 1889 Mrs. Edmond Kelly oil on canvas 111.8 x 81.3 cm Fitchburg Art Museum, Fitchburg, MA 1889 Mrs. Joshua Montgomery Sears oil on canvas 147.6 x 96.8 cm Museum of Fine Arts, Houston, Texas 1889 An Out-of-Doors Study Inspired in part by the Impressionist work of his friend Claude Monet, this portrait depicts another Frech artist friend, Paul Helleu, and his young wife Alice, settled in the grass at Fladbury, in England's Cotswolds. 1889 Paul Helleu Sketching with his Wife oil on canvas 65.9 x 80.7 cm Brooklyn Museum of Art, New York 1889 Sketch of Madame Helleu graphite on cream wove paper 23.9 x 14.9 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1889 The Garden at Fladbury Rectory oil on canvas 49.5 x 68 cm Private Collection 1889 Two Girls In a Punt oil on canvas 35.6 x 44.4 cm Private Collection 1889 Violet Resting on the Grass watercolour 24.8 x 34.3 cm 1889 Violet Sargent and Flora Priestley oil on canvas 55.9 x 41.9 cm Private Collection 1889-90c Study for "Miss Elsie Palmer" ( aka A Lady in White ) brown ink on wove paper 26.4 x 35.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1889-90c Study for "Miss Elsie Palmer" oil on canvas 76.2 x 49.2 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1889-90 Miss Elsie Palmer oil on canvas 190.8 x 114.6 cm Colorado Springs Fine Arts Center, CO 1889-90c Elsie Palmer oil on canvas 74.9 x 62.3 cm Private Collection 1889c Cicely Horner oil on canvas 61 x 40.6 cm 1889c Flora Priestley ( aka Lamplight Study ) oil on canvas 45.7 x 30.5 cm Private Collection 1889c Flora Priestley graphite29.2 x 21.6 cm Private Collection 1889c Flora Priestley oil on canvas 91.4 x 63.5 cm Tate, London 1889c Madame Helleu oil on canvas 102.9 x 82.6 cm Private Collection 1889c Mrs. J. W. Comyns Carr oil on canvas 64.5 x 50.5 cm Speed Art Museum, Louisville, KY 1889c Paul Helleu lying in a Field pastel on paper 26 x 37.8 cm British Museum, London 1889c Two Girls on a Lawn oil on canvas 53.7 x 64.1 cm Metropolitan Museum of Art, New York after 1890 Woman with Collie graphite, watercolour and gouache on wove paper 35.4 x 25.2 cm Metropolitan Museum of Art, New York 1890 Beatrice Goelet oil on canvas 162.6 x 86.3 cm Private Collection 1890 Edwin Booth oil on canvas 222.3 x 156.8 cm The Players Club, New York 1890 Garden Sketch oil on canvas 59.4 x 44.8 cm Weatherspoon Art Museum, Greensboro, NC 1890 Gordon Fairchild oil 137.2 x 101.6 cm Private Collection 1890 Grace Woodhouse oil on canvas 162.9 x 94 cm National Gallery of Art, Washington, DC 1890 Henry Cabot Lodge oil on canvas 127 x 84.5 cm National Portrait Gallery, Washington, DC 1890 Homer Saint-Gaudens and his Mother oil on canvas 151.8 x 142.2 cm Carnegie Museum of Art, Pittsburgh, PA 1890 Joseph Jefferson oil on canvas 91.4 x 72.4 cm Hampden-Booth Theatre Library, New York 1890 Katherine Chase Pratt oil on canvas 101.6 x 76.2 cm Peters Corporation, Santa Fe, NM 1890 Katherine Chase Pratt oil on canvas 101.6 x 76.5 cm Worcester Art Museum, MA

This is going to be an extremely large post on the works of painter John Singer Sargent, comprising of more than 1600 works, so I sincerely hope you find it interesting. So that it doesn't take too long I'll endeavour to post every other day. He will be familiar to many as a society portraitist, and he was very good at them too, but Sargent was also an inveterate traveller, and he recorded his travels through his work with flair and a lightness of touch. 1886 Self-Portrait oil on canvas 34.5 x 29.7 cm Aberdeen Art Gallery and Museums, UK The family of John Singer Sargent (1856-1925) had deep roots in New England. His grandfather, Winthrop Sargent IV, descended from one of the oldest colonial families, had failed in the merchant-shipping business in Gloucester, Massachusetts, and had moved his family to Philadelphia. There, his son Fitzwilliam Sargent beacme a physician and in 1850 married Mary Newbold Singer, daughter of a successful local merchant, The couple left Philadelphia for Europe in late summer 1854, seeking healthful climate and a distraction after the death a year earlier of their firstborn child. The Sargents' stay in Europe was meant to be temporary, but they became expatriates, passing winters in Florence, Rome, or Nice and summers in the Alps or other cooler regions. Their son John was born in Florence in January 1856. Jon Sargent was given little regular schooling. As a result of his "Baedeker education," he learned Italian, French, and German. He studied geography, arithmetic, reading, and other disciplines under his father's tutelage, He also became an accomplished pianist. His mother, an amateur artist, encouraged him to draw, and her wanderlust furnished him with subjects. He enrolled for his first-documented formal art training during the winter of 1873-74 at the Accademia di Belle Arti in Florence. In spring 1874, Fitzwilliam Sargent resolved to nourish his son's talents in Paris, which had become the world's most powerful magnet for students. In May 1874, Sargent entered the teaching atelier of a youthful, stylish painter, Carolus-Duran, a leading portraitist in Third Republic France who encouraged his students to paint immediately (rather than make preliminary drawings), to exploit broad planes of viscous pigment, and to preserve the freshness of the sketch in completed works. He also exhorted them to study artists who demonstrated painterly freedom: Frans Hals and Rembrandt; Sir Anthony van Dyck and Sir Joshua Reynolds; and. above all others. the Spanish master Diego Velázquez. The young American moved close to his teacher stylistically and became his protégé. There is almost no work by Sargent, beginning with his successful submissions to the Paris Salons as early as 1877, that does not reflect the manner of Carolus-Duran or the old masters of the painterly tradition. Although Sargent painted, showed, and won praise for both portraits and subject pictures at the salons between 1877 and 1882, commissions for portraits increasingly demanded his attention and defined his reputation. Sargent's best-known portrait, Madame X, which he undertook without a commission, enlisted a palette and brushwork derived from Velázquez; a profile view that recalls Titian; and an unmodulated treatment of the face and figure inspired by the style of Édouard Manet and Japanese prints. The picture's novelty and quality notwithstanding, it was a succès de scandale in the 1884 Salon, provoking criticism for Sargent's indifference to conventions of pose, modelling, and treatment of space, even twenty years after Manet's pioneering efforts. 1883-84 Madame X ( Madame Pierre Gautreau ) oil on canvas 208.6 x 109.9 cm Metropolitan Museum of Art, New York Having gained notoriety rather than fame, Sargent decided that London, where he had thought of settling as early as 1882, would be more hospitable than Paris, In spring 1886, he moved to England for the rest of his life. Fearful that Sargent might sacrifice characterisation to a show of "French style," which they associated with Madame X and, perforce, disliked, English patrons at first withheld commissions. With time and creative energy to spare, Sargent spent several summers engaged in Impressionist projects. These were nourished by his contact with Monet, whom he visited several times at Giverny, beginning in early summer 1885, and by the chance to work outdoors during the summers of 1885 and 1886 in the Cotswold village of Broadway,Worcestershire. Sargent's most ambitious Broadway canvas was the ravishing Carnation, Lily, Lily, Rose (Tate Britain, London). The painting's display at the Royal Academy in 1887 assuaged the doubts of english critics, and its acquisition for the nation augured well for his career in London. Although English patrons still hesitated to sit for Sargent during the late 1880s, Americans were eager to do so during his visits to the United States between 1887 and 1889. Reassured by the conspicuous quality of Sargent's portraits, British patrons finally responded with numerous commissions during the 1890s. While his subjects included businessmen and their families, artists, and performers, Sargent flourished particularly as a purveyor of likenesses to the English aristocracy. He maintained a dialogue with tradition, creating grand-manner pendants to family heirlooms by van Dyck, Reynolds, and others. American patrons also continued to call upon Sargent's skills. 1885-86 Carnation, Lily, Lily, Rose oil on canvas 174 x 153.7 cm Tate, London After a turn of the century, Sargent grew tired of the demands of portrait painting. He was constantly preoccupied with mural paintings for the Boston Public Library, Boston;s Museum of Fine Arts, and the Harry Elkins Widener Memorial Library at Harvard University, for which he had received a series of commissions beginning in 1890. Travel studies in watercolour also came to occupy more of his time and became a new source of critical and financial support. Beginning in 1903, he showed such pictures to acclaim in London and New York, stimulating a great demand for them. Sargent engineered his career so astutely that by 1907, when he pledged not accept any more portrait commissions, he had established a solid reputation as a watercolourist. Biography from: H. Barbara Weinberg "John Singer Sargent (1856-1925)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art www.metmuseum.org This is part-1 of a 23-part post on the works of John Singer Sargent: 1870 Merjelen See graphite and watercolour on wove paper 27 x 38.7 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1870 The Eiger from Mürren graphite and watercolour on paper 39 x 27.2 cm Museum of Fine Arts, Boston, MA 1870 The Matterhorn graphite and watercolour on wove paper 38.8 x 27 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1870-72c Thistle graphite and watercolour on wove paper 16.8 x 11.6 cm Metropolitan Museum of Art, New York 1870-79 Sketch of Profile of a Woman graphite on wove paper 16.7 x 10.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1871 Alpine Village graphite and watercolour on tan wove paper 10.3 x 17.2 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1871 Mountain Landscape, Innsbrück, Austria graphite, watercolour and white gouache on grey wove paper 10.3 x 17.2 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1871 Sketch of a Tree graphite on paper 38.8 x 28.8 cm Museum of Fine Arts, Boston, MA 1871 Tyrolean Shrine graphite and watercolour on wove paper 17.1 x 25.4 cm Metropolitan Museum of Art, New York 1872 Boat with Figures graphite on wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Engelsburg ( graphite ) 27 x 36.2 cm British Museum, London 1872 Hay Wagon graphite, watercolour and white gouache on tan wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Landscape graphite on wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Landscape graphite on wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Mountain Landscape, Engelsburg, Germany graphite, brown ink and wash and white gouache on tan wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872 Sketch of Small Boats graphite on wove paper 27.1 x 36.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1872c Deer charcoal 28.9 x 38.6 cm Worcester Art Museum, Worcester, MA 1874 Oscar and Bobino on the Fishing Smack graphite and watercolour on paper 30.2 x 41.9 cm Metropolitan Museum of Art, New York 1874 Two Wine Glasses oil on canvas 45.7 x 36.8 cm 1874-80 Man Wearing Laurels oil on canvas 44.4 x 33.4 cm The Los Angeles County Museum of Art, CA 1875 Seascape oil on canvas 27.9 x 20.9 cm 1875-77c Seascape with Rocks ( aka Sea and Rock ) oil on canvas 43.2 x 35.6 cm Private Collection 1875-80c A Male Model Standing before a Stove oil on canvas 71.1 x 55.9 cm Metropolitan Museum of Art, New York 1875c Bartholomy Magagnosco graphite 25.4 x 19.7 cm Philadelphia Museum of Art, PA 1875c Rocky Coast graphite on paper 10.8 x 16.5 cm Metropolitan Museum of Art, New York 1875c St Malo graphite on paper 8.9 x 14.4 cm Metropolitan Museum of Art, New York 1875c Two Small Boats Moored to Beach graphite on paper 10 x 16.5 cm Metropolitan Museum of Art, New York 1875c Water's Edge graphite on paper 14 x 19.1 cm 1875c Two Octopi oil on canvas 40.6 x 32.1 cm Private Collection 1875c Violet Sargent oil on panel 26.7 x 23.5 cm 1876 Atlantic Storm oil on canvas 59.7 x 80.6 cm 1876 Deck of a Ship in Moonlight graphite and watercolour on paper 222.9 x 29.8 cm Metropolitan Museum of Art, New York 1876 Mid-Ocean, Mid-Winter ( aka Mid Ocean in Winter ) oil on canvas mounted on board 31.8 x 42 cm Private Collection 1876 The Artist's Mother Aboard Ship oil on canvas 28 x 19.8 cm Private Collection 1876 The Cook's Boy oil on cardboard mounted on board 27.6 x 19.3 cm Private Collection 1876-77c Atlantic Sunset oil on canvas 64.8 x 92 cm Private Collection 1876-77c Seascape oil on canvas 27.9 x 21 cm Private Collection 1876c Moonlight on Waves graphite on paper 9.5 x 14.9 cm Metropolitan Museum of Art, New York 1876 Frank O'Meara oil on canvas 44.4 x 39.4 cm Private Collection 1876 The Model graphite and watercolour on paper 27.9 x 22.9 cm Museum of Fine Arts, Houston, Texas 1876-78 Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver oil on canvas 93 x 73 cm Art Institute of Chicago, IL 1879-80 Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver oil on canvas 57.1 x 46 cm Museum of Fine Arts, Boston, MA 1876 Young Man in Reverie oil 76.2 x 61 cm Private Collection 1876c Gitana ( Gypsy ) oil on canvas 73.7 x 60 cm Metropolitan Museum of Art, New York 1877 Miss Frances Sherborne Ridley Watts oil on canvas 83.5 x 105.7 cm Collection of Mr and Mrs Wharton Sinkler, USA 1877 Mrs. Charles Deering oil on canvas 55.9 x 45.7 cm Colby College of Art, ME 1877-78c A Summer Idyll oil on cardboard 32.5 x 40.7 cm Brooklyn Museum, New York 1877-79c The Flight into Egypt oil on cardboard 44.5 x 53.5 cm Private Collection 1877c Emily Sargent oil on canvas 31.1 x 22.9 cm Private Collection 1877c Figure of a Child graphite on paper 20.6 x 13 cm Metropolitan Museum of Art, New York 1877c On the Sands watercolour on paper 22.5 x 29.8 cm Private Collection 1877c Oyster Gatherers Returning ( aka Mussel Gatherers ) oil on canvas 49.8 x 61.4 cm Nelson-Atkins Museum of Art, Kansas City, MO 1877c Port Scene oil on panel 25.3 x 34.5 cm Private Collection 1877c Portrait of Neville Cain and Study of Mother and Child graphite on wove paper 22.6 x 27.9 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1877c Study of a Bust at Lille oil on panel 30.7 x 20.6 cm Private Collection 1878 A Nude Boy on a Beach oil on wood 26.8 x 35.1 cm Tate, London 1878 Two Boys on a Beach, Naples oil on panel 25.4 x 34.3 cm Private Collection 1879 Neapolitan Children Bathing ( aka Innocence Abroad ) oil on canvas 26.7 x 41.3 cm Stirling and Francine Clark Art Institute, Williamstown, MA 1878 Beach at Capri oil on canvas 26 x 3.9 cm Palace of the Legion of Honour, San Francisco, CA 1878 Boy on the Beach ( aka The Sun Bath ) oil on panel 19 x 29.8 cm Private Collection 1878 Eugene Juillerat oil on canvas 40.6 x 31.1 cm Private Collection 1878 Fishing Boats tempera on panel 26.4 x 35.2 cm Private Collection 1878 Gathering Olives tempera on panel 26.4 x 35.2 cm Private Collection 1878 Head of a Male Model oil on cardboard 59.7 x 49.5 cm Private Collection 1878 Head of a Young Man ( aka Portrait of a Sailor ) oil on panel 22.3 x 12.2 cm Private Collection 1878 Head of an Italian Girl oil on canvas 45.7 x 31.8 cm Private Collection 1878 Low Tide at Cancale Harbour oil on canvas 48.6 x 28.3 cm Museum of Fine Arts, Boston, MA 1878 Memories of Capri ( aka Ricordi di Capri ) oil on panel 34.5 x 26.5 cm Private Collection

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