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Download A Favourite Custom by Lawrence Alma-Tadema and other public domain artworks on Artvee

A Greek Woman (1869) by Lawrence Alma-Tadema (English, 1836-1912) This is not a physical product or item, but a 100% digital file that can be instantly downloaded following purchase. Art File Information • Files come in high-resolution JPG. files (300 DPI) • We will provide the digital art purchase in different ratios, at the largest recommended size for each ratio. The largest recommended size will vary with each artwork so please be sure to look below at the 'Artwork Size' for the files provided with this piece of art. • The sizes are provided in the largest recommended size for each ratio, to ensure that we provide you with a high-quality, high-resolution image, that captures the essence of the art, whether it be the brushstrokes or the sharpness of the subjects in each piece. Please note, that you are welcome to size up the ratio provided, but this could decrease the quality of the art visually Artwork Sizes • 2:3 Ratio - 8 x 12 inches ➝ 2400 x 3600 pixels • 3:4 Ratio - 9 x 12 inches ➝ 2700 x 3600 pixels • 4:5 Ratio - 8x 10 inches ➝ 2400 x 3000 pixels • ISO Ratio - A4 ➝ 210mm x 297mm ➝ 2480 x 3508 pixels • Original Artwork Ratio 11.58 x 14.87 inches ➝ 294.13mm x 377.61 mm ➝ 3474 × 4460 pixels What you need to know about digital vintage art • Characteristic cracks, grain and scratches are a part of vintage art and add to its beauty, please be aware that whilst you will be receiving high-resolution images, they are from vintage art and will contain character accordingly. • Colours may vary depending on screen settings, device and print settings. Please follow printing recommendations for the most accurate results of the intended colours. Download instantly • Upon completing your order, the artwork you purchased will be available for download. • The chosen artwork will be available instantly via your Etsy Profile, in 'Your Account', under 'Purchases and Reviews'. • If you purchased as a 'Guest' your purchase will be sent through an automated email from Etsy, containing your download links. Please ensure to check spam/junk (and social/promotion if using Gmail). • A PDF download —made available instantly after your order is complete— will contain a link to our artwork's Google Drive folder, where you will be able to download the full set of files. Printing recommendations • Whilst printing at home is an accessible and cost-friendly option, for the best results we recommend printing through an in-person or online printing service using high-quality matte or satin paper or card stock, as this will provide the best results. • Following printing recommendations that will be provided upon purchase of your digital art. Terms of purchase • No refunds on digital items due to the nature of the product • Purchased files may not be re-sold in digital or physical form. • Purchased files may not be used to create products meant for digital or physical sale under any circumstances. • For non-commercial, personal use only. • By purchasing this file you agree to the above terms and conditions

-A Silent Greeting-

-The Education of the Children of Clovis-

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 18" x 12" Finished Size: 18" x 12" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 55409779014A

The Siesta, or Pompeian Scene, 1868. Oil on canvas - Alma-Tadema A domestic scene set in classical antiquity. An old man and a youth recline on divans while an attractive young woman plays music on a double flute. Both the clothing and the setting suggest the Greek world, and the motives and clothing are rigorously faithful to archeological discoveries made in the mid nineteenth century. Despite being Dutch by birth, Sir Lawrence Alma cultivated an eclectic personal neoclassicism closer to the elegance and style of the British Pre-Raphaelites, as can be seen in the present painting. This work entered the Prado Museum in 1887, a donation by Ernesto Gambart, who was the Spanish Consul in Nice.

The Siesta, or Pompeian Scene, 1868. Oil on canvas - Alma-Tadema A domestic scene set in classical antiquity. An old man and a youth recline on divans while an attractive young woman plays music on a double flute. Both the clothing and the setting suggest the Greek world, and the motives and clothing are rigorously faithful to archeological discoveries made in the mid nineteenth century. Despite being Dutch by birth, Sir Lawrence Alma cultivated an eclectic personal neoclassicism closer to the elegance and style of the British Pre-Raphaelites, as can be seen in the present painting. This work entered the Prado Museum in 1887, a donation by Ernesto Gambart, who was the Spanish Consul in Nice.

STRETCHED CANVAS ART REPRODUCTION GICLEE - Museum quality reproduction, would make a great addition to any home, office or restaurant decor! Painting: (1888) The Roses of Heliogabalu, Oil on Canvas - Private Collection Artist: Sir Lawrence Alma-Tadema (1836 - 1912) a classical-subject painter, he became famous for his depictions of the luxury and decadence of the Roman Empire. MASTERPIECE WORKS OF ART REPRODUCED TO MUSEUM QUALITY PAINTINGS ARE PRINTED ON HEAVYWEIGHT PROFESSIONAL CANVAS USING "GICLEE" TECHNIQUE WITH A PROFESSIONAL VARNISH COATING STRETCHED CANVAS EDGE OPTION FINISHES – Please choose an option you would like when ordering “IMAGES ABOVE” WHITE EDGE OPTION - Image is only on the face of the Canvas. Sides of Canvas are White. BLACK EDGE OPTION - Image is only on the face of the Canvas. Sides of Canvas are Black. MIRRORED EDGE OPTION - The sides of the submitted image are mirrored to seamlessly cover the sides of the Canvas. CANVAS - (410g/m2, heavyweight bright white acid-free cotton) PROFESSIONAL VARNISH COATING “MATTE FINISH” - (provides an additional layer of protection, more contrast, and a more pronounced "canvas" texture) STRETCHED FRAMED CANVAS - (lightweight and premium grade 1.5" thick wood, with ready to hang wire and felt pads) DIFFERENT SIZES AVAILABLE - CLICK ON SIZE TAB TO MAKE YOUR SELECTION - (ABOVE QUANTITY TAB) Stretched Canvas Size - 26" by 16" - $107.99 with Free Shipping Stretched Canvas Size - 33" by 20" - $135.99 with Free Shipping Stretched Canvas Size - 39" by 24" - $174.99 with Free Shipping Other Sizes Available - (if you have another size in mind, contact us, and we'll give you the details) DETAILS Printed with vivera pigmented inks, designed to create vibrant color images that resist fading. Designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. GICLEE ART This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are "sprayed" onto high-quality surface. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. SHIPPING - FULLY INSURED All Stretched Canvas Paintings are Made to Order. Handling time 4 to 6 BUSINESS DAYS before Shipping USA - Expedited Parcel - FREE SHIPPING Canada - Expedited Parcel - FREE SHIPPING 100% SATISFACTION GUARANTEE - MONEY BACK GUARANTEE

Sir Lawrence Alma-Tadema (1836 - 1912) Dutch born, English Classicist painter. Oil on canvas, 70 1/4 x 31 5/8 in. (178.4 x 80.3 cm) The Getty, Los Angeles, California: www.getty.edu/art/collection/objects/611/lawrence-alma-ta...

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Lawrence Alma-Tadema - La inundación del Biesbosch en 1421

Sir Lawrence Alma-Tadema 1836-1912 Nederland, Engeland

This remarkable painting measures four and a third by seven feet (132.7 × 214.4 centimeters). It depicts the Roman emperor Elagabalus, also known as Heliogabalus, at a lavish and deadly banquet. The Emperor reclines on a platform, crowned with laurels, cup in hand, surrounded by other favored guests. A bronze statue of Dionysus, based on the Ludovisi Dionysus, looms behind, while a young woman, wearing the leopard skin of a maenad, entertains the group by playing the double pipes. To the left of the Emperor looks to be a man dressed as a woman, perhaps meant to represent one of Elagabalus' male lovers, maybe even Hierocles, the former slave and charioteer he considered his husband. (Though it appears Elagabalus was the one more likely to dress as a woman; he's been characterized by some modern writers as transgender.) The real drama, of course, is happening below, as the less favored guests are literally being smothered by deep drifts of pink rose petals falling from a false ceiling. The figures are shown in varying degrees of cognizance, from obliviousness to terror to resignation. The painting depicts a (most likely invented) episode taken from the Historia Augusta. Although the Latin refers to "violets and other flowers", Alma-Tadema depicts the Emperor's unsuspecting guests being suffocated by rose petals. The original reference is this: Oppressit in tricliniis versatilibus parasitos suos violis et floribus, sic ut animam aliqui efflaverint, cum erepere ad summum non possent. In a banqueting-room with a reversible ceiling he once buried his guests in violets and other flowers, so that some were actually smothered to death, being unable to crawl out to the top. Suetonius noted that another completely disreputable emperor, Nero, threw exactly the same sort of banquet, and Petronius described a similar ceiling in the house of Trimalchio in his Satyricon. The painting was commissioned by Sir John Aird, 1st Baronet for £4,000 in 1888. As roses were out of season in Britain at the time, Alma-Tadema is reputed to have had rose petals sent from the south of France each week during the four months it took to complete the work. The finished work was exhibited at the Royal Academy that same year. Aird died in 1911, and the painting was inherited by his son Sir John Richard Aird, 2nd Baronet. Alma-Tadema died the following year and his reputation declined markedly in the decades after his death. Following the death of the 2nd Baronet in 1934, the painting was sold by his son, the 3rd Baronet, in 1935 for £483. It failed to sell at Christie's in 1960, though eventually it was acquired by Allen Funt, the producer of Candid Camera, and a collector of Alma-Tadema's at a time when the artist remained very unfashionable. In 1973, after Funt experienced financial difficulties, he sold the painting along with the rest of his collection at Sotheby's, achieving a price of £28,000. The painting was sold once again, in 1993, by American collector Frederick Koch at Christie's in London, where it fetched £1,500,000. It is currently owned by the Spanish-Mexican billionaire businessman and art collector Juan Antonio Pérez Simón. The artist's portrayal of the Emperor seems hardly likely; the subject was only 18 at the time of his murder. Read more about the subject below. *** Adapted from Wikipedia: Marcus Aurelius Antoninus Augustus, called Elagabalus, also known as Heliogabalus (circa 203-4 – March 11, 222), was Roman emperor from 218 to 222. A member of the Severan dynasty, he was Syrian, the second son of Julia Soaemias and Sextus Varius Marcellus. In his early youth he served as a priest of the god Elagabalus - the Syro-Roman sun god - in the hometown of his mother's family, Emesa. As a private citizen, he was probably named Sextus Varius Avitus Bassianus, but upon becoming emperor he took the name Marcus Aurelius Antoninus Augustus. He was called Elagabalus only after his death. In 217, the emperor Caracalla was assassinated and replaced by his Praetorian prefect, Marcus Opellius Macrinus. Caracalla's maternal aunt, Julia Maesa, successfully instigated a revolt among the Legio III Gallica to have her eldest grandson (and Caracalla's cousin), Elagabalus, declared emperor in his place. Macrinus was defeated at the Battle of Antioch the following year and Elagabalus, barely 14 years old, became emperor, initiating a reign remembered mainly for sex scandals and religious controversy. Historians record that Elagabalus showed a reckless disregard for Roman religious traditions and sexual taboos. He replaced the traditional head of the Roman pantheon, Jupiter, with the deity Elagabalus, of whom he had been high priest, and he forced leading members of Rome's government to participate in religious rites celebrating this deity, over which he personally presided. Elagabalus married and divorced five women. The Historia Augusta claims that he also married a man named Zoticus, an athlete from Smyrna, in a public ceremony at Rome. According to Cassius Dio, his most stable relationship seems to have been with his chariot driver, a blond former slave from Caria named Hierocles, whom he referred to as his husband. Elagabalus lavished favours on his male courtiers, most of whom were presumed to be his lovers. And Cassius Dio also reported that he would paint his eyes, epilate his body hair, and wear wigs before prostituting himself in taverns, brothels, and even in the imperial palace. His behavior estranged and enraged the Praetorian Guard, the Senate, and the common people alike. Amidst growing opposition, a plot was devised by his grandmother, Julia Maesa - who had previously engineered his rise to the throne - and carried out by disaffected members of the Praetorian Guard. Elagabalus, just 18 years old, was assassinated in 222, his head cut off, and his body thrown in the Tiber. Elagabalus developed a reputation among his contemporaries for extreme eccentricity, decadence, and zealotry. This tradition has persisted, and with writers of the early modern age he suffers one of the worst reputations among Roman emperors. Gibbon, for example, wrote that Elagabalus "abandoned himself to the grossest pleasures and ungoverned fury". According to Niebuhr, "The name Elagabalus is branded in history above all others" because of his "unspeakably disgusting life". The sources for his personal and public history are far from reliable, and more recent historians have cast doubt on the more outrageous accusations made against the young emperor.

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Lawrence Alma-Tadema (1836–1912), A Foregone Conclusion (1885),

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Sir Lawrence Alma-Tadema (1836-1912). He studied in Royal Academy of Antwerp , Belgium. Wikipedia Artcyclopedia Alma-Tadema.org ...

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