We're always on the lookout for blooming designers who manage to create inspirational concepts and renders! Though these concepts may not always see the light o
We're always on the lookout for blooming designers who manage to create inspirational concepts and renders! Though these concepts may not always see the light o
Industrial Design Portfolio 2016
Dieter Rams German industrial designer born in 1932, has become one of the most recognized and influential designers of the 20th Century. A firm believer in Functionalism,...
#Philippe Starck #designer http://www.starck.com/
Hello, it's Chou-Tac, Today we travel to South Korea! Let's meet up with JONGHO LEE! I am glad he accepted today's interview as he has a precious point of view about Why you should become
FREE US SHIPPING. WE NOW OFFER FREE SHIPPING TO MOST COUNTRIES. IF YOU ARE AN INTERNATIONAL CUSTOMER AND FEEL THAT YOUR SHIPPING RATE IS TOO HIGH PLEASE CONTACT US DIRECTLY FOR A CUSTOM QUOTE. WHEN PLACING YOUR ORDER PLEASE ONLY CHOOSE A FRAME COLOR IF YOU ARE PAYING FOR A FRAME. IF YOU DO NOT WANT TO PAY FOR YOUR PRINT TO BE FRAMED THEN CHOOSE "NO FRAME" FOR FRAME COLOR. Poster text reads: The Seagram Building Luwig Mies van der Rohe The International Style Common characteristics of the International Style include: a radical simplification of form, a rejection of ornament, and adoption of glass, steel and concrete as preferred materials. Further, the transparency of buildings, construction (called the honest expression of structure), and acceptance of industrialized mass-production techniques contributed to the international style’s design philosophy. Maisey Design Office of Enlightenment / PSA #52 Framed or Unframed Poster with museum-quality paper and an option for a beautiful wooden frame. - 200 gsm / 80 lb semi-glossy (silk) paper - Thickness: 20-25 mm /0.79"–0.98" and for the USA market thickness is 1.9 cm/0.75" - Shatterproof, transparent plexiglass. - Includes a hanging kit, to hang in both portrait and landscape orientations. - For indoor use - Ready-to-hang, poster is placed within the frame. The end recipient can hang it directly on the wall. Free US shipping! Please contact us for custom framing or artwork options. We're happy to accommodate.
Summer is around the corner, and it's almost time to beat the heat! Add COVID-19 to the mix, and our options for summer activities are really quite limited this
Karim Rashid stands out as one of the most prolific designers of his generation, with an impressive track record that
One thing all digital creatives need is a good machine to support their endeavors. The same holds true for music that pleases our ears, and no one knows it better than Teenage Engineering. The Swedish consumer electronics brand has made a name for itself in the last couple of years courtesy of its unique design
In keeping with our current theme of posting working sketches by the great illustrators, today let's look at some unpublished drawings by Austin Briggs. It is a shame that Briggs does not get much attention today; for decades he was one of the most highly regarded illustrators in the country. An excellent painter, Briggs was especially known for the great subtlety and sensitivity of his drawing with a lithography crayon, charcoal or similar tools. Despite the free and spontaneous look to his drawings, Briggs' sketches and preliminary drawings show that he was a disciplined and skilled draftsman. He drew numerous preparatory sketches... ...sometimes with great precision (especially earlier in his career, when his style was tighter): To plan his more complex illustrations, Briggs would do numerous preliminary sketches: Briggs wrote a note to an art director in the margin of one of these sketches, saying "If you don't like this one, I've got a dozen others on the floor of my studio." The following drawing is not a sketch, but a finished, published illustration. Drawing with corrective patch However, the original version was never published: Drawing without corrective patch We forget today that Briggs was at the forefront of artists introducing a more realistic informality into illustration. Previous illustrators focused on the one key moment or reaction shot, where the subject's eyes were widest or their expression was the broadest or their leap was at its height. Norman Rockwell Briggs took a different approach and began focusing on moments that looked less staged. His sketches reveal a deliberate search for offbeat moments, where a subject might be looking away or checking their watch or other things more integrated into daily life. It may seem crazy to us today, but in the 1950s art directors sometimes choked on this radical approach. In the two drawings compared above, the art director instructed Briggs to change his drawing to make the man sit up straight. Briggs glued the correction on with rubber cement, causing the stain. Today's illustrators should be grateful to Briggs as a bold and principled pioneer who left the field with more artistic freedom than it had when he began.
When i created design of this lamp, I was inspired by designers of 60s Functionality without unnecessary details, clarity and balance forms. In particular, works of Dieter Rams produce an impression on me.
