ABOUT THE ART Restored gold and royal blue design by William Morris, circa late 1800s. Morris (1834-1896) was a renowned British textile designer, poet, artist, novelist, architectural conservationist, printer, translator and socialist activist associated with the British Arts and Crafts Movement. He was a major contributor to the revival of traditional British textile arts and methods of production. Recognised as one of the most significant cultural figures of Victorian Britain, Morris was best known in his lifetime as a poet, although he posthumously became better known for his prolific designs which included huge ranges of wallpaper and fabrics. An exhibition was held at London's revered Victoria & Albert Museum (the V&A) in 1934, celebrating 100 years since his birth.

This is a collection of 125 artists in their studios from all over the world -- North America to Britain to Europe, Africa and the Middle East. Brought to you by the Historic Artists’ Homes and Studios program, a program of the National Trust for Historic Preservation.

Vincent Van Gogh was a dutch artist in the 1800s who became one of the most famous and influential artists. He is known for his oil paintings. Many of his most notable works include the Starry Night, Irises, Almond Blossoms, his self portrait and Vase with fifteen sunflowers. This project is inspire

HOME by different artists

A new exhibition featuring works by16 women artists who share backgrounds in Islam is a tour de force.

Artist: Marie Denise Villers (French, Paris 1774–1821 Paris (?)). Date: 1801. Medium: Oil on canvas. Dimensions: 63 1/2 × 50 5/8 in. (161.3 × 128.6 cm)....

With lots of details and quirky characters, Vivien Mildenberger’s narrative illustrations tell stories from the past and from our imagination. Whether it’s a scene from Harry Potter or something that happened in history, she captures them all in that same wonderful, playful style that has so much charm and character. Vivien Mildenberger recently graduated from the Art Center College […]

Item Details: Transparent Background: Each PNG image comes with a clear background, making it easy to integrate into your designs. File Size: Each file is approximately 2000x2000 pixels in dimensions. However, the actual image area within the file may be slightly smaller, ranging from 1500x1500 to 1800x1800 pixels, providing ample resolution for high-quality prints and digital use. High Resolution: All images are rendered at 300 DPI, ensuring crisp and clear visuals. Art Style: Enjoy my signature watercolor style, featured prominently in this collection. helping you achieve professional results in your crafts and designs. Enjoy the creative flexibility and high standards that come with every purchase! Usage Rights: You are free to use my artwork for personal and commercial purposes. Each image includes a commercial license, though resale as individual images is not permitted (details below). 📥 HOW TO DOWNLOAD Automatic Download: You should be redirected to the download page after purchase. If not, go to the 'You' tab in your Etsy account and select "Purchases and Reviews" to download your files. Mobile Downloads: For mobile devices, use the download link sent to your email from Etsy, as downloading directly from the Etsy app may not be available. 🎨 WORKING WITH FILES Creative Use: Explore a range of creative possibilities with these designs. Ensure compatibility with your software and equipment before purchasing. 🔄 RETURNS & EXCHANGES Digital Product Policy: Due to the nature of digital products, I cannot accept returns or exchanges. If you encounter any issues with downloading, please contact me, and I'll be happy to help. 📜 TERMS OF USE Usage: These files can be used for both personal and commercial projects, including physical products like apparel, mugs, and signs.

Carl Larsson in his studio c1900 photo: Public Domain Carl Larsson (1853 – 1919) was a Swedish artist representative of the Arts and Crafts movement. His many works include oils, watercolours and frescoes. He considered his finest work to be Midvinterblot (Midwinter Sacrifice), a large wall mural now displayed in the Swedish National Museum of Fine Arts. For full biographical notes on Larsson see part 1. For earlier works see parts 1 - 6 also. This is part 7 of a 7-part post on the works of Carl Larsson: 1914-15 Midwinter Sacrifice: 1914-15 Midwinter's Sacrifice oil on canvas 640 x 1360 cm Nationalmuseum, Stockholm, Sweden Study oil on canvas 202 x 341 cm Nationalmuseum, Stockholm, Sweden Study coloured pencils and gouache, squared in pencil 44.5 x 78 cm Nationalmuseum, Stockholm, Sweden Study oil on canvas 123 x 199 cm Nationalmuseum, Stockholm, Sweden 1914 Study for the Executioner black chalk and gouache 77.5 x 37 cm Nationalmuseum, Stockholm, Sweden 1914 Study oil on canvas 76.5 x 46 cm Nationalmuseum, Stockholm, Sweden 1914-15 Midwinter's Sacrifice oil on canvas 640 x 1360 cm Nationalmuseum, Stockholm, Sweden * * * * * 1915 Kersti pencil and watercolour 1915 Mowing the Oats pencil and watercolour 1915 Oat Harvest watercolour 1915 Self-Portrait 1915 Tage Thiel pencil and watercolour 1916 Seamstress pencil and watercolour 1917 By the Cellar pencil and watercolour 74 x 52.5 cm Nationalmuseum, Stockholm 1917 Esbjörn Convalescing pencil and watercolour 1917 Girl with Ice Skates pencil and watercolour 75 x 52.5 cm 1917 Girl With Spinning Wheel pencil and watercolour 1917 Lars-Erik Lamm pencil and watercolour 1917 LillAnna is Playing Mozart pencil and watercolour 1917 Say Hello Nicely pencil and watercolour 1918 Erik Axel Karlfeldt 1918 Esbjörn Reading on the Veranda pencil and watercolour 1918 Lillanna Feeds the Heater watercolour 1918 Self Portrait Unfortunately I do not have dates for the remainder of the works in this series (some are dated but illegible), so they will not be any chronological order, but as there a number of works here, I thought I should include them: A Farmstead watercolour A Miner's Home pencil and watercolour A Miner's Home pencil and watercolour Beehives and Roses pencil and watercolour Birgitta the Saint pencil and watercolour Bolla pencil and watercolour Brita In The Flowerbed watercolour Brita with a Cat and a Sandwich pencil and watercolour Christmas Decoration pencil and watercolour Christmas Tree Confetti watercolour Cock-a-Doodle, Seven O'Clock watercolour Daniels Mats pencil and watercolour Day is Done pencil and watercolour Erik Erikson, the Blacksmith pencil and watercolour Evening Light at the Grand Piano pencil and watercolour Father and Mother watercolour Fertilising the Field watercolour Flowers In The Meadow watercolour Harrowing the Field watercolour Idun's 25th Year Anniversary pencil and watercolour In The Hawthorn Hedge pencil and watercolour Jenny with a Flower Garland Landscape at Marstrand watercolour Martha Winslow as a Girl pencil and watercolour Martina in Front of the Fire pencil and watercolour My Wife watercolour Our Courtyard pencil and watercolour Period of The Thirty Years War pencil and watercolour Ploughing watercolour Rättvik Girl By Wooden Storehouse watercolour Self-Portrait "Before the Mirror" watercolour Sowing watercolour Stone Age Woman pencil and watercolour Summer Flowers watercolour Sun and Flowers watercolour Suzanne and Another pencil and watercolour The Bridge Viking Woman pencil and watercolour Washerwoman Winnowing the Grain watercolour Winter Landscape pencil and watercolour Woman with Bicycle pencil and watercolour Young Seamstress watercolour

At the start of 1890, Eugène Atget pinned a sign to the front door of his apartment. Documents pour artistes It was an advert for business and a declaration that Atget was now a photographer. Photography had not been his first choice. He came to it through work as a sailor, an actor, and finally … Continue reading "Eugene Atget – The Photographer who Walked Fin de Siècle Paris"

About this print A lush watercolour print of a frond-filled nikau grove in the Waitakere Ranges. Edition open in all sizes Printed by endemicworld on mid-weight acid free paper w/ archival inks Framing style simple w/ classic moulding About the Artist Emma Lovegrove is a visual artist and illustrator from Auckland, New Zealand. Lovegrove graduated from Elam School of Fine Arts in 2019 with a Bachelor of Fine Arts with First Class Honours and was a 2nd place recipient of the 2018 Henrietta and Lola Anne Tunbridge Watercolour Scholarship. Since graduating from Elam, she has collaborated with Pauanesia and held her first solo exhibition titled Whenua at Endemicworld in Auckland. Lovegrove uses her art practice as a way to foster her relationship with the landscapes that she visits and the varied nature they contain. She is drawn to locations that feel wild and untouched, but when you peer more closely, vibrant ecosystems thrive and intricate patterns are revealed.  She is particularly interested in the relationships between living and non-living, human and non-human, and how the way we interact with nature can affect our relationship with it. A large portion of Lovegrove’s practice is devoted to wandering, climbing, photographing, foraging, sketching and writing within the landscapes she visits.

Portrait of Ivan Shiskin by Ivan Kramskoy 1873 oil on canvas 110 x 78 cm Ivan Ivanovich Shishkin (1832 – 1898) was a Russian landscape painter closely associated with the Peredvizhniki movement. Peredvizhniki, often called The Wanderers or The Itinerants in English, were a group of Russian realist artists who in protest at academic restrictions formed an artists' cooperative; it evolved into the Society for Travelling Art Exhibitions in 1870. For biographical notes on Shishkin, and for earlier works, see part 1. Parts 1-4 feature his paintings, part 5 his drawings. Unfortunately I couldn't find the medium or sizes for many of these works, though I believe they are all oil on canvas. This is part 2 of a 5-part post on the works of Ivan Shishkin: 1872 Landscape with a Woman oil on canvas 1872 Pine Forest in Vyatka Province 1873 Coniferous Forest oil on canvas 1874 Covert 1874 Forest Landscape 1874 Twilight, after Sunset oil on canvas 1875 Birch Grove 1875 Evening in a Pine Forest 1875 First Snow 1876 Autumn Forest 1878 Birch Grove 1878 Birch and Mountain Ash 1878 Pine Forest 1878 The Field of Wheat oil on canvas 107 x 187 cm 1879 Edge of the Forest 1879 Mountain Path, Crimea 1879 Rocky Shore 1880 Path through the Woods oil on canvas 59 x 48 cm 1880 Wind-fallen Trees 1881 Pond 1881 Thickets oil on canvas 142 x 93 cm 1883 In the Birch Tree Forest 1883 In the Open Valley 1883 Twilight 1884 Before a Thunderstorm oil on canvas 110 x 150 cm 1884 Corner of Overgrown Garden, Goutweed Grass 1884 Edge of the Forest 1884 Fir Forest in Winter 1884 Gathering Storm 1884 Pine Forest 1885 Coast of Oak Grove of Peter the Great in Sestroretsk 1885 Foggy Morning oil on canvas 108 x 145 cm 1885 Forest

The often-overlooked female pioneers of the Bauhaus deserve their equal shine.

Entdecken Sie das Werk von Anselm Feuerbach auf der Website der Kunsthalle Karlsruhe.

Berthe Morisot Portrait of Edma Pontillon née Morisot (the artist's sister) [1871] Paris Musée d'Orsay

Napoleon Crossing the Alps, Malmaison, also known as Napoleon at the St. Bernard Pass is a famous oil painting, originally by French artist Jacques-Louis David in 1800, with the style of neoclassicism. The painting now is collected by Chateau de Malmaison. This kind of portrait oil paintings is very common in visual art. Besides, recommend you to view other painting artworks from Jacques-Louis David.（replica）ORIENTATIONS: PortraitMEDIUM: ArabelartAVAILABILITY: Pre-orderSHIPPING CONDITION: World FreeCUSTOMIZABLE: Choose Size & FrameMUSEUM: Chateau de MalmaisonART STYLE: NeoclassicismSUBJECTS: PortraitORIGINAL SIZE: 102.76 × 87.01'' (261 × 221 cm)ARTIST NAME: Jacques-Louis David

Rather than considering paint as a liquid medium, San Francisco-based artist Chris Dorosz uses the traditional material as a unit of measure to form anonymous sculptural portraits. At first glance, the three-dimensional paintings read as abstract compilations of shapes, and only once the viewer looks head-on at the portrait does a human figure begin to emerge. As he writes in his artist statement, Dorosz considers the paint drop to be “a form that takes shape not from a brush or any human-made implement or gesture, but purely from its own viscosity and the air it falls through, as analogous to the building blocks that make up the human body (DNA) or even its mimetic representation (the pixel).” Dorosz is represented by Scott Richards Contemporary Art. More