Brenda York has always drawn and painted faces, and believes that creating narrative art is a way to attempt to make sense of our common human experiences. This mixed-media work was created in acrylic paint, collage, and graphite on canvas and displays a pleasing organic theme.
8x8" | acrylic, collage, graphite on canvas | SOLD From my new series, "Saints And Sinners. The Dirty Little Secrets." 2020 Calendars available now!
10x8" | acrylic+collage on canvas | sold After several gardening mishaps he felt it would be prudent to sit on his green thumbs. At least until it snowed. Big Little Paintings | Short Little Stories. My new series. All offered by auction starting at a hundred bucks. Like this painting? There's a lot more where this came from...consider subscribing to my Daily Painting Blog. You'll be among the first to see my newest paintings--straight off my easel. Promise I won't send too many emails and I certainly would never let anyone else use your email address. Scout's honor!
Escampant la primavera, despertant la natura! (il·lustració de Brenda York)
6x6" | acrylic on canvas | sold The music leaked out from a thousand and one holes in his heart. Big Little Paintings | Short Little Stories. My new series. All offered by auction starting at a hundred bucks. Like this painting? I'd be forever grateful if you forwarded it to a friend or two...the more the merrier! Thanks so much.
Brenda Goodman: Paintings John Davis Gallery, Hudson, New York July 17 – August 10, 2014 In Brenda Goodman’s recent works, completed after her move from Manhattan to the Catskills, she continues to explore powerfully personal narratives animated by a visual language that moves that moves freely between abstraction and representation. On the occasion of her […]
6 — 29 Jul 2018 at the Cross Contemporary Art in New York, United States
“‘It is finished’ can never be said of us,” Emily Dickinson once wrote, and certainly there is nothing finished about Emily Dickinson. Since her death in
This pattern is available for free.
“The thing that’s fascinating me now more than anything, is when a painting is right. What makes a painting right?”
From limbless bodies to gorging, ravenous figures to gouged surfaces, there has always been something broken and deeply damaged about Goodman’s art.
