.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 12" x 9" Finished Size: 12" x 9" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 56023750635A
David Wilkie (1785-1841), circa 1804-5. Boris Kustodiev (1878-1927,1910. John Luke (1906-1975), 1928. Alexander Bogdanovich Willewalde (1857-after 1906), 1888. Kazimierz Pochwalski (1855-1940), 1895. Jean-Augustin Franquelin (1798-1839, 1820. Detail of above. Gilbert Mason (1913-1972), date unknown. Eduard Daege (1805-1883), date unknown (circa 1820-30s). Maarten van Heemskerck (1498-1574), circa 1550. Robert Hannaford (born 1944), 1981. Léon Bonnat (1833-1922), 1855. Jan Lievens (1607-1674), circa 1629-30. Giovanni Boldini (1842-1931), 1892. Theodor Kern (1900-1969), circa 1920s. Carl Joseph Begas (1794-1854), 1820. Rolf Armstrong (1889-1960), 1914. José (of Josep) Benlliure y Gil (1858-1937), 1914. Scipione Pulzone (circa 1550-1598), 1574. Pierre van Hanselaere (1786-1862), 1817. Xavier Robles de Medina (born 1990), 2014. Same as above,
Missouri Genealogical Records and Abstracts, Volume 1: 1766-1839 - Sherida K. Eddlemon. The author’s search for her elusive French ancestor, Achilles Godin (or Gaudin), has led to this volume of Missouri records and abstracts which collectively span the years 1766–1839. This time period is often puzzling to the Missouri/Arkansas researcher because the region changed ownership from France to Spain, then back to France, and finally to the United States in what became known as the Louisiana Purchase. These records were chosen, in part, to help fill the gap created by the lack of an 1810 and an 1820 census. A wide variety of information from thirty-four counties and the state as a whole is included: marriage records, Spanish censuses, tax lists, estrays, letters at the post office, cemetery listings, petitioners, animal marks and brands, slave bills of sale, French and Spanish land grants, military records, steamboat disaster victims, and much more. The surname index includes the French “dit” names (aliases), and contains several thousand entries. (1990), 2015, 5½x8½, paper, index, 352 pp. ISBN: 9781556133152 101-E0315
Heaphy, Charles 1820-1881: Kauri forest, Wairoa River, Kaipara. [1839]. Drawings, Paintings & Prints, Alexander Turnbull Library (Reference: C-025-014) The infancy of the timber industry of New Zealand first occurred with the recognition of the value of Kauri trees for ships’ spars by early European explorers. Consequently by the mid 1820s timber merchants, sawyers and shipbuilders were setting up shore stations throughout the northern region. While native timbers are no longer exhaustively milled, the timber industry in New Zealand remains an important industry today. This painting by Charles Heaphy illustrates a group of sawyers moving a Kauri log at a timber camp near the Wairoa River, Kaipara, in 1839. See this image on the National Library site. Permission of the National Library of New Zealand Te Puna Mātauranga o Aotearoa must be obtained before any reuse of this image.
Jane Austen’s Sewing Box: Craft Projects & Stories from Jane Austen’s Novels. by Jennifer Forest. Murdoch Books Australia, 2009 ISBN: 9781741963748, paperback, 224 pages. …
Open Window on Painting. 68,733 likes · 5 talking about this. Paintings & Art by MGraziellaPani
As a celebration of all things sporty, we at RBKC libraries have cast an eye over Chelsea’s fashion collection and found a few sportswear gems from the past that we thought we would shareR…
If Elizabeth Bennet had indulged in a bit of frivolous fashion magazine perusal, what advice might she have read there and what images might she have seen?
Carl Spitzweg was a German romanticist painter and poet. He is considered to be one of the most important representatives of the Biedermeier era. He was born in Unterpfaffenhofen. His father, a wealthy merchant, had Carl trained as a pharmacist. He attained his qualification from the University of Munich, but while recovering from an illness he also took up painting. Spitzweg was self-taught, and began by copying the works of Flemish masters. He contributed his first work to satiric magazines. Upon receiving an inheritance in 1833, he was able to dedicate himself to painting. Later, Spitzweg visited European art centers, studying the works of various artists and refining his technique and style. His later paintings and drawings are often humorous genre works. Many of his paintings depict sharply characterized eccentrics, for example The Bookworm (1850) and The Hypochondriac (c. 1865).
See: bibliodyssey.blogspot.com/2012/01/beecheys-voyage.html
1830г В первой половине XIX в. поставщиками мод, помимо Франции и Англии, являются Австрия и Германия. Именно поэтому направление, которое господствует в искусстве и костюме 30-40-х гг., называют немецким словом бидермайер . Франции этот стиль назывался…
These images must still be credited, but they can be used for both commercial and non-commercial material
H.M. Queen Caroline of Naples, née Bonaparte (1782-1839)
