Title SCENA ILLUSTRATA (ILLUSTRATED SCENE) cover 13 Artist Date 1900 CIRCA Printer SCENA, FLORENCE, ITALIA Size 11 x 16 inches Print Type CHROMO Lithograph Condiiton Excellent ON LINEN Comments The Scena Illustrata or The Illustrated Scene which was printed in Florence Italy provided the public with the latest happenings in Art and Culture. From dance to art alomost anything. The earlier Scena Illustrata's were most illustrated and as it continued in to the 20 century more and more photos were used. The Covers were always illustrated and they used artists that were known like Mataloni and Anichini and others. Original and mounted on linen About Us: With over 30 years of experience, Poster France LLC and Poster Classics SRL have been dedicated to curating and offering vintage posters. Our journey began in the 1980s as a passionate hobby that evolved into a substantial collection, transitioning into a wholesale and eventually a retail venture. Our passion extends to all forms of vintage posters, from travel to theater, and everything in between. Notably, we specialize in the rich traditions of French and Italian Poster Art. Our expertise in antique posters has been recognized and sought after by prestigious publications such as the Financial Times of London, Wall Street Journal, Forbes Magazine, Daily Express, as well as esteemed platforms like Antiques Roadshow and various museums and private collections worldwide. We invite you to explore our online sales platform, and should you have any inquiries or require assistance, please do not hesitate to contact us. Your satisfaction is our priority. Enjoy your visit!
Scent of the Morning , by Ettore De Maria Bergler, 1899 - 1900, 19th Century, fresco.
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Back in 1902 - and despite knowing how painful and unhealthy it was for women - many guys still wanted their wives to have small corseted waists.
La nécessité de tentures à bas prix s’est imposée et l’industrie du papier peint, en réalisant des merveilles, n’a fait que se conformer à un besoin social, à une demande dérivant de nos mœurs. Henry Havard, L’art dans la maison, Paris, 1880 Il était naturel que l’avènement de la démocratie coïncidât avec un désir presqu’universel …
ELISABETH SONREL (1874-1953) Suite de quatre lithographies intitulées "Fleurs des eaux" , "Fleurs des champs", "Fleurs de montagne" , " Fleurs de serre". Signées "Elisabeth Sonrel" Vers 1900. Dimensions : 65 x 27 cm (taches et pliures) A suite of four polychrome engravings entitled. (stains and folds) 25 1/2 x 10 1/2 in
These begone beauties, long forgotten, were the It-girls of their era. More than a hundred years ago, at the dawn of the 20th century, they were the most talked about, photographed women of their a…
Portrait of Mucha by A. Tasev Warszawa 1926 Alphonse (Alfons) Mucha (1860 – 1939) was a Czech painter and decorative artist born in 1860 born in the town of Ivančice, Moravia. He is best known for his luxurious poster and product designs, which encapsulate the Art Nouveau style. Contemporary interest in his work was revived in 1980 after an exhibition at the Grand Palais in Paris. For biographical notes on Mucha see part 1. For earlier works see parts 1 - 11 also. This is part 12 of a 12-part series on the works of Alphonse Mucha: Alphonse Mucha and photography Facts on Alphonse Mucha and photography from the Mucha Foundation http://www.muchafoundation.org Mucha began to take photographs in the early 1880s, probably in Vienna, with a borrowed camera. It was not until he had gained some recognition in Paris and sufficient funds that he purchased his first camera. Mucha’s photographic output grew dramatically after his move to a large studio in the rue du Val de Grâce in 1896. In the new studio, where he had considerably more light thanks to large windows and a glass ceiling, he photographed on a virtually daily basis. Between 1896 and the early 1900s Mucha made a series of photographs of the models posing for him. The use of photography as an inexpensive medium for preliminary studies was common among Mucha’s Parisian contemporaries. It was in his studio that that Mucha entertained countless Parisian artists, writers and musicians. It was also the setting for one of the earliest cinematic projections given by the Lumière brothers, whom Mucha had met in 1895, and for psychic experiments with Camille Flammarion and Albert de Rochas. In the background of the studies of models, examples of Mucha’s work may be seen, surrounded by his collection of objets d’art, books and furniture, many of which survive to this day. The majority of Mucha’s Parisian photographs were not taken for a specific project – he preferred to improvise a number of poses in front of the camera, creating an archive of variants from which he could select what he considered most suitable for the subject of each new commission. 1886c Karel Václav Mašek, Czech painter as a student at the Munich Academy of Art © Mucha Trust c1892 Self-portrait in his studio, Rue de la Grande Chaumière, Paris © Mucha Trust 1893 Paul Gauguin © Mucha Trust 1893 Illustration from 'Le Petit Français Illustré' employing the Paul Gauguin poses above and below © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1893 Paul Gauguin © Mucha Trust c1893-94 Paul Gauguin playing Mucha’s harmonium in his studio, Rue de la Grande Chaumière, Paris © Mucha Trust c1893-94 Mucha, Gauguin, and friends at Rue de la Grande Chaumière, Paris © Mucha Trust c1896 Berthe de Lalande, Mucha’s mistress, in Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust 1897 Photographic study © Mucha Trust 1897 Photographic study © Mucha Trust 1900 Cover of 'La Medecine' employing the above photographic pose © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1897 Mucha's Studio, Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust c1898 Photographic study © Mucha Trust c1898 Amilcare Cipriani, Italian revolutionary and socialist, in Mucha's studio, Rue du Val de Grâce, Paris © Mucha Trust 1899 Photographic study. Figure employed in the background of the illustration below © Mucha Trust 1899 'Menu de Pique-Nique' for the 'Almanach de Gourmands © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1899 Untitled Female Nude gelatin silver print 13.8 x 8.89 cm © SFMOMA Artists Rights Society (ARS), New York / ADAGP, Paris 1900 Photographic study © Mucha Trust c1900 Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust c1900 Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust c1900 Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust c1900 Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust c1900 Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust c1901 Ballet study Rue du Val de Grâce, Paris © Mucha Trust c1901 Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust c1902-03 Mucha’s studio, Rue du Val de Grâce, Paris © Mucha Trust c 1903 Marie ( Maruška ) Chytilová, art student and Mucha’s future wife in his studio, Rue du Val de Grâce, Paris © Mucha Trust © Mucha Trust 1906 Photographic study for the illustration below © Mucha Trust 1906 'Everybody's Magazine' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1908 Study for a Decorative Panel gelatin silver print 12.4 x 9.9 cm © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study © Mucha Trust Photographic study for the illustration below © Mucha Trust Illustration from 'Les Chasseurs d'Épaves' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris
Alphonse Mucha's Autumn, part of the four seasons captured the varying moods of the times of the year with four individual female characters: sweet Spring, seductive Summer, fruitful Autumn, and frosty Winter. Renders and color counts will be added as soon as available. FULL DRILL CANVAS SIZE 22.8″ x 52.3″ (58cm x 133 cm) DIAMONDS - Round With 60 colors including 8 AB's Everything you need is included. High End Short Lint Custom Canvas / Poured Adhesive / Clear Symbols/Full Drill Kit 100% Premium Acrylic 5D Diamonds, 3-5 Aurora Borealis (AB) in every kit, Crystal and Special Shape drills in select kits. 1 x Diamond applicator with 3, 4 & 10 Multi placer Tips + Grip 1 x Plastic drill sorting plate 1 - 3 x 3 pink wax 1 - Quality tweezer 2 - Rolls Washi tape Label Sheet- Color Guide Alphonse Mucha was born in 1860 in the Czech Republic. Although his singing abilities earned him several scholarships that allowed him to continue his education through high school in Brno, drawing had been his main hobby since childhood. He began working as a commercial artist in his late teens, painting mostly portraits and theatrical scenery. After living in Vienna for several years, Mucha moved to Paris in 1887, where he volunteered at a lithography shop. In 1895 the impoverished young Czech became an overnight sensation in Paris by creating a poster for Gismonda, a play starring Sarah Bernhardt, the most famous actress of the period. Bernhardt loved Mucha’s work so much that she commissioned a six year contract with him. Before long, “le style Mucha” – later known as the Art Nouveau movement – was the term used to describe the new spirit transforming the city.The popularity of Gismonda led to an influx of work for Mucha. “The Seasons” represent one such commission – a set of four decorative panels for Champenois, a wealthy patron, who commissioned two more sets of panels with the same theme.The Seasons series, 1896The Seasons series from 1896 was Mucha's first set of decorative panels and it became one of his most popular series. It was so popular that Mucha was asked by Champenois to produce at least two more sets based on the same theme in 1897 and 1900. Designs for a further two sets also exist.The idea of personifying the seasons was nothing new - examples could be found in the works of the Old Masters' as well as in Champenois's other publications. However, Mucha's nymph-like women set against the seasonal views of the countryside breathed new life into the classic theme.
Voici une série des plus belles femmes de 1900, de l'époque édouardienne ie sous le règne de Edouard VII entre 1900 et 1910.
Disfrute del opulento encanto de principios del siglo XX con los "Costumes Parisiens" de Bernard Boutet de Monvel del siglo XX. Disponible en su tienda de impresiones en línea más cercana, esta colección de ilustraciones para el baño lo transporta a una época de elegancia y al floreciente movimiento art déco. Bernard Boutet de Monvel, conocido por sus diseños elegantes y sofisticados, captura la esencia del movimiento art déco en "Costumes Parisiens". Las líneas atrevidas, las formas geométricas y un toque de lujo resumen el espíritu de una época conocida por su amor por la modernidad y la extravagancia. Adornar las paredes de su baño con estas ilustraciones infundirá un encanto vintage y combinará a la perfección con interiores clásicos y contemporáneos. El elegante atuendo parisino representado en "Costumes Parisiens" refleja una época en la que la moda estaba tomando una nueva dirección audaz, haciéndose eco de los emocionantes cambios del siglo XX. Adquirir este estampado no solo agrega un toque de elegancia a su espacio, sino que también sirve como un guiño a un período crucial en la historia del arte y la moda. El atractivo atemporal de la obra de arte de Bernard Boutet de Monvel continúa cautivando a los aficionados al arte y a los entusiastas de la moda, haciendo de "Costumes Parisiens" una posesión preciada para quienes aprecian la importancia estética y cultural del movimiento art déco. Con cada mirada a "Costumes Parisiens", será transportado a una era pasada de glamour y sofisticación, haciendo de su baño no solo un espacio funcional sino también un refugio elegante que refleja la audaz y hermosa era art déco. ¿Necesitas más inspiración? Descubra muchas más impresiones de galerías de arte para baños o explore la lista completa de colecciones de impresiones antiguas .
This is an authentic, vintage print sourced from a first edition book. The publication celebrated and reproduced the wonderful posters created by Alphonse Marie Mucha between 1895 and 1905, which led to the description in France of all work in the Art Nouveau style as being in 'le style Mucha.' This collection of book plates are a testimony to the achievement of the most celebrated graphic artist of the Belle Epoque. Date Published: 1976 Print size 6 1/4 inches x 9 1/4 inches The print is in excellent condition and is printed on quality glossy paper. Printing on the reverse does not show through. It is ideal for framing either alone or in a group to provide a timeless, nostalgic charm. ******** ** MULTIPLE ITEM SHIPPING DISCOUNT: I WILL COMBINE ANY NUMBER OF PRINTS IN ONE PACKAGE AND CHARGE ONLY ONE SHIPPING FEE! *** ALL PRINTS ARE PACKED IN AN ACETATE-FREE BAG AND DISPATCHED IN A STURDY HARD BACKED "DO NOT BEND" ENVELOPE. ********
Конечно же, понятие женская красота меняется практически с каждым десятилетием, ведь меняется не только мода, но и сама подача красоты. Сегодня я хочу показать вам небольшую подборку старых снимков,
With the Edwardian era, which lasted from 1900 to 1912, came many life improvements that we still use today, such as electricity, cars, and vacuum cleaners. Still, it has also given us a fair share of bizarre facts, most of them concerning women.
The MFA’s public collections search function, which is handled by an external vendor, is currently offline.
Once upon a time, advertising was art. There was a period when creating amazing advertisements for products–such as cigarettes, soap, food, bicycles, and
Афиши и постеры рубежа 1900-х Standard Sewing Machine" Soleil du Dimanche" Alphonse Mucha - 1898 "Dubonnet" Misti - 1900 Caspel, Johann Georg van Peintures Lyonnaises" ------------------"Le Rire"-------------------------- Le Rire" Guilluame - circa 1890's "Le Rire Fabiano" Fabiano - circa 1912 "Le…
Erika Giovanna Klien（Italy/Austria/America, 1900-1957） Libellen 1936 Works on Paper (Drawings, Watercolors etc.)
Конечно же, понятие женская красота меняется практически с каждым десятилетием, ведь меняется не только мода, но и сама подача красоты. Сегодня я хочу показать вам небольшую подборку старых снимков,
One of the first things you'll start to notice about Joe Christian Leyendecker's work is that his women were never quite as good-looking as his men, who were devastatingly handsome. He gave us the elegance of Gatsby 20 years before F. Scott Fitzgerald had even invented him. Take a moment to observe
Gibson Girls: Las mujeres más sexys y sofisticadas de todos los tiempos
