About The Artwork This image starts out as a monotype and is manipulated with new media and is sent to a special company to print on a metallic paper that gives the image extra power and depth. I love making monotypes. The big attraction to me is the huge amount of unpredictability in the process. Basically you put ink on a plate and then lay a piece of paper on to the ink and then put pressure on the paper. Only some of the ink transfers to the paper. This is where the magic happens. When you peal the paper away from the plate it is elation or disappointment. It is Christmas each time you do this "opening of the sandwich" because you really do not know what the art gods will give you. There are many variables involved such as the amount of pressure, the type of paper, the amount and type of ink, the design, how the ink was applied, yatta yatta. After you pull the print you have to decide "do I stop here, or keep on manipulating the image. The other gift you get is the remaining ink on the plate. Most people wipe the remaining off of the plate but not me. I put another piece of paper on the remaining ink and create a ghost which becomes part of the history of another composition. These are called montypes or monoprints because you only get one copy of the design. I like to work in a series to show all the variations of the design. I put a number on each print so I can keep the variations organized. The printing press to make monotypes is extremely expensive. This along with the time required to make one painting can be very long. It takes a week for the ink to dry before I run it through the press again to add to the design. Some time it takes months to make a picture because I do not have a road map how to make it and what I want to do to it next. These things are too big to fit in your garage so now you need a special building that must be rented. On top of that it costs thousands of dollars to have a machinery mover put it in your space after you have spent your life savings on the press. Bottom line is monotypes are expensive to make but are really really fun to do.. This image is a monotype that is layered into a sandwich of other monotypes and then I put copy and a border on it. I like to make monotypes and have hundreds in many flat files. I photograph them and build compositions from them. After I get my composition made I have it printed on a metallic paper. So is it a monoprint or a collage or a photograph? Original Created:2000 Subjects:Portrait Materials:Paper Styles:ConceptualFigurativeFine ArtIllustrationPortraiture Mediums:MonotypeLithographInkDigitalNew Media Details & Dimensions Printmaking:Monotype on Paper Artist Produced Limited Edition of:5 Size:16 W x 20 H x 0.1 D in Frame:Not Framed Ready to Hang:Not applicable Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:United States. Have additional questions? Please visit our help section or contact us.
Since a young age, Mark Anderson was drawing and telling jokes, therefore, it was only a matter of time before he became an acknowledged cartoonist.
“Letras Que Flutuam” documents the art of boat decoration found flourishing throughout the Brazilian state of Pará, along the Amazon River.
Escape to the Amazonian forest with this tranquil Amazonie Art Print by Julie Guillem. These colourful parrots will lighten up any kid's room, creating a sense of freedom and evasion. Printed on fine art paper using high quality natural pigment inks by Sergeant Paper in Paris, France. This limited edition art print is delivered with a certificate of authenticity. TECHNICAL SPECS Printing technique: Giclée print Paper: Innova 210gr Limited edition: 300 copies Signature: Artist's signature Size: standard A3 / 30cm x 42cm (sold unframed, easy to frame)
“Letras Que Flutuam” documents the art of boat decoration found flourishing throughout the Brazilian state of Pará, along the Amazon River.
Philippe Echaroux is a well-known street artist who became famous for his Amazonian Rainforest intervention that we had shared here. He presents the second chapter of this incredible art. With this project in Central Park, he wants to ask a question: "Central Park is a perfect symbol of people trying to dominate the nature, here nature is contained in a rectangle, but who is surrounding who in the end?"
