Last summer I posted about how certain pinched types of plasma discharges resembled petroglyphs from around the world. I wrote: "The Squatter Man (Squatting Man) Petroglyphs" The first two images in the top left corner represent how a certain pinched type of high-energy plasma discharge would appear to a viewer; the other images show examples of petroglyphs from around the globe apparently showing the same phenomena. For more information, see Peratt, Anthony L., "Characteristics for the Occurrence of a High-Current Z-Pinch Aurora as Recorded in Antiquity," IEEE Transactions On Plasma Science, Vol. 31, No. 6 (Dec. 2003) (large PDF). According to Peratt, these plasma discharges would occur from a current that would only be produced "if the solar flux from the Sun were to increase one or two magnitudes or if another source of plasma were to enter the solar system." (Peratt at 1210) (underline added). It offers a different possible interpretation of what John saw in Revelation 10:1-3. The full article contains illustrations of other shapes of plasma discharges which vary somewhat from the squatting man type, but are still recognizably similar. Revelation 10:1-3 states: 1 And I saw another mighty angel come down from heaven, clothed with a cloud: and a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire: 2 And he had in his hand a little book open: and he set his right foot upon the sea, and his left foot on the earth, 3 And cried with a loud voice, as when a lion roareth: and when he had cried, seven thunders uttered their voices. The other day I was following a link on a different matter, and came across a story about what the author called God-Self icons from various cultures around the world. I was immediately struck by the marked similarity between these icons and the squatting man petroglyphs: Anyway, something to think about.
After running the recieved radio transmission through a spectograph the findings were of huge interest to the investigation, and thw whole team involved. The spectograph revealed images that have been embedded within the transmission. These are the images that we have as of yet isloated, and at this point the 'symbols' are alien to our understanding.
leading from Established Mythology behind Pacal's tomb lid and The "Pakal Votan" tomb lid Lid of Pakal's tomb a) The accepted interpretation by archeologists is that the original scene depicted on the sarcophagus' lapidary stone represents the instant of Pakal's death and his fall to the Underworld. b) However the interpretation of what actually is going on in the relief can go in slightly different directions since the way of thinking of the Mayans who created it differs from our modern society and the conquistadors decided to burn most of their codexes back in the 16th century. However work has been done to establish enough of their mythology and culture over time to pick this apart. c) In Western Society, the tomb lid had been made famous by Erich Von Daniken who asked if this was a man piloting a space rocket. However a more traditional archeological point of view might state that it showed Pakal Votan's soul would manoeuvre through the underworld. It showed the ruler seated upon the Monster of the Sun, in its state of transition between life and death: a skeleton from the mouth down, yest with the eyes of a living being. The sun enters into this state of transition at dawn and at dusk. Here the, emblem of the Monster of the Sun contains the "cimi", the sign of death, representing the 'death of the sun' or sunset, with the sun located on the horizon, sinking into Xibalba, the underworld. The movement of the sun from east to west represents Pakal's journey from life into death, Inside the underworld at the centre of the universe, stands the sacred World Tree with a Celestial Bird - a symbol of the kingdom of heaven. Each night, the Mayans saw the Milky Way rise after the sun had set. For them, this starry river was the Underworld, and the dark space at its centre was the 'Dragon's Mouth' - its entrance. The 'World Tree' was basically the cross formed by the Milky Way rising perpendicular to the horizon d) Another question might be whether he is going down into the Underworld or whether he is going up into the heavens where he is being transported to experience eternal life drawing of Sarcophagus Lid of Pakal The large carved stone sarcophagus lid in the Temple of Inscriptions is a unique piece of Classic Maya art. Around the edges of the lid is a band with cosmological signs, including those for sun, moon, and star, as well as the heads of six ancestors. The central image is that of a world tree. Beneath Pakal is one of the heads of a celestial two-headed serpent viewed frontally. Both the king and the serpent head on which he seems to rest are framed by the open jaws of a funerary serpent, a common iconographic device for signalling entrance into, or residence in, the realm(s) of the dead. The king himself wears the attributes of the Tonsured maize god and is shown in a peculiar posture that may denote rebirth. (source: wikipedia) Ronald Story:The Palenque astronaut, carved on a sarcophagus lid from the temple of Inscriptions, Palenque, Mexico. Although, Von Däniken sees a man piloting a rocket in this illustration the personage is actually a deceased ruler, Pacal, in a state of suspension between two worlds, the world of living and that of the dead. He is shown here in the composite design of a cross, a two-headed serpent and corn plant , rich in Mayan (Space Gods revealed) Edgar Foley: One of the most significant archaeological finds of the 20th century was the tomb of K'inich Janaab' Pakal, ruler of the Mayan city of Palenque from 615 to 683 AD. After having assumed the throne at age twelve, he ruled Palenque for an astonishing 68 years. During his reign, Palenque became a Mayan Florence, a medium-sized city crammed with unsurpassed architecture and art. Pakal's tomb was found in the so-called Pyramid of Inscriptions. Until this find, it was not known that the Mayan's buried their rulers in a very similar fashion to the ancient Egyptians. The concept and execution of Pakal's tomb are really remarkably similar to the Egyptian pyramids, which served as a sort of launching platform for deceased pharaohs, including worldly goods the Pharaoh would need and elaborate inscriptions as to how the Pharaohs' soul was to navigate through the underworld and reach the afterlife. Pakal's tomb was not only filled with relics and treasures, it also contained six servants. The lid on the tomb describes how Pakal's soul is to manoeuvre through the underworld. It shows the ruler seated upon the Monster of the Sun, in its state of transition between life and death: a skeleton from the mouth down, yet with the eyes of a living being. The sun enters into this state of transition at dawn and at dusk. Here, the emblem of the Monster of the Sun contains the ‘cimi’, the sign of death, representing the ‘death of the sun’ or sunset, with the sun located on the horizon, sinking into Xibalba – the underworld. The movement of the sun from east to west represents Pakal's journey from life into death. Inside the underworld at the centre of the universe, stands the sacred World Tree with a Celestial Bird—symbol of the kingdom of heaven. Each night, the Mayans saw the Milky Way rise after the sun had set. For them, this starry river was the Underworld, and the dark space at its centre was the ‘Dragon's Mouth’ - its entrance. The ‘World Tree’ was basically the cross formed by the Milky Way rising perpendicular to the horizon. (source:rijksmuseumamsterdam.blogspot.co.uk/) Zecharia Sitchin:Inscriptions on the wall of the funerary edifice and in adjoining structures convince them that the person buried here is the ruler Pacal ("Shield") who reigned in Palenque in A.D. 615-683. Some see a depiction of the deceased Pacal being taken by the Dragon of the Underworld to the realm of the dead; they consider the fact that at the winter solstice the Sun sets exactly behind the temple of inscriptions with added symbolism of the King's departure the setting Sun God. Others prompted to revise interpretations by the fact that the depiction restrained by a Sky Band, a chain of glyphs that represent celestial bodies and the zodiac constellations regard the scene as showing the king being carried by the Celestial serpent to the celestial realm of the gods. The cross like object that the deceased is facing is now recognized at the stylised tree of life suggesting that the king is being transported to an eternal afterlife (The Lost Realms, by Zechariah Sitchin, p71-72) "A strip of heaven (skyband) frames the entire scene with kin (day or the sun) in the upper right or northeast corner and akbaal (night or darkness) on the far left or northwest corner. The movement of the sun from east to west represents Pakal's journey from life into death. Symbols fill the background of this scene (shells, jade beads, signs of plenty, and others) carried on spirals of blood. (Taken from :http://www.delange.org/PalenqueTomb/PalenqueTomb.htm)
Haldi (Khaldi) was the supreme god of the Urartian pantheon, and there was a temple dedicated to him at ancient Erebuni. Bas relief reconstruction, K Gianjian. (Erebuni Historical and Archaeological...
As a Priest of the Coven of the Catta I always wondered why one of the main Goddess we worship is Astarte. But now I see that since our coven is of the lineage of the Coven of the Horsa from Sybil …
For several years, I have found myself drawn to the practice of asemic writing (artistic, meaningless writing, which has the appearance of a genuine language). However, I didn’t know there was a specific term for the practice – or that it belonged to an artistic trend – until quite recently. When drawing, or just mindlessly…
The aim of this article is to assist readers in identifying if their bark painting is by Charlie Numbulmoore by comparing examples of his work.
Es sabido que en muchas culturas, los herreros divinos son cojos. Es una extraña característica que comparte tanto el Hefesto griego como el Vulcano latino (Dios que, al parecer, no procedería del …
Or at the very least, made by humans with alien technology. Either way, aliens.
A paper by authors Martin B. Sweatman and Dimitrios Tsikritsis, titled 'Decoding Göbekli Tepe with archaeoastronomy: What does the fox say?' published in Mediterranean Archaeology and Archaeometry, vol 17, no. 1. (2017)
კოპალა, წინაქრისტიანული სათემო ღვთაება აღმოსავლეთ საქართველოს მთაში. ქართულ მითოლოგიაში ხევსურთა ლოკალური ღვთაება ხვთისშვილთა რიგიდან. ხალხური ეტიმოლოგია მის სახელს კომბალიდან აწარმოებს. მისი ძირითადი სამლოცველო იყო ფშავსა (სოფ. უძილაურთა) და ხევსურეთში (ლიქოკის ხეობა, ჭალაისოფელი). სალოცავი ლიკოკის ხეობაში, კარატის მთის მწვერვალზე დგას. ხევსურთა რწმენით, კარატის ჯვრის თაყვანისცემა იცავს წყალში დახრჩობისგან და ზვავში მოყოლისგან, მას უკავშირდება მოჯადოებულთა და სულიერად…
De goed bewaarde burcht is een van de imposantste bouwwerken van Georgië dat de Perzische en Osmaanse invallen heeft weerstaan. Er bevinden zich 2 kleine kerken, de Verlosserskerk en de Maria Hemelvaart kerk die binnenin beschilderd is. Verder staan er een klokkentoren, een weertoren en een badhuis. Alle gebouwen dateren uit de 17de eeuw. zie ook: publicliterature.org/en/wikipedia/g/ge/georgian_military_... en.wikipedia.org/wiki/Ananuri
Fr. Philippe Péneaud is a priest for the Antiochian Orthodox Church and a prolific woodcarver living in the South of France. Having studied in the great tradition of European woodcarving with Raymo…
Why Sitchin translation of Sumerian Cylinder Seal VA 243 Is Wrong and does not support the Anunnaki Ancient Alien Astronaut Theory
When I visited the famous Maya city of Palenque, in southern Mexico, I had the chance to see the full-size replica of the sarcophagus of K’inich Janaab’ Pakal, or Pakal the Great. The original is s…
