Paint, draw, sculpt, and learn about famous artists and their art.
4th Grade Warm or Cool Birch Trees Fourth grade has been working hard on their mixed media birch trees, for the past couple of weeks. Here's how we created ours.... First, they had to choose if they were going to do WARM colors (Red, Orange, & Yellow) or if they were going to use COOL colors (blue, purple, and green). Then, they painted their backgrounds with Prang tempera cakes, on 12x18 pieces of 90lb paper. After they finished painting, they could start on their birch trees. we used half of a 12x18 sheet, drew them out with rulers, and traced the bark lines with Sharpie markers. The next class, we finished our trees, cut them out and glued them on! Here's a few working on their birch tree paintings.
Inside you'll find an easy step-by-step Van Gogh for Kids project. Learn How to Draw a Wheat Field Tutorial. Download yours for free.
This project was born out of my need to come up with a 3 day project to do with my 3rd graders this past week (Monday was a teacher workday.. and Tuesday we ended up having off because of the 'polar vortex'). Thanks so much to the blog Miss Young's Art Room for the original idea! At first I planned to do it just with my 3rd graders.. but decided to do it with my 5th graders as well because I thought they'd really be into it - and I was right. :) Before beginning our discussion about Op Art, I showed my students a video clip that I found on youtube. The video shows an animated montage of art pieces created by the father of op art himself, Victor Vasarely. I'm happy I opened with this clip because it got ALL of my students REALLY excited about what we were going to be making. After the video clip, we began discussing what Op Art (Optical Art) is (a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap). To help my students get a better understand of what optical illusions are, I showed them a PPT I put together with some of my favorite examples I found online (they LOVED this). Then onto the project! After talking about how color choice and pattern can create pretty awesome optical illusions, we looked at a variety of examples of paper weavings that I created which mimicked the Op Art style. Then I demonstrated to students how to create a paper weaving. To start with, I had students select 2 pieces of 4.5"x6" colored construction paper to create a practice weaving. They had the freedom to cut their warp and weft strips however they wanted to and could use whatever colors they desired. Once they showed me their practice example, they moved onto 9"x12" colored paper. Again they could cut their strips however they wanted to and could choose any colors (this time they had the option of picking more than 2 colors). On the whiteboard I hung a variety of examples and drew schematics next to it to show students how I created that particular example. Below are the op art paper weavings my kids created! :)
Next week, after 4th finishes their Aurora Borealis pictures we've been working on, we'll start this rockin' watercolor project! This artwork is inspired by the art of Rebecca Chaperon and the fabulous art teacher Miss Lee. Here's how we'll be creating our own crystals! Materials: Sax 90 lb paper Crayola Artista II watercolors Big Kid's Choice brushes Metallic Sharpies Ticonderoga Pencils We'll be looking at minerals, crystals, and gems, for our inspiration. We'll be using rulers to draw out our shapes, (which is a challenge in itself), and Crayola watercolors to give our crystals some lively color. We'll be talking about the element of art, VALUE, and how important it is in our pictures. I'll show them real life examples in a book from the library and on my computer, and when they get started, I will hand out visuals for them to look at while they are working. I don't know about you, but I draw much better when I can look at what I'm doing! Here's some "how to draw" examples I created, and placed in a packet I made of clip art of gems and crystals printed from the internet. (They don't have to follow these exactly how I did them, but like I said earlier, it helps to have visuals!) Here are some videos I made, that show how to draw and paint these! I'll try and post more soon! How to draw a simple crystal How to draw a cluster of crystals How to draw a diamond Day 1: Look at examples of minerals, crystals, gems, and watch Mrs. Stacey demonstrate on how to start the project. (I draw out the crystals, just like I do in the "how to draw" papers above.) Day 2: Review, and discuss/demonstrate watercolor painting techniques. If they finish one, the can start smaller and different ones. I'd like for them to cut the finished product out and glue it to construction paper, and add little gems around it. Here's my examples to show the kids. I drew them with pencil, traced them with black, silver, or gold sharpie, and painted them using Crayola watercolors and a Royal Langnickel Big Kid's Choice paintbrush. Side note-Originally, I tried outlining with a white pastel (because gold and silver Sharpies are so expensive!) but I did not love that at all. I think I had the most fun, making this tourmaline inspired example! I had fun painting these, and I hope the kids will too! Check back soon for some awesome art! Mrs. Fambrough's class is off to a great start! Mrs. Stacey is so proud of y'all!! Here's some great ones from Dr. Fambrough's class! Look at these fabulous watercolor painters from Mrs. Schoor's class! Here's Mrs. Fambrough's class, hard at work, drawing out their crystals! Here are some finished ones from Mrs. McAllister's class! “Lauren Stacey is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.”
elementary art lessons classroom management
RYLIE GR.8
4th grade started by created a line with a black marker. They outlined the line with 3-4 colors, making it the focal point of their artwork. They added 10 lines off of the coorful line creating dif…
Today, 4th grade starting working on their self portraits, inspired by the art of Tad Carpenter, and the fabulous art teacher Katie Allain. You can check out their art on their Instagram accounts, if you click on their names. He's the artist who designed the cover for the book, Wonder! Here's how we created ours! Materials: Sax 90lb paper Sax liquid watercolors Sharpie markers Pencils hair examples Day 1: Talk about the book and movie, Wonder. I plan on playing the audio book, and listening to it while they work. I demonstrated how to draw a simple outline of a face and a simple hairline, like the artist did. I then demonstrated how to trace/color with a Sharpie, and paint with liquid watercolors. I also put up different hair styles on the screen. I think individual copies at their tables would work better, btw :) Here's my fist 4th grade class, working on theirs today!
Kids will have fun learning about famous artists Money while doing this fun Tissue Paper Monet Art Project. Fun for kids of all ages.
In this Aquarium Perspective Lesson, Middle School students will dive right into learning about the principle of perspective while designing an aquarium.
These all about me, back to school art activities for kids are engaging icebreakers. Encourage creativity and build community during the first week back
4th grade Murals. inspired by Paul Klee and the muralist Dalek.
El crit (1893) és l'obra més coneguda d'Edvard Munch i s'engloba dins de l'estil expressionista. Observem el quadre En primer terme, un personatge obre la boca per fer un crit que es fon amb el de la natura. Amb les mans s'agafa el cap, deformat, en què destaquen uns ulls desorbitats. El pont i les dues figures humanes que s'allunyen resten indiferents, però la resta del paisatge sembla solidaritzar-se amb el protagonista. Les baranes del pont separen els dos ambients. Al fons es reconeixen un fiord i dues siluetes de vaixells. El tema de l'obra es resumeix en una persona en primer pla que no se sap bé si és un home o una dona per la poca definició de la silueta, que crida angoixada. El crit sembla que es transmet a tot el paisatge. El crit és un reflex del món de l'artista. Ell mateix va explicar la situació que el va originar: " Caminava per un camí amb dos amics. El sol es va pondre. Vaig tenir un atac de malenconia. De sobte, el cel es va tornar roig com la sang. Vaig aturar-me i em vaig recolzar en una barana, mort de cansament, i vaig mirar els núvols. Eren com flames que penjaven, com si fossin sang, comuna espasa sobre el fiord roig i negre, sobre la ciutat. Els meus amics van continuar caminant. Vaig quedar-me allà, tremolant de por. I vaig sentir que un crit agut i inacabable penetrava en la natura. Em va semblar que jo sentia aquell crit. Vaig pintar el quadre. Vaig pintar els núvols com a sang, els colors cridaven". Munch combina l'ús d'una paleta cromàtica brillant i de colors plans amb una pinzellada gruixuda, amb la qual crea ritmes ondulants. L'impacte visual és determinat pel vermell i el taronja d'un cel crepuscular, que esclata sobre el blau fosc i el negre de l'aigua amenaçant del fiord. També hi ha una oposició entre les línies rectes del pont (la barana i els dos personatges del fons) i les corbes de la figura en primer terme, de les aigües del fiord i de les ondulacions del cel. Els alumnes de tercer de primària han realitzat una versió molt personal. Ells mateixos són els protagonistes del quadre. Cada alumne va representar el seu crit i el vaig fotografiar. Van reproduir el fons amb ceres grasses i després van enganxar la seva imatge en blanc i negre. Aquí us deixo una mostra dels treballs: ALUMNES DE 3r (8 anys)
I always like to start the year with a review of lines. Every grade level does a project that reintroduces all the different ways to make l...
This project has become one of my absolute favorites for 4th grade. I think I tend to say that a lot. From the online response to previous versions of this project, I think a lot of my readers and pinners like this one as well. I think this is the third year I had students do their final artwork entirely with construction paper. The first few years I designed this as a painting project, but I wasn't getting the overall success I wanted. I switched it over to collage and, BAZINGA, success! The results from students this year are the best I've ever seen from this project. My 4th graders are an exceptionally talented group this year. The toughest parts of this project for kids to grasp are stylizing their chosen animal and filling the vast majority of their paper. I try to get them to think like they are actually carving it out of wood like a real totem pole. The sketching phase takes longer because of this, but it pays off with the final results. Check out the lesson plan here! Check out my digital presentation here! **Note about accessing my plans** If you click on one of the links above, it will take you to the file in Google Drive. Feel free to download my lessons for free for your own use. Please don't ask to "share" the file because I have already allowed access and I can't allow further access without enabling everyone to edit my files. I can't do that for obvious reasons. If you click on "File" once you've clicked on the link, you can go down to "Download As..." and select the file type you'd like to download. After that, you can make changes and tailor it to your own classroom use.
Please Note: All images seen below are of my students artwork only. These photos/lessons are not posted in any particular order regarding the flow of my curriculum. Victorian Architecture 4th gra…
4th Grade Warm or Cool Birch Trees Fourth grade has been working hard on their mixed media birch trees, for the past couple of weeks. Here's how we created ours.... First, they had to choose if they were going to do WARM colors (Red, Orange, & Yellow) or if they were going to use COOL colors (blue, purple, and green). Then, they painted their backgrounds with Prang tempera cakes, on 12x18 pieces of 90lb paper. After they finished painting, they could start on their birch trees. we used half of a 12x18 sheet, drew them out with rulers, and traced the bark lines with Sharpie markers. The next class, we finished our trees, cut them out and glued them on! Here's a few working on their birch tree paintings.
Inside you'll find an easy Gee’s Bend Quilt art lesson for how to make a paper quilt project with your kids. Grab it for your classroom now (it’s free!)
One of the first posts I pinned to my "Painting Inspirations, Tutorials, and Projects" Pinterest board was an abstract watercolor tutorial from Grow Creative. I have been wanting to try Elise's technique for months, and now that I've done it, I don't think I can stop! The results are absolutely beautiful, and their map-like-qualities appeal greatly to the arty cartophile in me! (I am borrowing the term "arty cartophile" from Jill K. Berry and her book Personal Geographies, which I was inspired to pull off the bookshelf after creating these rubber cement resist watercolor paintings.) I followed Elise's technique pretty much exactly, so you can read her blog post for her directions, but I also took photos of each step of the process as I carried it out, so I thought I would share them with you here: First, I used blue painter's tape to secure my 9x12 cold-press watercolor paper to a piece of palette paper on my work space. (I tried low-tack artist's tape first, and too much watercolor paint seeped underneath it. The blue painter's tape left a gorgeous crisp edge.) Next, I dribbled rubber cement over the watercolor paper. There is no planning, just random dripping in all different directions. Then, I spent a little time with my embossing tool, speeding up the drying process for the rubber cement. This is not a task for the impatient! I get into a kind of trance, watching the rubber cement boil, bubble, pop, and dry. Once the rubber cement is dry, the paper is ready for its first application of watercolor paint. For this particular piece, I used Reeves tube watercolors in "Lemon Yellow." In some of my first pieces, I did a watercolor wash across the entire paper. For the example photographed here, I applied this first layer of watercolor in just some portions of the paper, leaving other parts white. The drying process for the watercolor paint is much faster than for the rubber cement! Now technically, you are supposed to apply more rubber cement, but I actually forgot, and put on a different color of watercolor. This time is was Reeves tube paint in basic "orange." I supplemented with another shade of orange from a set of pan watercolors. I used the orange paint to fill in some of those white spaces I left when I applied the Lemon Yellow. After a bit more drying with the heating tool, I applied more random rubber cement. More drying--which meant more time mesmerized by bubbling rubber cement. At this point it was time for my final color--Reeves tube watercolor in "Magenta." Gorgeous! After one final drying session with the embossing tool, I was ready to pull back the painter's tape and enjoy the crisp edge along the perimeter of my watercolor paper. The next step is to use the pads of my fingers to rub away all of the rubber cement that has been resisting various layers of watercolor paint. The rubber cement comes away in balls and crumbs, and leaves behind the wonderful pathways that give the art such a map-like quality. When all the rubber cement has been rubbed away...voila! Now, I think this piece looks beautiful, and am tempted to leave it as it is, but there is a final step that makes it look even more beautiful. Using a fine-tipped black Sharpie pen, I outline various pathways around the piece. (I tried Microns, but the "tooth" of the watercolor paper really does them in.) I start with all of the white pathways, and usually move on to the secondary colors, like yellow in this piece. When I was finished deciding which areas to outline in black, I had my finished piece: I think I could sit around and look at it all day! I really love the results of this technique. What do you think? This was my fourth 9x12 art piece using the rubber cement resist technique. Here are the earlier ones I created: These first two have a similar color combination, with more "lake blue" in the first one. I like how they look when I photograph them without the white perimeter: I'm showing these in backwards order, because this last one I am showing you is the first one I tried. Instead of using rubber cement, I used Art Maskoid, which is the same as frisket. But my bottle was almost completely dried up so I was kind of smearing sticky frisket across the page. At first, I thought the result looked kind of terrible, but it has grown on me, and looks like a map of some archipelago far out in the ocean. (You can also see how the artist's tape didn't give as clean of an edge as the painter's tape does.) Stay tuned, because in an upcoming post I will share some pretty cards I have made using this same rubber cement resist technique!
INSECTS. inspired by the poetry of Brod Bagert. 5th grade
Read below to find out how we created these, see step-by-step pics and watch my YouTube tutorial on this lesson! Printmaking is one of my favorite things to teach in art. I love it because it alway…
My husband is runs his own painting company so he spends a lot of time at our local Diamond Vogel store. At the end of last school year Diane (from the paint store) gave him a LARGE BOX of discontinued color paint samples. I started thinking about what to do... value scales for sure. sorting by color game? perfect cartoon squares? bulletin board borders? What I came up for the first round (yes there was that many) are these value scale cities. As students finished an assignment they choose 5 paint samples and started drawing their city information on them. I didn't even tell them what we were going to do until the next week. The next week we started class talking about value. In every class but one, a student blurted out "were those papers we drew on last week a value scale?" Yes! Yes, they were. The students were also given the challenge of creating a changing value background. That means their sky area needed to go from light to dark or dark to light. They did a great job and I loved the stories they wrote out about what is happening in their city. Check out the grade sheet here. You can check out more images at Artsonia.
Fourth Grade Artists are studying the art of the Australian Aboriginees . These native people of Australia use dots of paint to create thei...
4th Grade artists watched a movie about the life and art of Mary Cassatt. Then we used our own photos to cut in half. One side of our artwork is our photo and the other is the side we drew. We practiced our skills of proportions and shading. Learning Goals: Students can recognize the art of Mary Cassatt Students can draw half of a face using correct proportions Students can create a value scale with pencil Students can use shading techniques to create value Students can create a uniquely patterned frame
After a few years of having this project on my 'to teach' list, I finally got around to trying paper plate weaving with my Grade 4-6 mixed class. I saw the original idea HERE on the amazing website of Cassie Stephens. I followed her direction exactly and the weavings turned out really well. I HIGHLY recommend only using Chinet brand plates as Cassie states. I tried it with a thinner paper plate and it did not hold up well. So stick with Chinet or the sturdiest brand you can find. Students started off by painting their plates using tempera. They could use any colours/patterns they wanted to. They had a lot of fun with this step and thought it was pretty cool painting on plates. They didn't fit in my drying rack so we left them on the floor to dry overnight. I collected yarn like a madwoman from garage sales and thrift stores. Then a colleague, who I was sharing yarn with, colour coded all the yarn into different plastic bags- sweet! I laid all these out onto a couple of tables so my kids could see the variety of colours and textures available. Following the directions on Cassie's blog, students wrapped their warp (I demonstrated two times, then we did it together) and then they started weaving using the same warp string. My kids have done paper weaving before and most caught on pretty quickly. Once they have had enough of one colour, they tie on a new colour and keep weaving. The kids LOVED this project and they all turned out really nice :)
This Great Wave art lesson injects color theory and personality by introducing a piece of art that tells a story. Best for fourth grade students, this art
We had a lot fun studying real candy prices as our inspiration for our Pop Art Candy Paintings. Tempra paint and black Sharpie outlines added emphasis and strong lines. The 12" x12" paper created a cropped effect as well. Yum!
I just wrapped up a super fun and VERY COLORFUL Fauve-inspired self-portrait lesson with my fourth grade kiddos. This lesson included so many things: drawing a cartoon or caricature version of ourselves, using chalk pastel in an unusual way, creating pattern and design with oil pastel for a watercolor resist. It was mixed-media to the max with beautiful results. Here's a quickie lesson I put together just for you and your kiddos: Lemme just say this: I DO NOT enjoy teaching self-portrait drawing to my older kids. They are so stinkin' hard on them selves that it is painful to watch. We will do a more in depth selfie drawing later this year (if time allows) but for now, this was a fun way to ease in to it. These works of art will be featured in our Artome Art Show and therefore have to be 9" X 12"...I really think this would be a great lesson on a bigger scale as the kids could achieve more detail. Normally, my lesson for fourth grade and Artome is this Romero Britto one. While I love that lesson, it does take forever. Also...I have a group of kiddos this year that would just be frustrated with that lesson. I decided to create a lesson based around their interests (working big and bold!) and their attention span (I know my people, what can I say) and this proved to be it. Each kiddo was super proud and successful. Day One: Each kiddo had a bingo dauber filled with slightly diluted India ink. After doing some quiet sketching for the first five minutes, we gathered and chatted about creating simple selfies on our paper. Because of the large line of the dauber and the small size of the paper, the kids learned quickly that they had to work big and without tiny details. They also were not to use pencil first but to just GO FOR IT. I only had one rule: YOU CAN MAKE AS MANY AS YOU LIKE...but if you start a selfie, even if you think it is a "mess up", you must finish it. Each kid ended up with between 3- 5 to choose from for the next class. Extras will be used in upcoming projects. The following art class, we started using chalk and "elephant snot" or liquid starch. I get my Sta-Flo liquid starch from Walmart. The best chalk pastels I have found are made by Faber-Castell. The colors are just so bright! Day Two: Chalk and starch those bad boys! If they finished one, many kids asked to work on their other drawings. I was totes cool with that! Day Three: Create a background! Using our Sargent bright oil pastels, we drew patterns all over the background of our selfies. Then we used liquid watercolor over that. Each is just as beautiful as the next! I cannot wait to see these at our art show. Will keep you posted on what the other kiddos are creating!
an interesting composition! michele s. In the class 2B we have done this exercise in three steps: 1) first we drawn the flower with a pencil 2) then we painted the background with tempera, using tw…