[03-10-2014] UNA REINTERPRETACIÓN DE LA ARQUITECTURA TRADICIONAL JAPONESA_ La casa propia unifamiliar del arquitecto Kenzo Tange fue diseñada en el año 1951, y construida en 1953 en Setagaya, Tokio…

After U Thant’s death in 1974, the UN’s focus and fund-raising for the project also waned. Although Nepal’s royal family attended numerous meetings of the International Committee for the Development of Lumbini, and gave patronage to the Lumbini Development Trust, the master plan languished. After 1990, corruption, poor governance and conflict took their toll. The government’s weak commitment to Lumbini and lack of transparency meant that over the years, vested interest groups tried to cash in on Lumbini’s fame. Those with resources and geopolitical clout got away with unregulated construction in the monastic zone. One murky affair was an initiative in 2012 by the Asia-Pacific Exchange Cooperation Foundation (APECF), which claimed it would invest $3 billion in Lumbini. The foundation got the backing of Pushpa Kamal Dahal, but soon became embroiled in controversy because it planned to scrap Tange’s master plan. APECF’s scheme is now on hold. On Saturday, 18 May President Bidya Devi Bhandari, Prime Minister K P Oli, other government ministers and ambassadors of Buddhist countries in the region will be in Lumbini to give new impetus to developing the Buddhist circuit in Nepal as an international pilgrimage and tourism destination.

Kenzo Tange was born September 4, 1913 in Osaka, Japan. After graduating from the University of Tokyo in 1938 and working for Kunio Mayekawa, a student of Le Corbusier, Kenzo Tange won the competition for the Hiroshima Peace Center in 1949. His architectual work includes the Shizoka Press and Broadcasting Centre (1966–7), the National Gymnasium for the 1964 Olympic Games, and the theme pavilion for the 1970 Osaka Exposition. His ‘Plan for Tokyo’ received attention for its new concepts of extending the growth of the city out over the bay, using bridges, man-made islands, floating parking, and megastructures. His highly influential published works include A Plan for Tokyo (1960) and Toward a Structural Reorganization (1960). He was awarded the Pritzker Architecture Prize in 1987.

In 1970, Kenzo Tange designed the Olivetti Technical Centre and Warehouse in Yokohama, Tokyo. An example of Japanese Brutalist Architecture.

Kagawa Prefectural Government Hall (1958) in Takamatsu, by Kenzo Tange The tile mural, “Wakeiseijaku – Harmony, Respect, Purity, Tranqu...

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Image 9 of 13 from gallery of AD Classics: Yoyogi National Gymnasium / Kenzo Tange. axon_02

Kenzo Tange in front of his Plan for Tokyo in 1960 ESPAÑOL Metabolism was the most important urban architectural, artistic and philosophical movement, that Japan produced in the twentieth century. Its influence went beyond the utopian concepts of a society that was experiencing rapid economic growth in the early 60s and it materialized in specific projects, not only in Japan but also beyond the archipelago. This post is based on two sources: the first is the exhibition "Metabolism: City of the Future" held at Mori Museum, at the top of Roppongi Hills , in the events of World Congress of Architecture in Tokyo. This is the first exhibition on the Metabolist Movement carried out in the world, so this post is organized according to the structure of the exhibition. The second is the complete and recommended book, "Kenzo Tange and the Metabolist Movement. Urban Utopias of Modern Japan", by Lin Zhongjie, 2010. 1) THE BIRTH OF METABOLISM This section discusses the early modern Japanese urban planning, when the country dominated much of Asia. Then, the Japanese planners proposed projects in their colonies (Korea, Manchuko, etc) that they would not dare to carry out in Japan itself. At that time, Kenzo Tange won his first competition at age 29, a proposal to build a monument to the "Greater East Asia Co-Prosperity Sphere." His proposal considered monumental scale and modern axes, but suggested a monument reminiscent of the Grand Shrine of Ise. Due to the escalation of the war none of these plans was carried out. Monument to the East Asia Co-prosperity Sphere , Kenzo Tange, 1942. It was supposed to be located between Kyoto and Tokyo, the traditional heart of the modern metropolis of Japan. The linear axis would be repeated in other projects such as the one in Hiroshima, Tokyo or Osaka Expo. However, the first concrete example of modern urban planning was the Master Plan for the reconstruction of Hiroshima, along with the buildings designed for the Peace Park in that city by Kenzo Tange. Plan for the Peace Park, Hiroshima . Kenzo Tange, 1955. Atomic Bomb Memorial Museum, Hiroshima . Kenzo Tange, 1955. Because of Tange's influence, a group composed of Japanese architects (many of them his colleagues and students) Kisho Kurokawa, Kiyonori Kikutake, Fumihiko Maki, Masato Otaka among others presented in 1960 a manifesto called "Metabolism: Proposals for a New Urbanism" during the World Design Congress that year. The movement took that name because, distancing away from modernism, arguing that buildings and cities should be conceived as living beings, and therefore should grow organically, according to the needs of their inhabitants. 2. ERA OF METABOLISM Kenzo Tange in 1960 presented his Plan for Tokyo, including innovative ideas on how to expand the city across Tokyo Bay. Plan for Tokyo, 1960. Photomontage and model. Kenzo Tange. The huge monumental axis built across the Tokyo Bay was designed for cars, keeping pedestrians away in separate areas through a hierarchy of expressways. The proposal differed from the ideas of CIAM, which was in favor of "urban centers" and proposed "civic areas" instead. Plan for Tokyo, 1960. Details of the model. Kenzo Tange. This huge fleet of units up to 300 m wide, with roofs like Japanese temples that seemed to be floating in the water, contained the residences. Plan for Tokyo, 1960. System piles and nuclei. Kenzo Tange. Influenced by the ideas of Le Corbusier, Tange proposes that "Pilotis areas constitute spatial links between public and private areas. They are the areas in which the flow of traffic meets with stable architectural space. Core systems, on the other hand, link urban arteries with the buildings." Both cores and piles were integrated into a single system. The ideas evolved into urban utopias that envisioned mega-cities through the generation of giant geometric shapes. In the exhibition, 3D reconstructions show images of what these huge futuristic structures would have been, but in my personal opinion, they lack human scale and people were considered little more than ants in a huge mechanical assembly. Ecopolis. Kiyonori Kikutake, 1990 Joint Core System. Arata Isozaki, 1960. The plan assembled large horizontal arms around vertical elements, forming groups of offices. It was integrated into the Plan for Tokyo by Tange, his master. City in the air. Arata Isozaki, 1961. The young architect, dissatisfied with the chaos of Tokyo, raised an orderly city completely separated from that laid in its base, whose branches were born from central mega-columns. Helix City. Kurokawa, 1961. Located on the sea, this proposal was inspired by the structure of DNA, which had recently been discovered. It was a double helix allowing continued growth of the city. City Farm. Kurokawa, 1960. The proposal sought to resolve the contradiction between city and countryside through a concrete grid of 500 x 500 m, elevated 4 m high from the agricultural area by pilotis. I wonder how the architect consider to provide the agricultural field with a fundamental resource: solar light. Renewal of Tsukiji District. Kenzo Tange, 1963. However, these ideas led to the creation of some Metabolist buildings, particularly certain works by Tange, Kikutake, Kurokawa, Maki, Otani and others. But without a doubt the most important icon of this movement was the Nakagin Tower by Kisho Kurokawa, the first interchangeable capsule building in the world, that we have explained in more detail in this moleskine. Shizuoka Press and Broadcasting Center, Tokyo. Kenzo Tange, 1967. This should have been the starting point of a mega-lattice, yet never was built. This building is near the Nakagin Capsule Tower. Corporate headquarters of Fuji TV, Tokyo. Kenzo Tange, 1996. Shinjuku Station, Tokyo. Fumihiko Maki and Masato Osawa, 1960. Hotel Tokoen, Tottori. Kiyonori Kikutake, 1964 Nakagin Capsule Tower, Kisho Kurokawa, 1972 . Miyakonogo Civic Center. Kiyonori Kikutake, 1966. The bulky fan shape of this mega structure contrasted with the modest skyline of this small town. International Conference Centre, Kyoto. Sachio Otani, 1966. I hope to dedicate a post to this building soon, which seems a futuristic Star Wars Imperial destroyer. Republic Polytechnic, Singapore. Fumihiko Maki, 2007. Photo courtesy of Maki and Associates. 3. ENVIRONMENTAL SPACE Besides the architecture and urbanism, art was deeply involved in Metabolism, primarily through two events: the exhibition "Environmental Space", 1966, and mainly the Osaka Expo in 1970 (whose urban planning was alsodesigned by Tange). This was a chance for artists like Katsuhiro Yamaguchi and Kiyoshi Awazu to develop creations based on the principles of Metabolism. Master Plan for the Osaka Expo 70 . Kenzo Tange. Aerial view of the Osaka Expo 70 . Beautilion Takara, Osaka Expo. Kisho Kurokawa, 1970. Obsessed with the idea of capsules, Kurokawa organized a structural frame to which cube caps were attached. The unfinished aesthetic conveyed the idea that it was a constantly growing project. Expo Tower, Osaka. Kiyonori Kikutake, 1970. Located at the southern end of the Expo , offering panoramic views of the event. It was composed of a central steel pipes to which metallic geodesic spheres were attached. The design allowed for continuous expansion. 4. GLOBAL METABOLISM This section is devoted to the influence of metabolism on projects outside Japan, including Hawaii Marine City, USA, PREVI homes in Peru and the reconstruction plan of Skopje, Macedonia. Housing PREVI, Lima, Peru. Kiyonori Kikutake, Kisho Kurokawa, Fumihiko Maki. In 1967, Peruvian President architectFernando Belaunde, promoted experimental housing systems called PREVI, to which Metabolists were invited, along with other famous international architects. The proposal of the Japanese was characterized by a long and narrow layout of the dwelling units, that regulates the rigid division between the service and living functions, which are arranged lengthwise. Marine City, Hawaii. Kiyonori Kikutake, 1963. These "rollers" were cylindrical cores from which housing units were born. As the units became older, they were replaced by new ones, similar to regenerating cells. Photo courtesy of mr. Prudence . Plan reconstruction of Skopje, Macedonia. Kenzo Tange, 1965. This proposal won an international competition and it was structured around two concepts: the "City Gate", which was the hub of entry into the capital, comprising all transportation systems, and the "City Wall", consisting of apartment buildings, simulating a medieval wall, which would incorporate housing to downtown. SEE ALSO - Kenzo Tange WORKS Peace Park, Hiroshima, 1955- Kisho Kurokawa WORKS Nakagin Capsule Tower, Tokyo, Japan (1970-72) - EVENTS OF THE WORLD CONGRESS OF ARCHITECTS 10,000 ARCHITECTS (I) At last, the dream of my own capsule was fulfilled ...

Completed in 1964 in Tokyo, Japan. There are some buildings that do not belong to any time or age. The Saint Mary Cathedral of Tokyo by Kenzo Tange is definitely one of these. Of...

Yoyogi Stadium (the smaller of the two) Tokyo, Japan Kenzo Tange, arch., 1964 one doesn't see it here, but there is a cable (supporting the roof of the stadium) which starts at the top of the tower (on the opposite side) and is anchored in the concrete pylon here in the foreground. One can see the ends of the cable through 'windows' in the tower/ block, painted a beautiful red. At any rate, the visual and physical transfer of forces is fantastic.

As in the past, with the Yoyogi National Gymnasium, Kenzo Tange continues to stimulate the creative possibilities of the architecture of our times.

NYT art critic Jason Farago takes a look back at the now iconic architectural and visual design — and its transformative power — of the 1964 Olympic Summer Games in the Japanese capital, 19 years after WWII had ended.

Architect: Kenzo Tange (1967) Location: Tokyo (Ginza), Japan

Image 12 of 16 from gallery of AD Classics: Shizuoka Press and Broadcasting Center / Kenzo Tange. Courtesy of Petr Šmídek - www.archiweb.cz

RNDRD | A partial index of published architectural rendering

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Completed in 1964 in Tokyo, Japan. Built for the 1964 Summer Olympic Games in Tokyo, Japan, the Yoyogi National Gymnasium has become an architectural icon for its distinctive design. ...

ENGLISH El Gimnasio Nacional de Yoyogi en Tokio , construido para las olimpiadas de 1964, es la obra más conocida del maestro japonés Kenz...

RNDRD | A partial index of published architectural rendering

Kenzo Tange, Architecture et Urbanisme 1946-1969 Verlag für Architektur Artemis Zûrich, 1970

Here we discuss one of the most important architects in history, and that is Osaka-born Kenzo Tange, and how his critical vision helped to shape the world.

Image 6 of 16 from gallery of AD Classics: Shizuoka Press and Broadcasting Center / Kenzo Tange. Courtesy of Petr Šmídek - www.archiweb.cz

Kenzō Tange was a Japanese architect, and winner of the 1987 Pritzker Prize for architecture. He was one of the most significant architects of the 20th century, combining traditional Japanese styles with modernism, and designed major buildings in five continents.

ESPAÑOL The Yoyogi National Gymnasium in Tokyo, built for the Olympics in 1964, is the most famous work by the Japanese architect Kenzo Tan...