The Romans had the Baths of Caracalla, we have architect Peter Zumthor’s Thermal Baths Vals in Graubünden, Switzerland.

Image 19 of 137 from gallery of A Photographer's Journey Through Zumthor Valley. Photograph by Felipe Camus

This article is part of an installment of essays and examples illuminating the essence of good architecture, which comprises of empathy, experience and beauty. The exploration of Peter Zumthor’s thermal baths in Vals, Switzerland, represents architecture as an extraordinary sensory experience.

Peter Zumthor

In response to great demand, we have decided to publish on our site the long and extraordinary interviews that appeared in the print magazine from 2009 to 2011. Forty gripping conversations with the protagonists of

Peter Zumthor, Zumthor House, Haldenstein, 2005

Image 1 of 22 from gallery of The Noble Simplicity of Peter Zumthor's Allmannajuvet Zinc Mine Museum. Photograph by Aldo Amoretti

Maandag heeft de Zwitserse architect Peter Zumthor zijn plannen voor de Meelfabriek in Leiden gepresenteerd. In zijn ontwerp gaat de laureaat van de Pritzker Prize zo veel mogelijk uit van de industriële structuren van de meelfabriek.

Desde 1998 referente de la cultura arquitectónica: METALOCUS es una publicación independiente dedicada a la arquitectura y más, mucho más ...

Imagem 25 de 26 da galeria de Clássicos da Arquitetura: Capela Saint Benedict / Peter Zumthor. Fotografia de Marco Masetti

A grande richiesta, abbiamo deciso di pubblicare sul sito le lunghe e straordinarie interviste apparse sul magazine cartaceo dal 2009 al 2011. Quaranta trascinanti conversazioni con i protagonisti dell’arte contemporanea, del design e dell’architettura. Una

Image 110 of 137 from gallery of A Photographer's Journey Through Zumthor Valley. Photograph by Felipe Camus

its saturday, nearly christmas, what would you rather be doing? shopping, or relaxing in the thermal baths in vals, switzerland designed by peter zumthor. opened in 1996 peter designed a space so s…

Desde 1998 referente de la cultura arquitectónica: METALOCUS es una publicación independiente dedicada a la arquitectura y más, mucho más ...

Image 40 of 46 from gallery of Multiplicity and Memory: Talking About Architecture with Peter Zumthor. Therme Vals plan 01

Hors du temps, hors d’échelle, le Musée Kolumba de Peter Zumthor, réalisé entre 1997 et 2007, tente d’unir l’ancien et le contemporain au sein d’un même « corps architectura…

Chur, Masans, Switzerland, 1989-1993 "The building is designed for residents who can still live on their own and look after themselves. It faces the Kronengasse and the old center of Masans. At the rear is the existing old people's home, whose nursing facilities can be used as required. The new building and the existing complex form a loose configuration, a kind of suburban ‘farmstead’ arranged around a spacious courtyard. Existing features, such as the low wall alongside the Kronengasse, a shed and a mighty lime tree, were incorporated into a new entrance situation, which now looks as if it had always been like that. The mood is informal and rural. Throughout the complex, consisting of 21 apartments, a guest room and a staff room, all connected by external corridors, one can see evidence of the declared design objectives, i.e. the creation of a rural atmosphere in a suburban setting, the sensuous presence of the materials (a basic triad of exposed concrete, tufa and larchwood), and clarity and legibility of construction detail. We want the building to seem relaxed and informal, like a big ‘rock’ in the open expanses of a mountain landscape, expertly worked with precise, careful, perhaps even old-fashioned craftsmanship. The apartments, although small, appear large, with bedroom doors which, when closed, seem to disappear into the built-in cupboards on either side. We want the inhabitants to feel at home, an impression enhanced by the use of elements which they recognize from their own lives in the surrounding villages: timber flooring that sounds hollow when you walk on it; wooden paneling on tufa walls; an integrated veranda protected from the wind; in a front corner of the wall, an oriel window with a view up the valley towards the evening sun; and the birchwood-clad kitchenette, a window through which one can see an inquisitive glance onto a private patio in the outdoor corridor or watch the comings and goings on the east side of the courtyard. The plan of the building is based on the idea of solid elements (supporting masonry piers, solid sanitary blocks, nonsupporting wooden boxes) placed at regular intervals in the overall ground plan within a large, flowing continuum of space." Text by Peter Zumthor. "The residents are welcome to furnish as they please their section of the large entrance porch to the east, which they overlook from their kitchen windows, and they make ample use of this opportunity. The sheltered balcony niches and the living room bow (bay) windows on the other side face west, up the valley, towards the setting sun". (font: dezeen.com). "The cells are more like big pieces of furniture themselves since their volume and partitioning doesn't seem to touch the ceiling and floor. The rhythm created as the cells move in and out and the play between depth and surface make the cells appear like individual notes of a musical score". (font: Ludwig Abache)