Lucas Cranach the Elder Portrait of Johann Friedrich the Magnanimous 1509 oil on panel National Gallery, London Lucas Cranach the Elder Portrait of Johann the Steadfast 1509 oil on panel National Gallery, London The pair of portraits above by Lucas Cranach the Elder represent two Electors of Saxony – father and son – both active as militant Protestants during the early decades of the Reformation. Their images are preserved in one frame arranged as a diptych at the National Gallery in London. Hans Baldung Portrait of a man 1514 oil on panel National Gallery, London Michel Sittow Portrait of Diego de Guevara ca. 1515-18 oil on panel National Gallery of Art, Washington DC From January to May 2018 the National Gallery of Art in Washington DC will mount a retrospective exhibition – Michel Sittow: Estonian Painter at the Courts of Renaissance Europe. "Undoubtedly the greatest Renaissance artist from Estonia, Michel Sittow (c. 1469-1525) was born in Reval (now Tallinn in present-day Estonia), likely studied in Bruges with Hans Memling, and worked at the courts of renowned European royals such as King Ferdinand of Aragon and Queen Isabella of Castille. Through some 20 works, representing most of Sittow's small oeuvre, the exhibition will offer an opportunity to examine his art in a broader context, including a possible collaboration with Juan de Flandes and Sittow's relationship with his Netherlandish contemporaries." Jan Gossaert Portrait of Hendrik III, Count of Nassau-Breda ca. 1516-17 oil on panel Kimbell Art Museum, Fort Worth, Texas Jan Gossaert Portrait of a merchant ca. 1530 oil on panel National Gallery of Art, Washington DC Jan Gossaert Portrait of Francisco de los Cobos y Molina ca. 1530-32 oil on panel Getty Museum, Los Angeles Jan Gossaert Portrait of a man before 1532 oil on panel Statens Museum for Kunst, Copenhagen "Jan Gossaert's fame in his own time was due not only to his innovative images, but also to the fact that he advertised his achievements by signing so many of his works from the outset of his career. The significant number of signed and dated works also helps to reconstruct the artist's stylistic development from his earliest days in Antwerp to his final years of production. Most of Gossaert's paintings are single panels, and nearly half are portraits, a genre in which he particularly excelled. It is clear that he was sought after for his extraordinary abilities to represent the lifelike appearance of individuals. Curiously, among the portraits that have survived, only a few depict women, the overwhelming number representing men of the courtly realm and upper levels of society." – from the Heilbrunn Timeline of Art History produced by the Metropolitan Museum of Art in New York Bernard van Orley Portrait of Charles V, Holy Roman Emperor 1519-20 oil on panel Museum of Fine Arts, Budapest Albrecht Dürer Portrait of Maximilian I, Holy Roman Emperor 1519 oil on panel Kunsthistorisches Museum,Vienna Albrecht Dürer Portrait of Jakob Muffel 1526 oil on canvas Gemäldegalerie, Berlin Barthel Beham Portrait of a woman 1529 oil on panel Denver Art Museum "Barthel Beham probably learned from his elder brother Hans Sebald Beham and from Albrecht Dürer. During the 1520s Beham was especially active as an engraver, creating tiny technical masterpieces of marvelous detail. He also was interested in antiquity and at some point in his career may have worked with Marcantonio Raimondi in Bologna and Rome. In 1525, along with the other "godless painters" Hans Sebald Beham and Georg Pencz, Barthel was banished from Lutheran Nuremberg for asserting that he did not believe in baptism, Christ, or transubstantiation. Although soon pardoned, Barthel moved to Catholic Munich to work for the Bavarian dukes William IV and Ludwig X. There his outstanding skill distinguished him as one of Germany's principal portrait painters, sought out by such luminaries as Emperor Charles V. His portrayals were coolly objective, with a strong sense of three-dimensionality." – from curator's notes at the Getty Museum Hans Holbein Portrait of Jane Seymour as Queen of England 1536 oil on panel Kunsthistorisches Museum, Vienna Corneille de Lyon Portrait of Mary of Guise, consort of James V of Scotland, mother of Mary Queen of Scots ca. 1537 oil on panel National Gallery of Scotland, Edinburgh

This exhibition will present over 20 French portraits from the Renaissance by celebrated artists like François Clouet, Corneille de Lyon and Léonard Limosin on a variety of media: paintings, drawings, enamels and sculpture.

Lucas Cranach the Elder Portrait of Johann Friedrich the Magnanimous 1509 oil on panel National Gallery, London Lucas Cranach the Elder Portrait of Johann the Steadfast 1509 oil on panel National Gallery, London The pair of portraits above by Lucas Cranach the Elder represent two Electors of Saxony – father and son – both active as militant Protestants during the early decades of the Reformation. Their images are preserved in one frame arranged as a diptych at the National Gallery in London. Hans Baldung Portrait of a man 1514 oil on panel National Gallery, London Michel Sittow Portrait of Diego de Guevara ca. 1515-18 oil on panel National Gallery of Art, Washington DC From January to May 2018 the National Gallery of Art in Washington DC will mount a retrospective exhibition – Michel Sittow: Estonian Painter at the Courts of Renaissance Europe. "Undoubtedly the greatest Renaissance artist from Estonia, Michel Sittow (c. 1469-1525) was born in Reval (now Tallinn in present-day Estonia), likely studied in Bruges with Hans Memling, and worked at the courts of renowned European royals such as King Ferdinand of Aragon and Queen Isabella of Castille. Through some 20 works, representing most of Sittow's small oeuvre, the exhibition will offer an opportunity to examine his art in a broader context, including a possible collaboration with Juan de Flandes and Sittow's relationship with his Netherlandish contemporaries." Jan Gossaert Portrait of Hendrik III, Count of Nassau-Breda ca. 1516-17 oil on panel Kimbell Art Museum, Fort Worth, Texas Jan Gossaert Portrait of a merchant ca. 1530 oil on panel National Gallery of Art, Washington DC Jan Gossaert Portrait of Francisco de los Cobos y Molina ca. 1530-32 oil on panel Getty Museum, Los Angeles Jan Gossaert Portrait of a man before 1532 oil on panel Statens Museum for Kunst, Copenhagen "Jan Gossaert's fame in his own time was due not only to his innovative images, but also to the fact that he advertised his achievements by signing so many of his works from the outset of his career. The significant number of signed and dated works also helps to reconstruct the artist's stylistic development from his earliest days in Antwerp to his final years of production. Most of Gossaert's paintings are single panels, and nearly half are portraits, a genre in which he particularly excelled. It is clear that he was sought after for his extraordinary abilities to represent the lifelike appearance of individuals. Curiously, among the portraits that have survived, only a few depict women, the overwhelming number representing men of the courtly realm and upper levels of society." – from the Heilbrunn Timeline of Art History produced by the Metropolitan Museum of Art in New York Bernard van Orley Portrait of Charles V, Holy Roman Emperor 1519-20 oil on panel Museum of Fine Arts, Budapest Albrecht Dürer Portrait of Maximilian I, Holy Roman Emperor 1519 oil on panel Kunsthistorisches Museum,Vienna Albrecht Dürer Portrait of Jakob Muffel 1526 oil on canvas Gemäldegalerie, Berlin Barthel Beham Portrait of a woman 1529 oil on panel Denver Art Museum "Barthel Beham probably learned from his elder brother Hans Sebald Beham and from Albrecht Dürer. During the 1520s Beham was especially active as an engraver, creating tiny technical masterpieces of marvelous detail. He also was interested in antiquity and at some point in his career may have worked with Marcantonio Raimondi in Bologna and Rome. In 1525, along with the other "godless painters" Hans Sebald Beham and Georg Pencz, Barthel was banished from Lutheran Nuremberg for asserting that he did not believe in baptism, Christ, or transubstantiation. Although soon pardoned, Barthel moved to Catholic Munich to work for the Bavarian dukes William IV and Ludwig X. There his outstanding skill distinguished him as one of Germany's principal portrait painters, sought out by such luminaries as Emperor Charles V. His portrayals were coolly objective, with a strong sense of three-dimensionality." – from curator's notes at the Getty Museum Hans Holbein Portrait of Jane Seymour as Queen of England 1536 oil on panel Kunsthistorisches Museum, Vienna Corneille de Lyon Portrait of Mary of Guise, consort of James V of Scotland, mother of Mary Queen of Scots ca. 1537 oil on panel National Gallery of Scotland, Edinburgh

Andrea Mantegna - Portrait of a man [1470-75] Gesichter der Renaissance faces catalogue no. 156 Berlin Bode Museum Besançon Musée des Beaux Arts

Lucas Cranach the Elder Portrait of Johann Friedrich the Magnanimous 1509 oil on panel National Gallery, London Lucas Cranach the Elder Portrait of Johann the Steadfast 1509 oil on panel National Gallery, London The pair of portraits above by Lucas Cranach the Elder represent two Electors of Saxony – father and son – both active as militant Protestants during the early decades of the Reformation. Their images are preserved in one frame arranged as a diptych at the National Gallery in London. Hans Baldung Portrait of a man 1514 oil on panel National Gallery, London Michel Sittow Portrait of Diego de Guevara ca. 1515-18 oil on panel National Gallery of Art, Washington DC From January to May 2018 the National Gallery of Art in Washington DC will mount a retrospective exhibition – Michel Sittow: Estonian Painter at the Courts of Renaissance Europe. "Undoubtedly the greatest Renaissance artist from Estonia, Michel Sittow (c. 1469-1525) was born in Reval (now Tallinn in present-day Estonia), likely studied in Bruges with Hans Memling, and worked at the courts of renowned European royals such as King Ferdinand of Aragon and Queen Isabella of Castille. Through some 20 works, representing most of Sittow's small oeuvre, the exhibition will offer an opportunity to examine his art in a broader context, including a possible collaboration with Juan de Flandes and Sittow's relationship with his Netherlandish contemporaries." Jan Gossaert Portrait of Hendrik III, Count of Nassau-Breda ca. 1516-17 oil on panel Kimbell Art Museum, Fort Worth, Texas Jan Gossaert Portrait of a merchant ca. 1530 oil on panel National Gallery of Art, Washington DC Jan Gossaert Portrait of Francisco de los Cobos y Molina ca. 1530-32 oil on panel Getty Museum, Los Angeles Jan Gossaert Portrait of a man before 1532 oil on panel Statens Museum for Kunst, Copenhagen "Jan Gossaert's fame in his own time was due not only to his innovative images, but also to the fact that he advertised his achievements by signing so many of his works from the outset of his career. The significant number of signed and dated works also helps to reconstruct the artist's stylistic development from his earliest days in Antwerp to his final years of production. Most of Gossaert's paintings are single panels, and nearly half are portraits, a genre in which he particularly excelled. It is clear that he was sought after for his extraordinary abilities to represent the lifelike appearance of individuals. Curiously, among the portraits that have survived, only a few depict women, the overwhelming number representing men of the courtly realm and upper levels of society." – from the Heilbrunn Timeline of Art History produced by the Metropolitan Museum of Art in New York Bernard van Orley Portrait of Charles V, Holy Roman Emperor 1519-20 oil on panel Museum of Fine Arts, Budapest Albrecht Dürer Portrait of Maximilian I, Holy Roman Emperor 1519 oil on panel Kunsthistorisches Museum,Vienna Albrecht Dürer Portrait of Jakob Muffel 1526 oil on canvas Gemäldegalerie, Berlin Barthel Beham Portrait of a woman 1529 oil on panel Denver Art Museum "Barthel Beham probably learned from his elder brother Hans Sebald Beham and from Albrecht Dürer. During the 1520s Beham was especially active as an engraver, creating tiny technical masterpieces of marvelous detail. He also was interested in antiquity and at some point in his career may have worked with Marcantonio Raimondi in Bologna and Rome. In 1525, along with the other "godless painters" Hans Sebald Beham and Georg Pencz, Barthel was banished from Lutheran Nuremberg for asserting that he did not believe in baptism, Christ, or transubstantiation. Although soon pardoned, Barthel moved to Catholic Munich to work for the Bavarian dukes William IV and Ludwig X. There his outstanding skill distinguished him as one of Germany's principal portrait painters, sought out by such luminaries as Emperor Charles V. His portrayals were coolly objective, with a strong sense of three-dimensionality." – from curator's notes at the Getty Museum Hans Holbein Portrait of Jane Seymour as Queen of England 1536 oil on panel Kunsthistorisches Museum, Vienna Corneille de Lyon Portrait of Mary of Guise, consort of James V of Scotland, mother of Mary Queen of Scots ca. 1537 oil on panel National Gallery of Scotland, Edinburgh

Jan van Eyck : Portrait of a Man in a Red Turban (1433) Canvas Gallery Wrapped Giclee Wall Art Print (D6045) Types: ➤Archival Paper Print (rolled) ➤Canvas Print, Gallery wrapped (mirrored edges) on 2cm depth pine wooden frame (stretched), rolled in a tube, or framed (wood floater frame). Options: ➤Archival Paper Print (rolled) ➤Rolled Canvas Print ➤Stretched and Ready to Hang 1 Panel Canvas Print ➤Stretched and Ready to Hang 3 Panel Canvas Print ➤Canvas in Black, Brown or White Wood Floating Frame (2'' | 5cm thick) ★★★WHAT'S THE DIFFERENCE BETWEEN A ROLLED CANVAS PRINT AND AN ARCHIVAL PAPER PRINT? ★★★ Whereas our canvas prints come with that typical characteristic texture own to canvas, our archival paper prints come on cotton rag paper without texture. A rolled canvas print is normally stretched on wood stretcher bars, whereas archival paper prints are not. Additionally, a stretched canvas can be framed, but it doesn't need to be. Thus, our rolled canvas prints come in their advertized size + mirrored edges by default for easy stretching. Prefer a cut to size rolled canvas print instead, because you want to frame it in a traditional fine art frame behind glass? Then just type ''cut to size'' in our personalization box (listing top right ''add your personalization''). Note that our rolled canvas prints do not come with stretcher bars or frames. Either take it to your local framer, or stretch/frame it yourself. Other sizes than listed in our drop-down menu available upon request! Have something in mind that you don't see in our shop? Anything at all? We've got your back! Here you can order anything you'd like: https://www.etsy.com/listing/1528183805 Our high quality images are environmentally friendly printed on museum grade canvas, with high quality inks that will last for over 200 years. Our canvas prints are odorless and stable to UV-radiation. Please note that our standard processing time is 3-5 days. Our actual canvases may slightly differ from the pictures shown, as every item that we sell is created especially for you. Our canvas prints actually look BETTER in real life. Please note: all watermarks shown will not be seen on the actual product. **All images and advertized text courtesy of VNTGARTGallery. All offerings have been fully digitally remastered (updated, restored and retouched to perfection). Text and photos may not be used without written permission.**

1504-1506. Oli sobre fusta. 54 x 39 cm. Museu de Belles Arts, Budapest. 72.

Suchen Sie nach einem einzigartigen Wandkunststück, das sowohl kreativ als auch witzig ist? Mit diesem Hasenohren-Kunstdruck von König Henri IV von Frankreich hast du genau das Richtige gefunden! Dieser wunderschön gearbeitete Druck ist eine perfekte Ergänzung für jeden Raum und wird jedem, der ihn sieht, ein Lächeln auf die Lippen zaubern. Das Poster wird aus hochwertigen Materialien hergestellt und ist sowohl haltbar als auch schön. Außerdem ist es ein guter Gesprächsstarter, den jeder lieben wird. Also warte nicht länger, füge Dir den Kunstdruck mit den Hasenohren, König Henri IV von Frankreich, noch heute bei Dir zu Hause an! Tinte & Tropfen Wir bieten eine Reihe von hochwertigen, wunderschönen Kunstdrucken für Ihr Zuhause oder Ihr Büro. Unsere Poster werden alle von unseren eigenen Designern und Künstlern selbst entworfen, mit einem Hintergrund in Grafikdesign und Bildender Kunst, so dass du sicher sein kannst, dass die Kunstwerke an deinen Wänden genauso einzigartig sind wie der Rest deines Hauses. Wir haben für jeden Einrichtungsstil etwas dabei. Stile von Street Art, botanische Kunst, Vintage-Plakate, veränderte Kunst, bis hin zu minimal Drucke im skandinavischen Stil, wir können Ihnen helfen, einen Raum zu schaffen, der widerspiegelt, wer Sie sind und was Sie lieben. Gedruckt in Großbritannien. Wird weltweit in einer stabilen Versandrolle geliefert. Alle gedruckt mit modernster Industrie in der Industrie führt, die Ausrüstung auf hochwertigem 230gsm Kunstdruckpapier. Alle Drucke werden ungerahmt geliefert. Größen erhältlich 20 cm | 21x30cm 30 cm x 40 cm | 30x40cm 15 ¾ x 19 ⅝ Zoll | 40x50cm 45 x 60 cm | 46x61 cm 50 cm x 70 cm | 50x70 cm 60 x 90 cm | 61x91cm 68 x 10 cm | 70x100cm Ein Hinweis zur Rahmung: obwohl wir derzeit keine Rahmung anbieten, sind alle unsere Drucke perfekt bemessen, um die fertigen Rahmen von High Street Einzelhändlern wie IKEA, Habitat usw. zu passen Bestellung Ihres Drucks, insbesondere wenn Sie den Druck von außerhalb des Vereinigten Königreichs kaufen. Halte deine Rahmenkosten niedrig! Vielleicht hast du eine besonders große Wand zu füllen, oder vielleicht einen bestimmten Rahmen, für den du gerne ein großes Kunstwerk hättest. Gerne passen wir jedes unserer Kunstwerke individuell an. Melde dich einfach mit dem, was du benötigst.

Portrait of a man in his study Young man reading Isidore Alexandre Augustin Pils born July 19, 1813 in Paris, France died December 3, 1875 (62) in Paris , France more: Wikipedia Invaluable Web gallery of art Google pictures

The subject’s chubby unshaven face, double chin, ruffled hair and the pronounced wrinkles on his forehand indicate a probable thirst for power and an earthly presence. This portrait is astonishingly lifelike, especially considering that, when viewed more closely, there is a lack of intellectual alertness in the subjects physiognomy. People have always wondered about the identity of the subject of this portrait. It is most probable that he is Robert de Masmines, who served the Burgundian dukes John the Fearless (1404-19) and Philip the Good (1419-67) as councillor and military commander. Knighted in 1420 at the siege of Melun, de Masmines was admitted to the Order of the Golden Fleece in January 1430. He was killed in that same year in the Battle of Bouvines, fought by Philip the Good against the Liégeois. [Oil on oak, 28.5 x 17.7 cm] gandalfsgallery.blogspot.com/2011/11/master-of-flemalle-p...

Explore mike catalonian's 5161 photos on Flickr!

Bestel Portret van een man, Anthonis Mor van Dashorst als print. Kies zelf de maat en het materiaal. Snel geleverd, hoge kwaliteit.

The author of the world’s most famous portrait has significantly contributed to innovate the portraiture, a genre considered of secondary importance but very requested by rich and powerful people.....

Children are known for their huge imaginations. It doesn't matter if the stories they tell us seem unbelievable; often, we're left wondering how they even came up with them. Most kids enjoy art activities, like drawing, for instance. We've all done that when we were little. Regardless of the outcome, we were all doing our best to draw or paint our favorite toys, animals, or family members. Some of these artworks are very cute, some surprisingly accurate, especially considering the age of the artist, while others are unique in a way that we can't really tell how the child ended up producing an image so different from the original.

How much do you really know about Michelangelo?

When Juana was born to Isabella of Castille and her husband Ferdinand of Aragon nobody expected that she would succeed her mother as Queen. Juana was born on November 6th 1479 and was the third child of the ‘Catholic Monarchs’ as her parents...

The rare masterpiece that Sotheby’s will auction next week is shrouded in mystery and offers an opportunity to reassess the master’s lost oeuvre

Roberto Ferri (Taranto,Italia,1978) es un fabuloso pintor realista profundamente inspirado por los maestros barrocos.