She has a paper heart. And when she dreams, You know she looks, For the kind of love you Only see in books. -Ariana eyecandypictures This text is the intellectual property of Ariana Dancu. Any infringement or use, in part or in whole, will incur legal consequences and action and will be pursued to the full extent of the law This love poem, romantic love poetry, original poem is original art and text by me. This is original poetry by me, and is typed by me using a Vintage Smith-Corona Typewriter on cream-colored paper. The ink is black. The ink is black. The poem will have a parchment cover, sealed with a red wax seal (photo 2). The parchment has open sides so you can check the item without breaking the seal if wanted. All my written works are shipped in a secure padded envelope. The page measures: approx. 4" inches by 6" inches.
ariana russell responds to the unique components of her skin to draw painless, temporary, and ephemeral designs on her body, the designs visible just long enough to photograph the results.
You must have been a storm seeker because my soul was no quiet shore -Ariana This poetry, original poem is original art and is written by me typed using a Vintage Smith-Corona Typewriter on cream-colored handmade Indian cotton paper. The ink is black. Picture 1: features a zoomed in image of the item so you can read the text's content Picture 2: features the full page so that you can get an idea of what it looks like. The poem will have a parchment cover, sealed with a red wax seal (photo 3). The parchment has open sides so you can check the item without breaking the seal if wanted. All my written works are shipped in a secure padded envelope. The page measures: approx. 5." inches by 6.7" inches.
We Are Owed. is the debut poetry collection of Ariana Brown, exploring Black relationality in Mexican and Mexican American spaces. Through poems about the author's childhood in Texas and a trip to Mexico as an adult, Brown interrogates the accepted origin stories of Mexican identity. We Are Owed asks the reader to develop a Black consciousness by rejecting U.S., Chicano, and Mexican nationalism and confronting anti-Black erasure and empire-building. As Brown searches for other Black kin in the same spaces through which she moves, her experiences of Blackness are placed in conversation with the histories of formerly enslaved Africans in Texas and Mexico. Esteban Dorantes, Gaspar Yanga, and the author's Black family members and friends populate the book as a protective and guiding force, building the "we" evoked in the title and linking Brown to all other African-descended peoples living in what Saidiya Hartman calls "the afterlife of slavery." This book takes approximately 28 days to arrive.
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