Discover the finest artists from animation, games, illustration, and comics…
The great Czech painter Alphonse Mucha was the icon of street advertising, yet he strived for recognition as an artist.
Explore Meet the Masters artists for engaging art lessons tailored for elementary students. Dive into artist study and unlock creativity with our curated resources. Discover art lessons based on renowned artists.
This guy is craaazy. Apparently he learned his style by copying what he thought were pen and ink drawings. They turned out to be wood engravings. This is the result. A bit about him: Booth was born in Indiana and grew up on a farm in the middle of nowhere. Back then, major publications like Scribner’s and Harper’s relied on both illustrators and engravers to provide images; the illustrators’ drawings were engraved for printing. These illustrations were what Booth learned from. He eventually ended up working for the magazines he copied from. Check out his line work. It's pretty much all about line placement. If you zoom in on the images you can really see how he used different densities of lines rather than line weight or crosshatching to separate different elements. Personally, I really like the design of his clouds and trees. He's great if you like vertical compositions; it seems like most of his work was in that format. More in this book: Franklin Booth: American Illustrator. I haven't bought it yet but I plan on it.
Louis William Wain (1860 – 1939) was an English artist best known for his illustrations of anthropomorphised large-eyed cats and kittens. His illustrations showed cats playing musical instruments, serving tea, playing cards, fishing, smoking, and enjoying a night at the opera. Wain was a prolific artist, sometimes producing as many as several hundred drawings a year. For more biographical notes, and for earlier works, see parts 1 - 9 also. This is part 10 of 10 – part series on the works of Louis Wain: "Family Fun" cover by Louis Wain published by Raphael Tuck & Sons "Christmas Time in Catland" "Family Fun" illustration by Louis Wain published by Raphael Tuck & Sons Fun in Dogland with Louis Wain Painting Book published by Raphael Tuck & Sons Fun in Dogland with Louis Wain Painting Book published by Raphael Tuck & Sons "I'm tired of waiting!" postcard published by Raphael Tuck & Sons Mixed Pickles by Louis Wain Father Tuck's "Welcome Gift" Series published by Raphael Tuck & Sons "Mixed Sweets" from "My Playtime Book" published by Raphael Tuck & Sons Motor-Car Pirates My Mascot Postcard Painting Book by Louis Wain published by Raphael Tuck & Sons My Mascot Postcard Painting Book by Louis Wain published by Raphael Tuck & Sons My Mascot Postcard Painting Book by Louis Wain published by Raphael Tuck & Sons "One of the K-nuts" postcard "Paws and Claws" postcard Playtime in Pussyland book cover Father Tuck's "Wonderland" Series published by Raphael Tuck and Sons Postcard Seaside Joys Set title; Stripes to the front "Five to Four on!" "Oilette" postcard by Raphael Tuck & Sons Set title; Stripes to the front "Love Tales" "Oilette" postcard by Raphael Tuck & Sons Set title; Stripes to the front "Woman came after man, and it has been after him ever since! Lucky man!" "Oilette" postcard by Raphael Tuck & Sons Set title; Taking the Harrogate Waters series III "Come and try" "Oilette" postcard by Raphael Tuck & Sons Set title; Taking the Harrogate Waters series III "I don't think!" "Oilette" postcard by Raphael Tuck & Sons Set title; Taking the Harrogate Waters series III "I'm afraid it won't keep down!" "Oilette" postcard by Raphael Tuck & Sons Set title; Taking the Harrogate Waters series III "Keep it down that's the thing!" "Oilette" postcard by Raphael Tuck & Sons Set title; Taking the Harrogate Waters series III "Oh that this too, too solid flesh would melt" "Oilette" postcard by Raphael Tuck & Sons Set title; Taking the Harrogate Waters series III "Perhaps if I hold my nose it will go down easier!" "Oilette" postcard by Raphael Tuck & Sons "Tea time" The Catland ABC by Louis Wain published by Raphael Tuck & Sons The Painter postcard The Student postcard "The Photographer on the Sands" Wrench Series postcard The Tale of Naughty Kitty Cat illustrated by Louis Wain "There's luck for you!" "Oilette" postcard by Raphael Tuck & Sons "Theres a mouse in that corner!" Three Little Kittens by Louis Wain Father Tuck's "Pictureland" Series published by Raphael Tuck & Sons Three Little Kittens by Louis Wain Father Tuck's "Pictureland" Series published by Raphael Tuck & Sons Three Little Kittens by Louis Wain Father Tuck's "Pictureland" Series published by Raphael Tuck & Sons "Three of Kissingen" "Oilette" postcard by Raphael Tuck & Sons "Throw physic to the dogs." postcard "To My Valentine" postcard Toms Night Out "Trespassers Will be Scratched / Dressing Room" "Trouble for the Cat Scouts" postcard Two kittens "Under the Mistletoe" postcard "We had a pleasant journey" postcard "Weather" "Will you be my Valentine?" postcard Late works from Louis Wain's so-called "Schzophrenic" period - to recap: When his sisters could no longer cope with his erratic and occasionally violent behaviour, Wain was finally committed to a pauper ward of Springfield Mental Hospital in Tooting, London, in 1924. A year later, he was discovered there and his circumstances were widely publicised, leading to appeals from such figures as H.G. Wells and the personal intervention of the Prime Minister. Wain was transferred to the Bethlem Royal Hospital in Southwark, and again in 1930 to Napsbury Hospital near St Albans in Hertfordshire, north of London. This hospital was relatively pleasant, with a garden and colony of cats, and he spent his final 15 years there in peace. While he became increasingly deluded, his erratic mood swings subsided, and he continued drawing for pleasure. His work from this period is marked by bright colours, flowers, and intricate and abstract patterns, though his primary subject remained the same.
Learn how to create a story outline that will ensure that you finish your draft without running into the dreaded writer's block.
Drawing made from a bronze that I saw in a retrospective in Montreal.
Inspired by the resident seal colony at Godrevy, Cornwall! Illustrated art print featuring an abundance of common seals in varying shades and sizes. Available in A5 or A4, this print is perfect for a nursery, child's room or for any nature lovers' wall! Printed on 190 gsm, Archival matte paper, this high quality art print comes hand signed and securely packed; with a recycled backing board and a plastic free, biodegradable cello sleeve to ensure safe and eco friendly delivery! Each print is designed and printed by me in the Hampshire countryside. Like what you see? Check out the other illustrated goodies in my shop or... -Find me on:- https://frankienorman.com/ https://www.instagram.com/frankienormandesigns/ COPYRIGHT: All Items & Custom Illustrations are Copyrighted and are strictly for Personal Use Only, If you would like a quote for Commercial or Extended Licence to my illustrations please email me at missfnorman [!at] gmail.com for a Custom Quotation
Master of Sea designed by Vladyslav Lypovyi. Connect with them on Dribbble; the global community for designers and creative professionals.
Often derided as staidly traditional, John Singer Sargent in fact provided a glimpse of the modern world. Ahead of a major new exhibition, Sarah Churchwell surveys the sensational portraits that caught the imagination of painters and authors alike
Recherches de Scott Watanabe : Recherches de Victoria Ying : Recherches de Claire Keane : Mère Gothel : Bastion (première version de Flynn) : Le Roi : Autres recherches graphiques :
Explore Meet the Masters artists for engaging art lessons tailored for elementary students. Dive into artist study and unlock creativity with our curated resources. Discover art lessons based on renowned artists.
Get the Brushes Guide HERE. Nature Master for Procreate is everything you need to create intricate environmental concept art and illustrations, a hundred times faster than painting every single component one by one.
A series of art-historic line drawings for your coloring page fun. You are free to save and print these for personal, educational and non-commercial purposes.
Your new source for art history related coloring pages. Famous artists and art movements included. Grab your own printable PDF.
Why did Maxfield Parrish spend so much time painting tiny crevasses in rocks in the backgrounds of his paintings? Parrish was a fabulously successful illustrator. He earned over $100,000 per year in an era when houses cost only $2,000. His time was so valuable, you'd think he would've found a shortcut for the menial labor of painting tiny crevasses in dumb rocks. To get the proper "feel" for rocks, Parrish used to bring actual rocks into his studio, paint them a flat color and light them to accentuate their shadows. The following detail from an original Parrish painting, photographed from 3 inches away, shows you how tedious it must have been for Parrish to paint all those damn crevasses: Obviously Parrish decided that these details made an important contribution to his paintings, and that there was no simpler, faster way to achieve the effect he wanted. Bernie Fuchs was another great illustrator whose time was very much in demand. He was an economical painter who abhorred unnecessary detail. Yet, he too seemed to believe that rocks in the background were worthy of his sustained attention. There's nothing fake about these rocks; they required thousands of deliberately placed brush strokes. If Fuchs tried to get away with random marks, we would've seen the difference. This is not an issue of mere realism. Fuchs wove more design into the details than Parrish did, but that was Fuchs's nature. It's not necessary to paint rocks in great detail to be persuasive. Illustrator Harold von Schmidt simplified desert rocks using black poster paint and a wide, flat brush: Von Schmidt grew up spending a lot of time staring at rocks in the desert. Like Parrish and Fuchs, Von Schmidt respected background rocks and put substantial thought into getting them right. As a result, they gave themselves to him in these wonderful drawings. On the other hand, when even talented painters disrespect rocks and attempt to fake it, as Frank Frazetta did in these two pictures, the rocks end up looking phony: Frazetta put in the manual labor to draw tiny cracks in this wall but you can tell he wasn't looking at rocks when he did Just like the rest of mother nature, rocks don't like being taken for granted.
Crea retratos vectoriales de estilo pop geométrico denominado arte WPAP con CorelDRAW . Con ejemplos y tutorial en vídeo. Tutorial WPAP con CorelDRAW
Ludovic Vallée (1864-1939) - Le jardin du bal Bullier, la nuit (1902) www.parismuseescollections.paris.fr/en/node/153283
Teach children the basics to paint like Pollock in just 40 minutes. Great for grades K-2, kids learn new techniques with paint, yarn and becoming fearless
