Discover: Engraving a character on Tetra Pak ® and printing it on paper from our theme: Step by Step - Art Printmaking. Find Canson® tips and tutorials to improve your Art Printmaking skills.
What are the critical principles underpinning great art? Like all broad generalisations there will always be exceptions, but if I were to reduce all the factors that come together in the most memorable artworks then three principles are essential: projection (to arrest a viewer’s attention and to invite the viewer to look at the featured subject); visual dialogue (to express meaning by comparison of the centre of interest with another pictorial element); and, alluding to subject material outside of the field of view (to conceptually expand the range of projected meanings beyond the featured subject material). In the following discussion I will address each of these principles and explain how Hendrick Goltzius and Giovanni Battista Piranesi have applied them. My choice to use Hendrick Goltzius’ Apostle Simon (shown below) as an example of the first principle—projection—is simple; I love the print. Moreover, I find myself drawn to keep looking at it. For me, the attraction has nothing to do with the physical beauty of the subject as I am sure that there are few viewers who would see Saint Simon as eye candy. I am, nevertheless, attracted by the finely engraved lines rendering the image (see details further below) but this is only a small part of the reason I love the print. The primary attraction lies with Saint Simon’s hands. This is especially true with regard to the saint’s left hand and more specifically with his third finger so emphatically pressing on the ground as if the saint is making a ideological point. This arrangement of the forward projected finger is the element that both arrests my eye and draws me into the image. After this pictorial “introduction” into the image my eye then follows a gently spiralling course. First stop is the saint’s left hand. Next, my eye moves to traverse across the book (bible?) the saint is holding to arrive at his right hand. After pondering the odd way that Saint Simon holds the book—mindful that the saint’s hands is undoubtedly modelled on Goltziius’ own deformed right hand (see drawing in Teylers Museum Haarlem)—my eye is then lead along his right arm to finally “rest” on his face (see diagram of the rhythm below) before making visual forays to examine other pictorial features like the saw of his martyrdom. Hendrick Goltzius (1558–1617) Apostle Simon, 1589 From the suite Christ, The Twelve Apostles and St. Paul 15 x 10.3 cm (plate) with margins on fine laid paper with watermark “Crowned Arms” Marvellous lifetime impression of lll (of Vl). From collection R.S. (not at Lugt) Bartsch 53; Hollstein, Hirschmann 44 lll (of VI) Condition: perfect I am selling this print for $560 AUD including postage and handling to anywhere in the world. Please contact me using the email link at the top of the page if you have any queries or click the “Buy Now” button below. This print has been sold (Detail) Apostle Simon, 1589 (Detail) Apostle Simon, 1589 (Detail) Apostle Simon, 1589 Diagram of inward rhythm, Apostle Simon, 1589 Although the middle-finger of Saint Simon’s left hand is the point of introduction into the image, there are other elements in the print contributing to an invitation to look. For example the spine of the open book also draws attention inward as do the converging lines of the saint’s arms. To make the point of this discussion clearer in terms of how the eye is invited to engage with the act of looking and thinking, compare the difference in how the eye is not so welcomed by the arrangement of hands and arms in Golzius’ Apostle Bartholomew. This is true even though there are many other pictorial devices inviting the viewer’s eye to gaze into the print’s pictorial depth, such as the flaying knife of the saint’s martyrdom and the saint’s backward tilt of his head. Hendrick Goltzius (1558–1617) Apostle Bartholomew, 1589 From the suite Christ, The Twelve Apostles and St. Paul 14.4 x 10.4 cm (plate) right and left with small margins, cut on the platemark at the top, cut slightly inside the platemark at the bottom, on fine laid paper with watermark “Double Eagle” Marvellous lifetime impression of lll (of Vl) Bartsch 49; Hirschmann 40 lll (of VI) Condition: traces of use, otherwise in good condition I am selling this print for $360 AUD including postage and handling to anywhere in the world. Please contact me using the email link at the top of the page if you have any queries or click the “Buy Now” button below. This print has been sold (Detail) Apostle Bartholomew, 1589 (Detail) Apostle Bartholomew, 1589 Regarding the second principle—visual dialogue—I will return to Goltizius’ Apostle Simon as this print is so cleverly composed and rich in subtle use of visual devices. To begin at a very fundamental level, even the most cursory look at the image will show a connection between the saint and his book. This relationship between the centre-of-interest—the saint’s head—and the book he is examining is a fine example of visual dialogue. On a more reflective examination of the image, however, there is more to this visual dialogue than just the saint reading his book. He is also responding to what he is reading and this is signified by the gesture of the middle-finger of his left hand. This hand gesture that I proposed earlier as Saint Simon making an “ideological point” (i.e. a body-language gesture of clear emphatic certainty) does more than depict Saint Simon fully engaged in his reading. This gesture is the punctum point (discussed in an earlier post focused on Dujardin and Dietricy) of the whole image. In short, this single finger is the pivotal feature in the composition that shows the intensity of the saint’s reading of the book. Even more subtle than the triangulation between the saint’s head, book and finger is the visual dialogue between the saint’s central lock of hair and the tuff or grass in the centre foreground (see diagram below). To my eyes, this visual connection created by the similarity of form between the hair and grass is important to the expression of a decisive moment in the saint’s reading. From my viewpoint, I see the link as establishing a line of separation between the related dual gestures of the saint’s hands. Diagram of visual dialogue, Apostle Simon, 1589 For the final principle—alluding to a subject outside of the field of view— Piranesi’s etching, The Tomb of the Plautii near Ponte Lucano (shown below) is an excellent example. Here the shadow cast by an unseen structure lying beyond what can be viewed in the image creates a theatrical dimension of an unknown presence. This shadow not only hints at the form of the structure casting it but the shadow’s shape—especially the “extension” of the shadow’s shape into the cloud pattern—creates a window-like effect by framing the far distance. This principle is a very useful device for giving an artwork pictorial breadth). To illustrate what the print would be like without the shadow, compare the original etching with a view of the same tomb without a shadow (see the digitally manipulated image below). Beyond the use of shadows, another way to connote subject material beyond what is visible is the simple device of cropping the portrayed subject at the framing edge of the artwork. Again, Piranesi’s print is a good example of this approach as the portrayed tomb is not a panoramic view where the whole building can be seen but is cropped by the left and top edges of the format. This cropping ensures that a viewer understands that the image is only a section of a much broader view and this projects the notion and feeling of breadth. Giovanni Battista Piranesi (1720–78) Tomb of the Plautii near Ponte Lucano, 1761 From the Vedute di Roma [Views of Rome] series Etching, 46.6 x 63.2 cm Hind 83 IV (of IV) with the number 801 at upper right; Focillon 783; Wilton-Ely 216. Cartouche with the Italian inscription “Veduta degl’ avanzi del sepolcro della famiglia Plauzia sulla via Tiburtina vicino al ponte Lugano due miglia lontano da Tivoli”. With fecit note “Cavalier Piranesi F. (ecit)” Condition: excellent impression on wove paper without watermark, with margin around the platemark, minimal traces of use, browned and foxed with the blind stamp of the Calcografia di Roma I am selling this print for $960 AUD including postage and handling to anywhere in the world. Please contact me using the email link at the top of the page if you have any queries or click the “Buy Now” button below. Altered image of Tomb of the Plautii near Ponte Lucano, 1761
Download the hourglass with engraving style black color only 46012851 royalty-free Vector from Vecteezy for your project and explore over a million other vectors, icons and clipart graphics!
Wood engraving by unknown artist (possibly Flammarion), found in “L’atmosphère: météorologie populaire”, Camille Flammarion, 1888. ( ((Source) The caption that accompanies the eng…
Essentially, celebrities (or the stylists who dress them) are the original trendsetters. Many beauty and fashion trends are often inspired by megastars rocking their hawt-est looks. And, well, the rest of us are just copycats, or, in social media terms, followers. However, while the world is copying everything they do, there's something that is entirely theirs and is often hidden under their garments. And that is celebrity tattoos.
NON UN PRODOTTO FISICO DOWNLOAD IMMEDIATO TUTTI I FILE SONO PRODOTTI A 318 DPI Testati da Glowforge! 1 PNG 1 JPEG PER RISULTATI MIGLIORI UTILIZZARE IL FILE PNG "Quello che segue sono le mie impostazioni personali di Glowforge Pro" **Materiale**: 🌲 Impiallacciatura di acero (1/4 di pollice) da Home Depot **Mascheramento**: ❌ Non utilizzato per l'incisione a causa delle impostazioni basse; è stata osservata una carbonizzazione minima **Impostazioni dell'incisione** 🔧: - Potenza: ⚡400 - Velocità: 🚀 35 - LPI (linee per pollice): 📏 270 - Metodo di incisione: 🔄 Converti in punti per risultati ottimali **Impostazioni di taglio** ✂️ (per la casella degli strumenti di forma attorno all'immagine, 10x15): - Potenza: 🔥 Piena - Velocità: 💨 140 - Passaggi: 1️⃣ - Spessore del materiale: 📐 impiallacciatura di acero da 1/4 di pollice **Nota**: 📝 Queste impostazioni sono studiate appositamente per il mio uso personale su Glowforge Pro e potrebbero richiedere modifiche per macchine o materiali diversi. "Abbraccia il fascino rustico dei grandi spazi aperti con il nostro esclusivo design digitale con incisione a doppia esposizione. Realizzato con precisione e creatività, questo capolavoro unico nel suo genere combina perfettamente gli elementi della natura e dell'immaginazione. Ogni acquisto supporta il nostro impegno nel celebrare il bellezza del mondo che ci circonda. 💰 Comprovato generatore di denaro: questi file testati sono stati incisi con successo su legno, compresi i taglieri, e venduti come decorazioni da parete. (Nota: anche se abbiamo tratto profitto da questi disegni come quadri murali, non garantiamo le tue vendite.) 🖼️ Perfetto per la lavorazione del legno, progetti fai-da-te e appassionati d'arte. 📥 Download immediato: ricevi file JPEG e PNG di alta qualità. 📏 Test dei file: il file PNG produce risultati perfetti a 10x15 pollici. Tieni presente che man mano che diventi più piccolo, alcuni dei bellissimi dettagli potrebbero essere meno pronunciati. ⚙️ Considerazioni sull'utilizzo: i clienti devono avere familiarità con l'utilizzo di questi formati di file e assicurarsi che i loro computer siano compatibili. Ti consigliamo di testare le impostazioni per ottenere il miglior risultato possibile dell'immagine. Sentiti libero di inviarci un messaggio per qualsiasi domanda e faremo del nostro meglio per aiutarti! Cattura l'essenza della creatività nel tuo prossimo progetto. Non perdere l'occasione di possedere un pezzo di questo capolavoro in edizione limitata! Agisci in fretta prima che se ne vadano tutti!" ISTRUZIONI PER SCARICARE IL TUO FILE: *** Passaggio 1: accedi e scarica il tuo file 1. **Conferma il tuo acquisto:** Dopo aver completato l'acquisto, riceverai un'e-mail di conferma da Etsy con i dettagli del tuo ordine. 2. **Accedi al tuo account Etsy:** Apri il browser web, vai su [Etsy.com](https://www.etsy.com) e accedi al tuo account. Quindi, vai a "Acquisti e recensioni" che si trova sotto le opzioni del tuo account. 3. **Individua il file acquistato:** Nella sezione "Acquisti e recensioni", scorri gli acquisti precedenti per trovare il file laser che hai acquistato. Vedrai un pulsante denominato "Scarica file" accanto all'ordine pertinente. 4. **Scarica i file:** fai clic su "Scarica file". Questa azione ti reindirizzerà a una pagina che elenca tutti i file digitali inclusi nel tuo acquisto. Fai clic su ciascun file per scaricarli sul tuo computer. Assicurati di salvarli in una posizione a cui potrai accedere facilmente in seguito. Cosa puoi fare con i file con marchio Northwest: Puoi creare tutti i progetti FISICI che desideri con i nostri file. Hai i diritti di utilizzo commerciale purché accetti e comprenda che possederemo per sempre le immagini. Tieni presente che non puoi vendere questi FILE in alcun modo, né puoi utilizzarli per competere con il nostro negozio. Cosa non puoi fare con i file con marchio Northwest: In nessun caso puoi vendere, condividere o alterare i nostri file e/o venderli come tuoi. Queste sono immagini protette da copyright e confidiamo che le rispetterai. Non puoi alterare o cambiare i nostri file in un formato diverso per venderli come tuoi. "I miei progetti iniziano con concetti generati dall'intelligenza artificiale, ma vengono ampiamente rifiniti e perfezionati utilizzando software professionali come Topaz e Photoshop, garantendo un prodotto unico e di alta qualità che va oltre l'output dell'intelligenza artificiale di base."
Chris Wormell created a series of illustrations for John Dewar and Sons Scotch Whiskey for their fun series of videos, "Speaking Scotribbean."
The wide variety of animals has inspired us to create these prints. We studied Expressionism in art and the use of xylography (woodblock engraving) in the early 1900s, this topic has inspired us to…
A classical Greco-Roman rhetorical tradition survives in Christian iconography
Photo Engraving With Vector Lines: Using a laser cutter to create a portrait from a photo using vector lines (not rastering).
I posted this earlier but have since repainted the background so here it is finished. large robin painted cherry woodcut block 11” x 15.5” x 2” Lisa Brawn 2010
It is interesting to observe the way that female Saints like Joan of Arc enthrall people who in other areas of their life are quite uninterested or even antipathetic toward the Catholic Church. I think this is because the female Saints represent an emancipation of the feminine genius, a true "feminism," that emerged far before the modern movement.
Learn how to engrave wood with a Cricut Maker! Make tons of projects with this easy technique, engraving tip, and knife blade!
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Contour line is a big part of Art. Whether we are talking about form, perspective, eye level. Many artist use contour line as part of their main focus. See below. ARTIST MYRORNA SWEDEN Uses contour line, pattern, and objects to show form in her art. Karan Singh Art Dana Martin Art See objects in CONTOUR LINE Put them together in a Still LIfe. Image from www.dreamstime.com From DaVinci Art Studio Using Contour line, cool/warm colors, primary, & secondary used for emphasis. From InsideOutArtTeacher on Instagram https://insideoutartteacher.com/ Using Cross Contour, warm and cool colors. MMS Student Work 2023-8th grade Shyli Rushing Grayson DuPont Natalie Morales WHAT DO DO Before you begin, Start "seeing" in Contour Line... if you are having trouble doing this, watch videos below to help you. 1. Find 3 objects that you know you can draw. They can be around the room, pictures from Internet, or shapes you pull from your head. 2. Draw the outside shapes of the objects. Define the space with a horizontal line dividing background from foreground. 3. Use contour lines on the object. This can be contour in 1 direction or cross contour going both ways (more challenging). Usually, the Center (eye level) should be a straight line. As the shape goes outward from center, lines gradually change to match the outer line. 4. Color using color theory to add emphasis: Warm and Cool Primary and Secondary Complimentary Colors. STEP BY STEP visuals 1 &2. 3. 4. You can color solid with lighter colors. then go over them with darker analogous colors to add pattern. Watch these videos below to get your mind on seeing in Contour Line and understanding Cross Contour line.
Glowforge Tested! 1 PNG 1 JPEG FOR BEST RESULTS USE THE PNG FILE "The following is my Personal Glowforge Pro settings " **Material**: 🌲 Maple veneer (1/4 inch) from Home Depot **Masking**: ❌ Not used for engraving due to low settings; minimal charring observed **Engraving Settings** 🔧: - Power: ⚡400 - Speed: 🚀 35 - LPI (Lines Per Inch): 📏 270 - Engraving Method: 🔄 Convert to dots for optimal results **Cutting Settings** ✂️ (for shape tool box around the image, 10x15): - Power: 🔥 Full - Speed: 💨 140 - Passes: 1️⃣ - Material Thickness: 📐 1/4 inch maple veneer **Note**: 📝 These settings are specifically tailored for my own personal use on a Glowforge Pro and may require adjustment for different machines or materials. We're excited to introduce our latest addition: a delightful collection of comical characters! These humorous and fun-loving caricatures are designed specifically for wood engraving at a 10x15 size, bringing a touch of laughter and charm to your projects. While perfect for engraving, they can also be adapted for other creative endeavors. Please note that reducing the size may affect the level of detail, but they often still look fantastic. Explore our collection today for a dose of whimsical fun! 💰 Proven Money Maker: These tested files have been successfully engraved on wood, including cutting boards, and sold as wall art. (Please note: While we have profited from these designs as wall art, we do not guarantee your sales.) 🖼️ Perfect for woodworking, DIY projects, and art enthusiasts. 📥 Instant Download: Receive high-quality JPEG and PNG files. 📏 File Testing: The PNG file produces perfect results at 10x15 inches. Keep in mind that as you go smaller, some of the beautiful details may be less pronounced. ⚙️ Usage Considerations: Customers must be familiar with how to use these file formats and ensure that their machines are compatible. We recommend testing settings for the best image outcome possible. Feel free to message us with any questions, and we'll do our best to assist you! DOWNLOADING YOUR FILE INSTRUCTIONS: *** Step 1: Access and Download Your File 1. **Confirm Your Purchase:** After completing your purchase, you will receive an email confirmation from Etsy with details of your order. 2. **Log Into Your Etsy Account:** Open your web browser, go to [Etsy.com](https://www.etsy.com), and log into your account. Then, navigate to "Purchases and Reviews" which is found under your account options. 3. **Locate Your Purchased File:** In the "Purchases and Reviews" section, scroll through your past purchases to find the laser file you bought. You will see a button labeled "Download Files" next to the relevant order. 4. **Download the Files:** Click on "Download Files." This action will redirect you to a page listing all the digital files included with your purchase. Click on each file to download them to your computer. Ensure you save them in a location you can easily access later. What You Can Do with Northwest Branded Files: You can create as many PHYSICAL projects as you want with our files. You have commercial use rights as long as you agree and understand that we will forever own the images. Please note that you cannot sell these FILES in any way, nor can you use them to compete with our store. What You Cannot Do with Northwest Branded Files: Under no circumstances can you sell, share, or alter our files and/or sell them as your own. These are copyrighted images, and we trust you will respect that. You cannot alter or change our files into a different format to sell as your own. "My designs begin with AI-generated concepts but are extensively refined and perfected using professional software like Topaz and Photoshop, ensuring a unique and high-quality product beyond basic AI output."
This vintage engraving of a beautiful water fountain is from The Art Journal Illustrated Catalogue, published for the proprietors, by George Virtue in London, 1851. Click on image to enlarge. Related posts that may interest you: Antique Ornamental Clock Engraving ~ Free Clip Art Ornamental Candelabras Antique Soup Tureen Engraving ~ Free Clip Art
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Right click and choose "Save as" Emily
Florence Nightingale English nurse and statistician. From The Illustrated Midland News, 19 March 1870. Wood engraving.
An introduction to Japanese artist Yayoi Kusama, examples of Yayoi Kisama's art, and a dotty Yayoi Kusama art project for children
Descarga este vector de Clásico Marco Línea Arte gratis desde la gran biblioteca de imágenes, vídeos y música sin regalías de Pixabay.
