Isabella reporting, I'm visiting Colonial Williamsburg again this week, and of course I visited our friends in the Margaret Hunter mil...
In my journey concerning The Turque thus far, I've learned that contemporary French terminology surrounding this type of gown, and other orientalist gowns, is fuzzy. Levites, Circassiennes, Polonaises, Turques...they kindof all smoosh over each other and create more confusion than clarity. One thing that does seem
Discover what people wore during the late 18th century, including during the Ameircan Revolution. Learn about the fashions and styles of the time.
"CAR T will provide so much relief for future patients," said Gary Carriere, a 64-year-old cancer patient and resident of Cumberland House.
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This Vintage Paul Revere Blue Wheaton Glass Decanter is being offered today. It is in excellent vintage condition and is absolutely lovely! There is an eagle with a shield on the back of the bottle. This decanter stands approximately 7.75 inches tall, is about 3.75 inches wide, and sits about 2.25 inches deep. This would be simply stunning to have on a bookshelf in a den or study, place it in a window and admire the decanter as the sunlight pours through the blue glass, or you can add the “Wow Factor” to your bar area and display on a shelf or the bar itself! There are so many places to make this Paul Revere Wheaton Decanter sit center stage! Snatch it up today and get ready for some great talks with family and friends as they admire this bottle! Thank you for visiting our shop, and have an amazing day! We appreciate your support of our small business!
Louis de Carmontelle, Madame la Comtesse de Belsunce, 1775
1770's - 1780's Hair Fashion "How long had her hair been dressed? Three weeks. 'Dont that lay you under the necessity of dressing your hair every evening?' 'Oh Lord, Sir, a head properly made up, with pins, paste & pomatum, will keep a month very well.'" ~Arthur Murphy, The Old Maid (1756)…
The 18thc is a time of truly beautiful clothing for women, of fine damasks and hand-painted silks and elegantly printed cottons, and I’ve enjoyed sharing many of the garments that my past heroines might have worn. But Mary Emmons (my heroine in The Secret Wife of Aaron Burr ) is a different k
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic tr…
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Learn just how close the reaper came to taking literary classics like To the Lighthouse, The Bell Jar, I Know Why the Caged Bird Sings and more.
This elegant teapot in the timeless pattern of Blue Fluted Plain is ideal for a tea moment for two. The beautifully hand painted pattern is complimented by charming details such as a snail shell on the lid and handle. Blue Fluted Plain captivates with its classic versatility and still today, the first ever Royal Copenhagen collection from 1775 remains forever in style. The graceful decoration of the collection emphasises the delicate form and craftsmanship of each piece. Use Blue Fluted Plain as the basis for a unique collection of Royal Copenhagen porcelain, combining the classic with the contemporary.
The Honourable Mrs Graham (1757 - 1792)
Quasi tutti gli artisti e progettisti prendono appunti, prima di lavorare sull'opera vera e propria. Naturalmente si tratta di appunti visivi...
1765-68c Self-Portrait oil on canvas 69.8 x 58 cm National Gallery of Victoria, Melbourne, Australia Joseph Wright (1734 – 1797) styled Joseph Wright of Derby. Was an English landscape and portrait painter. He has been acclaimed as “the first professional painter to express the spirit of the Industrial Revolution”. Wright is noted for his use of Chiaroscuro effect, which emphasises the contrast of light and dark, and for his paintings of candle-lit subjects. His paintings of the birth of science out of alchemy, often based on meetings of the Lunar Society, a group of very influential scientists and industrialists living in the English Midlands, are a significant record of the struggle of science against religious values in the period known as the Age of Enlightenment. This is part 3 of a 5 - part post on the works of Joseph Wright. For full biographical notes see part 1. For earlier works see parts 1 - 2 also. 1774-75c Smaller Italian Sketchbook. Metropolitan Museum of Art, New York: Graphite, pen and ink, grey and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Roman Ruins Including an Arched Aqueduct and Tower grey ink and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Roman Ruins with Arched Alcoves ink and grey wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with Granary brush and ink, grey and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Graphite, ink and grey and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with Villas and a Church brush and ink and grey wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with a Curved Wall, Round Tower and Distant Villa pen and ink, brush and grey wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Roman Ruins pen and grey ink and wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Roman Ruins: Part of the Colosseum pen and grey ink, grey and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with Villa Surrounded by Trees graphite, brown wash, touches of pen and brown ink and blue wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with a Distant Buildings pen and ink, grey and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with Cedars and Buildings graphite, pen and ink, grey and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with Distant Buildings graphite, pen and ink, grey and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with Distant Buildings graphite, brown and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with Distant Buildings graphite, brown and yellow wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with a Two-Story Building on a Hill graphite, brown and grey wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Tiled Roofed Building with an Arcade graphite, grey ink and wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with a Towered Building and Domed Church pen and grey ink. and wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Roman Arch with Road Below and Trees Above graphite, pen and brown ink 23.4 x 17.1 cm The Metropolitan Museum of Art, New York Church with a Tiled Roof and Tower graphite, pen and brown ink and wash17.1 x 23.4 cm The Metropolitan Museum of Art, New York Landscape with Trees and Distant Hills grey ink and wash 23.4 x 17.1 cm The Metropolitan Museum of Art, New York Landscape with Domed Church graphite, pen and black ink, grey and brown wash 17.1 x 23.4 cm The Metropolitan Museum of Art, New York Trees, Bushes and Vegetation black and grey ink and wash 23.4 x 17.1 cm The Metropolitan Museum of Art, New York * * * * * 1774-75 Studies of a Classical Bust oil on paper mounted on canvas 51 x 42.9 cm Yale Centre for British Art, New Haven, CT 1774-75c Part of the Colosseum Seen in Sunlight pen and ink and wash on paper 38.1 x 51.7 cm Derby Museum and Art Gallery, Derby, UK 1774-76 Richard Hurleston ( attributed to ) oil on canvas 67.3 x 56.5 cm Yale Centre for British Art, New Haven, CT 1774-76c An Eruption of Vesuvius, Seen from Portici oil on canvas 101.6 x 127 cm University of Wales, Aberystwyth, UK 1776-80c Vesuvius in Eruption, with a View over the Islands in the Bay of Naples oil on canvas 122 x 176.4 cm Tate, London 1777-80c Vesuvius in Eruption oil on canvas? 124.4 x 180.3 cm Private Collection 1778 exhibited An Eruption of Mount Vesuvius, with the Procession of St. Januarius's Head oil on canvas 162 x 213.4 cm Pushkin Museum of Fine Art, Moscow, Russia 1774-78 Firework Display at Castel Sant'Angelo oil on canvas 42.5 x 70.5 cm Birmingham Museums Trust, UK exhibited 1776 The Annual Girandola, at the Castle of St. Angelo, Rome oil on canvas 137.5 c 173 cm Walker Art Gallery, Liverpool, UK 1779 Firework Display at the Castel Sant' Angelo in Rome ( La Girandola ) oil on canvas 162.5 x 213 cm Hermitage Museum, St. Petersburg, Russia 1775 Study of Melancholy Girl pen and ink on paper 55 x 41.3 cm British Museum, London 1775c Study for "The Old Man Grieving over His Ass" from Sterne pen and ink on paper 55.4 x 34.9 cm Pierpont Morgan Library, New York 1775-77c "The Captive" from Sterne oil on canvas 101.6 x 127 cm Derby Museum and Art Gallery, Derby, UK 1775c A View of Catania with Mount Etna in the Distance oil on canvas 66 x 88.6 cm Tate, London 1776 John Milnes oil on canvas 127 x 101 cm The Louvre, Paris 1776 Portrait of Jane Darwin and her son William Brown Darwin oil on canvas 75 x 62 cm 1777 "Maria" from Sterne oil on canvas 100.3 x 125.7 cm Private Collection 1777 Richard Cheslyn oil on canvas 127 x 101.6 cm Private Collection 1777-78 Minstrel. Edwin, from Dr Beattie's oil on canvas 160 x 116.8 cm Private Collection 1778 John Raphael Smith after Joseph Wright "Edwin ( Thomas Haden )" mezzotint on ivory laid paper 47.7 x 35.2 cm ( image ) Art Institute of Chicago, IL 1781 Maria, from Sterne, a Companion to the Picture of Edwin oil on canvas 160 x 115.6 cm Derby Museum and Art Gallery, Derby, UK 1864 Francis Seymour Haden after Joseph Wright "Thomas Haden" etching and drypoint on paper 58 x 51 cm Harvard Art Museums - Fogg Museum, Cambridge, MA 1777-79c Thomas and Joseph Pickford as Children oil on canvas Private Collection 1777-80 Portrait of a Gentleman oil on canvas 75.5 x 63.2 cm Manchester City Galleries, UK 1777-80c Matlock Tor by Moonlight oil on canvas 64.1 x 76.5 cm Detroit Institute of Arts, MI 1778-80c Matlock Tor oil on canvas 73.1 x 100 cm Fitzwilliam Museum, Cambridge, UK 1777-80c Reverend John Pickering oil on canvas 81 x 69.5 cm Private Collection 1779 Virgil's Tomb, with the Figure of Silius Italicus oil on canvas 101.6 x 127 cm Private Collection 1778 A Grotto by the Sea-Side in the Kingdom of Naples, with Banditti, a Sun-Set oil on canvas 122 x 172.7 cm Museum of Fine Arts, Boston, MA exhibited 1780 A Grotto in the Gulf of Salernum, with the Figure of Julia, Banished from Rome oil on canvas 114.3 x 175.3 cm Private Collection 1780-90 Grotto in the Gulf of Salerno, Italy, Moonlight oil on canvas 101.6 x 127 cm Derby Museum and Art Gallery, Derby, UK 1780 Landscape oil on canvas 101.5 x 128.5 cm Civic Centre, Southampton, Hampshire, UK 1780-82 A Lake by Moonlight oil on canvas 62.2 x 75.6 cm Yale Centre for British Art, New Haven, CT 1780-85 Matlock Dale, looking toward Black Rock Escarpment oil on canvas 58.4 x 76.2 cm Yale Centre for British Art, New Haven, CT 1780-85 Reverend Thomas Seward, MA oil on canvas 76 x 61 cm English Heritage, Down House, Kent, UK 1780-85c Caernarvon Castle by Moonlight oil on canvas 54 x 64.4 cm Manchester City Art Galleries, UK 1780c Elizabeth Crompton oil on canvas 76.2 x 63.5 cm Derby Museum and Art Gallery, Derby, UK
