I found a little treasure here. Click on the pictures to get the details. I love the black lace and look at her skirt. It seems to have been pleated into small pleats first and then pleated into big ones. Look at the different clasps and her curls! At first glance it's easy to miss that she has a split skirt. A very peculiar hair ornament... I adore the jacket!
Pretty Dancer dressed in a pleated Caraco with a low-cut gorgerette of bronze Italian taffeta, with a flowered linen apron matching the trim of the Caraco; the bows and ribbons are pink. (1779) Win…
Here be a stunning sea green silk gown with stomacher, pastel green underskirt, white lace top and belt. The dress has a long Mantua train n' be perfect fer Buccaneer Era and early Golden Age pirate events. This be a special one-of-kind outfit plundered... we mean rescued.....from a very talented merchant aboard a sinking vessel, if ye know what I mean. Used in a period opera. Bust: 35 inches, Waist: 31 inches Condition: Excellent (A) Garment care Category 1: Dry clean only Condition Issues: Belt eyelets are loose; unfinished hem on underskirt at back; loose threads on under-sleeves; silk beginning to fray in some places. Note: Opera gowns are for theatrical purposes n' are not made using regular garment construction, making them a bit more delicate to wear.
Мода 18 века. Панье- (1730-1775) TROY, Jean-François de Portrait of Louis XV of France and Maria Anna Victoria of Spain-1723 LOO, Carle van Portrait of Marie Leszczynska, Queen of France c. 1748 NATTIER, Jean-Marc-Portrait of Madame Maria Zeffirina 1751 Здесь многие картинки знакомы практически…
Part two of Fitting Regency Gowns . Thankfully YWU and FR have been saved, so I give this second part gladly! Gathered neckline pulli...
Noble woman dress tailored in European fashion trends of the begining 17th century. This dress tailored according to pictures of Anne of Austria (wife Louis XIII of France). Dress is 100% handsewn and tailored with natural fabric - beautiful green velvet 100% cotton! And created with patterns using the book "Seventeenth-Century Women's Dress Patterns: Book 1", Susan North, Jenny Tiramani. This costume consists of skirt and bodice, which joined together with ribbons. Chemise is not included. The skirt is with sewn in petticoat, it makes skirt more puffed. Also, there are two side lacing in the skirt. Bodice is strengthened with boned corset (biult-in-bodice). Bodice has historical lacing system, decorated with handmade collar, which is typical for this period. We have one dress in stock and its best for measurements: - Bust 84-92cm - Waist 64-72cm - Height 163-173cm If you have any questions, please write us!
What does fashion have to do with all those pestilential plights, and what indeed to do with Samuel Pepys? Well, quite a lot really – the diarist was a wry observer of what went on in the 1660s, and what was worn (and by whom) did not escape his gaze.
Jacob Ferdinand Voet, Portrait of Princess Teresa Pamphilj Cybo (detail) 17th century
Doña Jerónima María Spinola de la Cerda, Duquesa de Medinacelli. 1700's.
Les modes sous Louis XIV, 1643-1715. Fashion under Louis XIV 1643-1715. L'Histoire du Costume Feminin Francais. Paul Louis Victor de Giafferri.
A portrait of Marie Leszczyńska, queen of France, after a portrait by Jean-Baptiste van Loo. 18th century.
Art curator Mark Stocker introduces us to the life and work of 17th century etcher Wenceslaus Hollar.
