Self-portrait with His Family in Front of Their House This is part 2 of a 2-part post on the works of French post-impressionist, and member of Les Nabis, Maurice Denis (1870-1943). For biographical notes and more works by Denis see part 1 also. c1900 L'Enfant Jésus à la Belle Verdure oil on canvas c1902 Maternite, Anne-Marie et Marthe a la Bague Ovale oil on canvas 1903 Intimité près de la Fenêtre oil on canvas 1905 Euridice 1905 Nazareth c1905 Sacred Spring at Guidel oil on cardboard © 2003 State Hermitage Museum 1906 Baigneuses au Petit Temple In 1908-9 Maurice Denis was commissioned by Ivan Morozov, Russian industrialist and famous patron of art, to make a series of decorative panels, The Story of Psyche, which he brought to Moscow in January 1909 to install in Morozov's house. 1908-9 Panel 1. Eros is Struck by Psyche's Beauty © 2003 State Hermitage Museum 1908-9 Panel 2. Zephyr Transporting Psyche to the Island of Delight © 2003 State Hermitage Museum 1908-9 Panel 3. Psyche Discovers her Mysterious Lover is Cupid oil on canvas 1908-9 Panel 4. The Vengeance of Venus oil on canvas © 2003 State Hermitage Museum 1908-9 Panel 5. In the Presence of the Gods Jupiter Bestows Immortality on Psyche and Celebrates Her Marriage to Eros oil on canvas © 2003 State Hermitage Museum 1908-9 Panel 6. Psyche's Kin Bid Her Farewell on a Mountain Top oil on canvas © 2003 State Hermitage Museum 1909 Sand Castle oil on board 1914 Dancing around the Large Trees at Perros oil on board 1915 Yellow Cat oil on board 1918 The Return of Young Tobie 1919 Around a Child with a Dog 1927 Avallon, Paysage au Grand Arbre oil on canvas Games in the Sand The Cow Girl

The technique of gouache has been around since ancient times. However, the term was first used in 18th-century France to describe a type of opaque paint made from pigments bound in water-soluble gum. Over time, the unique qualities of gouache resulted in its growing popularity. In particular, plein air artists and illustrators increasingly used it

Часть 2:"Как хорошо все начиналось..." Sehnsucht (Träumerei) ca.1900 Die Erwartung (Träume II) 1912 Longing, 1907;Frühling, 1897 Verkündigung 1901 Verkündigung an die Hirten 1902 Träume 1911 Tanzende Kinder 1913 Melusine Tritychon ca.1910 *** Abendsonne im Moor,1903 Wintermärchen (Die Heiligen Drei…

Pierre Bonnard, c. 1904

Sidney Herbert Sime's art seems to capture the point at which a dream becomes a nightmare.

This bright new exhibition lets the brilliant painter step out from the shadow of her famous husband.

Vienna showcases the long-neglected works of its pre-war female artists.

Format: Platinotype Find out more about this photograph: acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=440019 Search for more great images in the State Library's collections: acms.sl.nsw.gov.au/search/SimpleSearch.aspx From the collection of the State Library of New South Wales: www.sl.nsw.gov.au

The Moko Kauae are a group of Maori women who live in New Zealand. Traditionally, these women give themselves chin tattoos which are supposed to represent t

Julius Garibaldi Melchers (1860 - 1932) aka Gari Melchers Young Woman Reading,1916 Woman reading by a window Nellie Kabel This entry was originally posted at http://elle-belle.dreamwidth.org/1733724.html . Please comment there using OpenID.

Sidney Herbert Sime's art seems to capture the point at which a dream becomes a nightmare.

(3 – to be continued) (more paintings)

The technique of gouache has been around since ancient times. However, the term was first used in 18th-century France to describe a type of opaque paint made from pigments bound in water-soluble gum. Over time, the unique qualities of gouache resulted in its growing popularity. In particular, plein air artists and illustrators increasingly used it

(4 – to be continued) (more paintings)

Otto Eerelman 1839-1926 | Dutch Two Borzois Oil on canvas Signed “Otto. Eerelman” (lower left) This monumental painting is by the celebrated Dutch artist Otto Eerelman, one of 19th-century Europe's most popular and important animal portraitists, and this particular work is a triumph of the genre. Painted circa 1880, it features two of Eerelman's favored subjects – large-breed dogs and a meticulously executed Dutch interior. Impeccably painted and almost certainly commissioned by a member of the Dutch nobility, the work possesses the precise detailing and depth of character that are the quintessential components of Eerelman’s output. In this powerful composition, two majestic Borzois, or Russian Wolfhounds, await their next hunt in a lavishly decorated room, displaying their luxurious coats and regal demeanors. Eerelman mastered the art of depicting not only the dogs’ physical characteristics but also their unique expressions and personalities. His wealthy clientele would bring their pets to his home in The Hague where they would live for a period of time while having their portraits done, allowing for a remarkably true-to-life portrayal. The narrative is simple and stoic, embodying the elegance and grace of the breed as well as the importance of his clientele. Hailing from Groningen, Netherlands, Eerelman was dubbed the “Northern Rembrandt” during his lifetime. He received his artistic training at the Academy Minerva in Groningen, the Royal Academy of Fine Arts in Antwerp and then private lessons in the studio of the great Lawrence Alma Tadema. He successfully captured the attention of the Dutch court, particularly Princess Wilhelmina, with his meticulous approach to endearing subjects. His artistic contributions were so great and his work so valued in the Netherlands that he was knighted at the age of 80. Eerelman’s paintings have long been coveted on the market for their inherent charm. Other examples of his dog portraits can be found in the Rijksmuseum (Amsterdam), and in 2015, a major retrospective of his work was held at the Museum Nienoord in Leek, Netherlands.  Circa 1880 Canvas: 52 1/2" high x 68 1/4" wide Frame: 69 3/4" high x 85 5/8" wide

The ethereal landscapes of 20th-century artist Nikolai Astrup get their UK debut at Dulwich Picture Gallery

Sidney Herbert Sime's art seems to capture the point at which a dream becomes a nightmare.

24 arrestingly beautiful portraits from the turn of the 20th century

(3 – to be continued) (more paintings)

Egon Schiele with arms raised above his head. March 1914. Photograph by Anton Josef Trcka. Overpainted by Schiele and signed twice Schiele in 1914 by Anton Josef Trčka d’Antios Egon Schiele with his carved wooden horse. In the background, the painting:”Row of Houses”. Photograph, presumably by…

Sidney Herbert Sime's art seems to capture the point at which a dream becomes a nightmare.

Animation Resources is a 501(c)(3) California non-profit corporation. We are providing self-study resources and training material to animation professionals, cartoonists, designers, Illustrators, students and researchers. Animation Resource's Director, Stephen Worth can be reached at... [email protected].

(3 – to be continued) (more paintings)

Artist Charles Edward Chambers Ottawa, Iowa, 1883-1941

templehurst: moncabinetdecuriosites: missfolly: ‘Today for Me’ by Eleanor Fortescue-Brickdale, 1901

(1 – to be continued)

Sidney Herbert Sime's art seems to capture the point at which a dream becomes a nightmare.