Joel Evey owes his career to Pixar, believe it or not. He made a name for himself as part of the team that was bringing edgy, high-brow graphics to Urban Outfitters back in 2010 — with a style some like to call the “new ugly” — but at age 15, it was Toy Story that changed his life. “I saw it for the first time and was like, wow, that’s crazy! You can do that with a computer?” recalls Evey, who at the time was already about to head off to college early to study computer science. Instead of hard coding, he decided to pursue animation and 3-D graphics instead. “But animations took so long to render that I started to think, ‘Well, what happens when I take this image and just render one of them?’ Then, ‘What if I put type on it? What would that look like?’” The rest, as they say, is history.
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A response to Time Magazine's Joel Stein.
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This is kind of like walking into a hall of mirrors. This wonderful front & back cover design by Hans Tisdall is for an exhibit about the history of book cover designs. It's from the 1949 exhibit catalog for The Art of the Book Jacket at the Victoria & Albert Museum which was the first international exhibit of it's kind. It featured some 460 examples of book jackets from 19 countries and helped to popularize the dust jacket or dust wrapper as it was often referred, beyond a purely utilitarian use. In the introduction to this catalog, Leigh Ashton writes that those who succeed in visually conveying the author's work, be it pictorial or typographical, have every right to be called true artists. :: The 1949 catalog cover of the V&A exhibit is from the Visual Telling of Stories archive. I can only presume the book jacket examples below may have been in the 1949 exhibit. :: All images below are from the Victoria & Albert Museum collections. Anonymous, 1928 Anonymous, 1935 E. McKnight Kauffer, 1928 Edward Bawden, 1932 Eric Fraser, 1937 Ernest Benn, 1928 Harold Jones, 1936 Jean Cocteau, 1932 John Armstrong, 1937 P. Youngman Carter, 1932 Paul Nash, 1930 Rex Whistler, 1933 Roger Fry, 1929 Vanessa Bell, 1937 William Heinemann, 1928
Vip, immagini di vita vissuta e pezzi di storia provenienti da un periodo irripetibile
Yvan Goll hat in dem Werben dreier junger Männer um Lola ein satirisches Bild der verschiedenen geistigen Strömungen Europas geschaffen, die alle auf ihre Weise im Grau in Grau eines ideenlosen Alltags enden. Der Roman ist eine allegorische Groteske auf den Geisteszustand Europas zwischen den Kriegen, ein satirischer Abgesang auf seine politischen Ideen und seine sterbende Kultur. Im Bild der Pariser Künstlergruppe um den Snob Cocherel, in dem man unschwer Jean Cocteau inmitten einer Schar von bedingungslos Ergebenen erblicken kann, findet sich auch eine der bissigsten Satiren auf die künstlerische Avantgarde der zwanziger Jahre, die wohl geschrieben wurde.
Il Freak Show era sostanzialmente uno spettacolo di rarità biologiche tanto in voga durante l'Ottocento, fino alla prima metà del Novecento. I "fenomeni
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