All artworks include, certificates and original signed stamps on the back from Criss Bellini. The Art prints are made from museum quality paper. 100+ year guarantee on all art prints. Limited edition of 100 and 250 depending on the size. No Restocks. When sold out it's gone forever. Made in Sweden - Shipped worldwide. If you choose the art print without the frame - Then it's rolled and shipped in a protective cardboard tube. When you ad a frame you ge the artwork "ready to hang" right out of the box - We custom make each frame by hand so you get professional framing included in the price. We don't have any resellers - All Criss Bellini artworks are exclusively sold at crissbellini.com
Vittorio Matteo Corcos (1859-1933), a naturally gifted artist, was admitted at 16 directly into the second year of Florence’s Accademia di Belle Arti. Two years later, financed by a grant from his hometown, he went on to Naples, where he was taken under the wing of the city’s leading artist, Domenico Morelli*, who opened up to the young painter new literary and musical vistas.
artwork by Paul Binnie at Scholten Japanese Art entitled Tears
In 1925 it was estimated that one out of every five American homes had a Parrish print on its wall. He was, and still remains the most reproduced artist in the history of art. ~Alma Gilbert in Maxfield Parrish, 1870-1966 Maybe you've seen Daybreak and Mountain Ecstasy a lot, but what about these? (And don't forget to check out the links at the bottom!) The Lantern Bearers by Maxfield Parrish The History of Codadad and His Brothers by Maxfield Parrish Sinbad Plots Against The Giant by Maxfield Parrish The End by Maxfield Parrish Cobble Hill by Maxfield Parrish Tolornia by Maxfield Parrish Winter by Maxfield Parrish Links: ~The Project Gutenberg eBook of The Arabian Nights,by Unknown, illustrated by Maxfield Parrish ~A biography of Maxfield Parrish ~Dream Garden, a Parrish/Tiffany collaborative mosaic ~The Parrish House ~Maxfield Parrish font ~Did you know that cobalt blue is often called Parrish Blue is his honor? ~American Art Archives has some Parrish pictures you might not have seen before.
"the aim of every artist is to arrest motion…" -Faulkner
Print from an original painting by LVP. Archival inks on heavy stock fine art paper, each print hand-inspected by artist. Sizes XL - 12 x 18in L - 10 x 14.8in M - 7.4 x 11in S - 4.7 x 7in Small and Medium prints ship in a flat mailer, protected in an acid-free cellophane sleeve with a mat backboard. Large and XL prints ship rolled in a tube, protected by unbuffered acid-free tissue paper. Select "Oversized FLAT for Large and XL Prints" option at checkout to have L & XL prints shipped flat at an additional cost.
Nike of Samothrace at the Louvre
Getting Family Photos done right is not always easy. The following images are emotional, authentic, moving, funny or simply perfect!
Happy Birthday, Ningguang Oh? Did you carve this stone leaf? Hmm, it is very intricate. Thank you, I will accept it gladly. The dishes from Xinyue Kiosk should have arrived too, so why don't you stay a little longer? Thanks to Csyday for the fantastic artwork! #GenshinImpact
Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. The Swing (oil on canvas), Fragonard, JeanHonore (17321806) (after) Musee Lambinet, Versailles, France Giraudon The Bridgeman Art Library Figurative Art Think reality delights? You bet your walls do too. So, why not introduce them to our collection of figurative art. Make acquaintance with inspiring muses of famous masters or get a glimpse of pop culture icons caught on camera. Any masterpieces you choose will give your space a unique story to share in our handcrafted frames. This genre of art involves a realistic depiction of living as well as inanimate objects. Artists like Jean Michel Basquiat, Norman Rockwell, and Banksy are renowned for giving a platform to cultural commentary and human experiences through their art. The Print This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are “sprayed” onto high-quality paper. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface. Paper Type: Giclee Print Finished Size: 18" x 24" Arrives by Wed, Jun 26 Product ID: 11721580A
The Swing by Jean Honore Fragonard. In various sizes. Giclee printed on high quality matte canvas using archival inks. Archival inks can last 75 years if kept out of direct sunlight. Prints are not framed or mounted. All prints have an approximate 1/2" white border in addition to the print size. Items ship free to the U.S. in one business day. Prints are carefully rolled and shipped in a crush-proof tube or sturdy mailer. Available in other sizes, just send me a message.
This is a print of my original artwork. A digital painting/photo collage illustration. This print is available in multiple sizes 8x10-11x17 (please select your choice from the drop down menu). The actual image is centered with a white border for framing and matting, the white border varies based on the actual outer dimensions. I will sign and title directly below the image in the white border in ink. If you prefer me not to sign or to sign somewhere else please note upon checkout. Giclee print on fine art archival paper, using archival inks. Gallery Quality. This print is also available in other sizes (ACEO mini and 5x7) **Please note that my watermark will not actually appear on your print.. Also note that due to various monitor setting on your computer the colors on this print might alter slightly from what you see on your screen, my prints are bright and vibrant! The image may have been downgraded for viewing on the web.** This Print does not come framed. Please visit my policies section for more details on my printing and shipping © Jessica von Braun All Rights are Retained by the Artist (me). ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
I’ve got your daily dose of creepy cool art right here, check out Swan Bones. (That name even!) Kelly...
The artist uses code and 3D printing to make sculptures that look frozen in time.
Peacock Art II www.flickr.com/photos/eoskins/galleries/72157631815288382...
Danae And Her Son Perseus, 1903 Item # 2314501 Arthur Rackham Arthur Rackham’s detailed and sometimes colorful illustrations of books during the late 19th century made him into one of England’s most prominent artists. Using a mixture of ink and watercolors, he created illustrations for popular books that were highly sought after. Danae and her son Perseus, 1903 (originally a litho) by Rackham, Arthur (1867-1939, English). Danae and his son Perseus; set adrift by Danae's father who feared the prophecy that he would be slain by her son would come true. Elevate any room with our handcrafted stretched canvas gallery wraps. Printed with archival inks and wrapped around a 1.25” inch solid wood stretcher bar, our giclée big canvas art prints are a timeless option for any decor style or space. Long-Lasting Color and Detail Our giclée canvas art prints are produced with high quality, UV-resistant, environmentally-friendly, latex inks and artist grade, polycotton canvas. We pride ourselves on color accuracy and image clarity to ensure your new canvas wall art lasts for years to come. Handcrafted Gallery Wraps Assembled in the USA, each of our 1.25” inch gallery wrapped canvas art prints is stretched and stapled by our highly skilled craftspeople. Each canvas print is carefully handcrafted to ensure taut canvas wraps and clean corners for outstanding quality and durability. Easy to Install Our handcrafted stretched canvas prints include sawtooth hangers for an easy and secure installation. Arthur Rackham Staff Picks Staff Picks - Kathryn
This stunning artwork is an exclusive commission by Tiara @BloodyDamnit (ig), inspired by Crescent City House of Sky and Breath by Sarah J Maas. Each style of art print will vary in size from one another. Sizes are estimated. Art is printed without the featured watermark. Colors may slightly vary from image. ---------------------------------------------------------------- OFFICIALLY LICENSED: From Crescent City by Sarah J. Maas, © 2015-2021. Artwork by Tiara / @BloodyDamnit. Created with permission of Writers House LLC acting as agent for the author.
Buy matchbox label book & prints at Matchbloc.com
57 Artworks by Jessica Rimondi, Saatchi Art Artist
ACCUSTOMED, CEREMONIOUSWho wouldn't want to live in Story, Indiana? Sounds like a place right out of a book . . . or a place where you could read all the time! Rustic Hoosier Postcard of Stone Head, Brown County by photographer Darryl Jones See also The Spirit of the Place: Indiana Hill Country As you may have heard me say before, my inspiration for designing this blog came from two writers: Goethe, who hopes that each day might include a song, a poem, some fine art, a few wise words; and Yeats who describes "a house where all's accustomed, ceremonious." This poem, particularly the closing, has been a favorite of mine for many years, decades: Prayer For My Daughter Once more the storm is howling, and half hid Under this cradle-hood and coverlid My child sleeps on. There is no obstacle But Gregory's wood and one bare hill Whereby the haystack- and roof-levelling wind, Bred on the Atlantic, can be stayed; And for an hour I have walked and prayed Because of the great gloom that is in my mind. I have walked and prayed for this young child an hour And heard the sea-wind scream upon the tower, And under the arches of the bridge, and scream In the elms above the flooded stream; Imagining in excited reverie That the future years had come, Dancing to a frenzied drum, Out of the murderous innocence of the sea. May she be granted beauty and yet not Beauty to make a stranger's eye distraught, Or hers before a looking-glass, for such, Being made beautiful overmuch, Consider beauty a sufficient end, Lose natural kindness and maybe The heart-revealing intimacy That chooses right, and never find a friend. Helen being chosen found life flat and dull And later had much trouble from a fool, While that great Queen, that rose out of the spray, Being fatherless could have her way Yet chose a bandy-leggèd smith for man. It's certain that fine women eat A crazy salad with their meat Whereby the Horn of Plenty is undone. In courtesy I'd have her chiefly learned; Hearts are not had as a gift but hearts are earned By those that are not entirely beautiful; Yet many, that have played the fool For beauty's very self, has charm made wise, And many a poor man that has roved, Loved and thought himself beloved, From a glad kindness cannot take his eyes. May she become a flourishing hidden tree That all her thoughts may like the linnet be, And have no business but dispensing round Their magnanimities of sound, Nor but in merriment begin a chase, Nor but in merriment a quarrel. O may she live like some green laurel Rooted in one dear perpetual place. My mind, because the minds that I have loved, The sort of beauty that I have approved, Prosper but little, has dried up of late, Yet knows that to be choked with hate May well be of all evil chances chief. If there's no hatred in a mind Assault and battery of the wind Can never tear the linnet from the leaf. An intellectual hatred is the worst, So let her think opinions are accursed. Have I not seen the loveliest woman born Out of the mouth of Plenty's horn, Because of her opinionated mind Barter that horn and every good By quiet natures understood For an old bellows full of angry wind? Considering that, all hatred driven hence, The soul recovers radical innocence And learns at last that it is self-delighting, Self-appeasing, self-affrighting, And that its own sweet will is Heaven's will; She can, though every face should scowl And every windy quarter howl Or every bellows burst, be happy still. And may her bridegroom bring her to a house Where all's accustomed, ceremonious; For arrogance and hatred are the wares Peddled in the thoroughfares. How but in custom and in ceremony Are innocence and beauty born? Ceremony's a name for the rich horn, And custom for the spreading laurel tree. William Butler Yeats, 1865 - 1939 Irish poet and dramatist Winner of the Nobel Prize for Literature, 1923 The next two poems made their way into my notebook more recently. A few years ago, I discovered Louis Untermeyer's "Prayer For This House" in an poetry anthology that my children brought home from school; and around the same time, a copy of Robert Louis Stevenson's "Family Prayer" was given to me by a neighbor in Philadelphia who told me that her mother read this poem every year before Thanksgiving dinner. Both are similar in tone and purpose to each other, and to Yeats' "Prayer for My Daughter": Yeats prays for happiness, though "every bellows burst" Untermeyer - for warmth, "though all the world grow chill" Stevenson - for loyalty "down to the gates of death" Yeats invokes "custom" and "ceremony" in the face of howling winds Untermeyer - faith "to withstand the battering storm" Stevenson - constancy in "all changes of fortune." Yeats seeks a refuge from "arrogance and hatred" Untermeyer - from "the raucous shout" of hate Stevenson - from peril, tribulation, wrath Yeats desires reprieve from the scowling face Untermeyer - from "ill-fortunes," roar and rain Stevenson - from "the lurking grudge" Yeats hopes for the triumph of "innocence and beauty" Untermeyer - for a "shrine" of peace and laughter Stevenson - for "courage and gaiety and the quiet mind." May their prayers be answered. We Give Thanks Prayer For This House May nothing evil cross this door. And may ill-fortunes never pry about these windows; may the roar and rains go by. Strengthened by faith, the rafters will withstand the battering of the storm. This hearth, though all the world grow chill will keep you warm. Peace shall walk softly through these rooms, touching your lips with holy wine, till every casual corner blooms into a shrine. Laughter shall drown the raucous shout and, though the sheltering walls are thin, may they be strong enough to keep hate out and hold love in. Louis Untermeyer, 1885 - 1977 American poet, critic, anthologist 14th United States Poet Laureate, 1961 - 63 Prayers at Breakfast A Family Prayer Lord, behold our family here assembled. We thank you for this place in which we dwell, for the love that unites us, for the peace accorded to us this day, for the hope with which we expect the morrow; for the health, the work, the food and the bright skies that make our lives delightful; for our friends in all parts of the earth. Let peace abound in our small company. Purge out of every heart the lurking grudge. Give us grace and strength to forbear and to persevere. Give us the grace to accept and to forgive offenders. Forgetful ourselves, help us to bear cheerfully the forgetfulness of others. Give us courage and gaiety and the quiet mind. Spare to us our friends, soften to us our enemies. Bless us, if it may be, in all our innocent endeavors. If it may not, give us the strength to encounter that which is to come, that we be brave in peril, constant in tribulation, temperate in wrath, and in all changes of fortune, and, down to the gates of death, loyal and loving one to another. Robert Louis Stevenson 1850 - 1894 Scottish poet and novelist Now you can store these poems somewhere safe, then take them out to share around the table next Thanksgiving! Autumn Leaves All paintings above by Jessie Willcox Smith, 1863 - 1935 American illustrator of magazines and children's books SEE YOU IN TWO WEEKS FOR MY Next Fortnightly Post Tuesday, December 14, 2010 Between now and then, read THE QUOTIDIAN KIT: www.dailykitticarriker.blogspot.com my shorter, almost daily blog posts www.dailykitticarriker.blogspot.com Looking for a good book? Try KITTI'S LIST: www.kittislist.blogspot.com my running list of recent reading www.kittislist.blogspot.com
In ANTI-ICON: APOKALYPSIS , Martine Gutierrez audaciously navigates the contours of identity, confronting patriarchal norms while unveiling the inherent potency of authentic femininity through her embodiment of iconic figures across history and culture.