.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 12" x 9" Finished Size: 12" x 9" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 56422841235A

Saint Barbara is based off a painting by the 16th century artist Francesco Francia. This work is in a 8x10 wood frame. The story of Saint Barbara: Barbara was a beautiful daughter of a pagan nobleman named Dioscurus. To protect her from many suitors, Dioscurus constructed a great tower and locked her inside. The tower had two windows but when Barbara converted to Christianity she convinced workmen to add a third window to represent the trinity. Once her father found out she converted to Christianity he became enraged. Dioscurus had her tortured and eventually executed his own daughter by decapitation with his own sword.

Concourse of the Birds is a traditional 16th Century painting by Persian artist Habiballah of Sava, and is considered to be one of the best known illustrations in Islamic art. It was included in the original manuscript of Farid al-Din Attar's mystical poem 'The Conference Of The Birds' (Martiq al-tair).This beautiful a

Painted entirely by hand, this dinner plate features a circular pattern inspired by 16th century Fajalauza ceramics from southern Spain.

Detailed product specifications The over 490 years old artwork with the title Swedish Margareta Eriksdotter Vasa, died in 1537 was created by the artist Mäster Hillebrandt in 1528. The original was painted with the size: Height: 68 cm (26,7 ″); Width: 47 cm (18,5 ″) Framed: Height: 77 cm (30,3 ″); Width: 57 cm (22,4 ″) and was painted with the medium oil. It belongs to the digital art collection of Nationalmuseum Stockholm, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. This masterpiece, which is part of the public domain is supplied with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.: . Besides this, the alignment of the digital reproduction is in portrait format and has a side ratio of 1 : 1.4, which implies that the length is 29% shorter than the width. Your product product material choices For every art print we offer different sizes and materials. The following options are available for individualization: The canvas print: A canvas direct print is a printed cotton canvas mounted on a wood frame. A canvas makes the plastic look of three dimensionality. Your canvas of your favorite artpiece will provide you with the opportunity to turn your new fine art print into a large collection piece as you know from art galleries. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up your Canvas print without any wall-mounts. Because of thatcanvas prints are suited for any kind of wall. Poster print (canvas material): Our poster is a UV printed sheet of flat cotton canvas paper with a nice finish on the surface. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the artwork, which facilitates the framing. Aluminium dibond (metal print): Aluminium Dibond prints are prints on metal with a true depth effect. For the Direct Aluminium Dibond print, we print your favorite work of art right on the surface of the aluminum. The colors are luminous and bright, the fine details of the print appear crisp. This print on Aluminum Dibond is one of the most popular entry-level products and is a sophisticated way to showcase art reproductions, since it draws focus on the whole artwork. Glossy acrylic glass print (with real glass coating): The acrylic glass print, which is often described as a print on plexiglass, will change your favorite original work of art into great home decoration. Your favorite work of art is being printed with the help of state-of-the-art UV direct print machines. The plexiglass protects your chosen fine art print against light and external influences for between four and 6 decades. Legal disclaimer: We try all that we can in order to describe the products as precisely as we can and to showcase them visually on the respective product detail pages. Although, the colors of the printing material, as well as the imprint might differ slightly from the image on the screen. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version. Considering that all our art prints are processed and printed by hand, there might also be slight deviations in the motif's exact position and the size. About the item Article type: fine art reproduction Reproduction: reproduction in digital format Manufaturing technique: UV direct printing (digital print) Production: produced in Germany Stock type: on demand Product usage: wall picture, wall décor Alignment: portrait format Aspect ratio: 1 : 1.4 Image aspect ratio implication: the length is 29% shorter than the width Materials available: canvas print, metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating) Canvas on stretcher frame (canvas print) size variants: 50x70cm - 20x28", 100x140cm - 39x55" Acrylic glass print (with real glass coating) size variants: 50x70cm - 20x28", 100x140cm - 39x55" Poster print (canvas paper) options: 50x70cm - 20x28" Aluminium print (aluminium dibond material) sizes: 50x70cm - 20x28", 100x140cm - 39x55" Framing of the artprint: unframed art copy Artpiece information Name of the artpiece: "Swedish Margareta Eriksdotter Vasa, died in 1537" Artwork classification: painting General term: classic art Artwork century: 16th century Created in the year: 1528 Age of artwork: more than 490 years Artwork original medium: oil Size of the original artwork: Height: 68 cm (26,7 ″); Width: 47 cm (18,5 ″) Framed: Height: 77 cm (30,3 ″); Width: 57 cm (22,4 ″) Exhibited in: Nationalmuseum Stockholm Place of museum: Stockholm, Stockholm County, Sweden Web page: Nationalmuseum Stockholm License: public domain Courtesy of: Nationalmuseum Stockholm & Wikimedia Commons Artist details table Name of the artist: Mäster Hillebrandt Jobs of the artist: painter Classification of the artist: old master © Copyright of, www.artprinta.com (Artprinta)

Wall Flora is a series of watercolour studies which document the varied species of plants living in and around a small piece of ancient dry stone wall. As part of the artist's ongoing project which is focused on the 16th century house and grounds at Swarthmoor Hall, close to her studio on the Levens Estuary in Cumbria.

It's taken longer than anticipated but to start off the new year here is my 1540s Landsknecht Pike block. The figures are predominantly converted "Royal Swiss" from The Assault Group's Valois French range with a smattering of Steel Fist Miniatures and Warlord Games Landsknecht also thrown in. I was going to use most of the poses in this pack of Wargames Foundry figures to form the rear ranks: https://www.wargamesfoundry.com/collections/early-16th-century-renaissance/products/ren011-mercenary-characters. They were also sculpted by Nick Collier who did the TAG figures and they have a slightly later period feel than the other Foundry figures in that range. I painted some of these up but they didn't fit in with the look I was going for with the unit and in the end I used more figures from The Assault Group. As discussed when I completed the shot for these mid-century Landsknecht: http://camisado1500s.blogspot.com/2018/10/landsknecht-arquebusiers-mid-16th.html I have converted the figures from Swiss to Landsknechts by adding katzbalgers, the characteristic Landsknecht short swords, to nearly all of the figures. The Warlord Games plastic Landsknecht set has lovely plastic ones that were great for this but I also used metal ones from TAG. I added moustaches and beards using green stuff to lots of the figures as most of the TAG sculpts tend to be clean shaven and a quick look at contemporary images of Landsknecht from 1530 to 1550 will reveal that beards and big moustaches were certainly the thing, the chaps in the images below being great examples. Códice De Trajes, 1547 Habsburg Soldiers. The Assault Group Landsknecht have armour and helmets that match the figure on the left. The Standard Bearer wears a mail "Bishops Mantle" and is in a clothing style that would not seem so out of place in the 1520s. I have included a smattering of contemporary images in this post that I hope show how Landsknecht fashions were changing as they reached the middle decades of the 16th century. It's a tough one as the very early Landsknecht have a quite distinctive, more medieval, style of dress which I covered in detail here: http://camisado1500s.blogspot.com/2017/03/wip-early-landsknechts.html . Similarly from the late 1550s onwards once they seem to universally start wearing pluderhosen, with characteristically later 16th century hats and helms, they are again very distinctive. When considering what I would call the "classic" Landsknecht appearance from around 1510 through to the 1550s it is harder to gauge the changes. Things definitely change while at the same time there is also more continuity, or at least there appears to be more continuity, with some of the styles. I hope the contemporary art work included here helps to demonstrate this. Having a look at the first contemporary image, shown above from the Códice De Trajes, and the two images below from Jacob Koebel's "Das Reichs Fahn" you can hopefully see how the armour changes from the ealier 1500s. The helmets in particular start to slowy evolve into the styles more familiar in Elizabethan times and later into the 1600s. The helmet style that later becomes the "Burgonet" is clearly developing. As a side note the whole of "Das Reichs Fahn" is online and it is a great source, not only for the mid-16th Century Landsknecht fashion but also for various colour schemes of Landsknecht clothing: http://daten.digitale-sammlungen.de/0005/bsb00059192/images/index.html?id=00059192&groesser=&fip=193.174.98.30&no=&seite=7. It is well worth having a look through this if you have the time, and a decent bandwith! What is also interesting is how popular mail continued to be into the mid-16th Century, especially the "Bishops Mantle" or large mail collar. A surprising amount of mail is worn in contemporary images, even a quick scan of the ones I have posted here should demonstrate that. The more eagle eyed amongst you may recognise that some of the helmets shown in this art work are available from Steel Fist's 16th Century range of Landsknecht, https://www.steelfistminiatures.com/product-category/italian-wars-1494-1538-product_cat-19/. They have a variety of different heads, some of which are great for the 1540s. The Steel Fist Landsknecht cover a few decades, some being in clothing suitable for 1500 with others being in outfits or armour that is more suited to the 1530s into the 1550s. I have used a few of their figures in later styles of clothing and armour as halberdiers in this block, shown below, and also head swapped some of the heads onto TAG figures for greater variety. The Steel Fist Landsknecht paint up really well and at some point I will certainly be visiting that range to paint up some more for the 1520s. After all you can never have enough Landsknecht in a 16th century collection. Standard Bearer from Das Reichs Fahn published by Jacob Koebel 1545, note the armour and helmet. Another Standard Bearer from Das Reichs Fahn published by Jacob Koebel 1545, again he has a distinctive style of helmet and armour. Steel Fist Landsknecht Halberdiers. The helmets and armour work well for the 1530s-1540s. The figure on the right has a plastic head from the Warlord Games plastic Landsknecht set. The armour and helmets give perhaps the most distinct change in appearance as we move into the 1540s. With the clothing it is tricky. As stated above at the start and end of the roughly 100 hundred years that Landsknecht marched across European battlefields and beyond they have more unique styles, it's during the middle years that the changes in these styles are harder to spot. I have included some images here to show how some styles of dress look little different from those of 1515, I think the Niklas Stör and Heintich Aldegrever pictures below are good examples of this. The big hats and baggy slashed doublets are still worn. A few of the chaps in the Stör images are still wearing the classic close fitting skull caps or coifs so popular in earlier decades. A couple of the TAG 1540s Swiss figures are sculpted in these and this lead me on a mission to check if they really were still worn in the mid-16th Century. There seem to be plenty of images with them still in evidence. A word of caution to note when attempting to track the evolution of these fashion in the 1500s is that "The Landsknecht" was a very popular motif in the 16th Century and it is of course still an image that endures to this day. A trend in medieval art which persisted into the 16th Century was for artists to use other artists sketches and compositions, as well as their own (Dürer's "Knight, Death and the Devil" directly taken from his "Soldier on Horseback 1498" is a good example of this). The reusing or adoption and adaptation of existing art was not frowned upon at all and artists workshops would share all kinds of motifs for their production of paintings, woodcuts and altar pieces. When looking at the images of Landsknecht from the mid-16th century, and there are a lot, I can't help feel that sometimes they may simply be reused older images as they were so popular with their contemporaries, or perhaps notorious may be a more appropriate word! Hans Doring's two portraits of Landsknecht Officers, see below, are quite clearly based on the same initial sketch of a figure. The more I have looked at the art from this period the more that kind of thing pops up. It does make me wonder how up to date the images may always really be. It may well have been printed or painted in the 1540s but was the artist using an earlier picture from the 1520s or earlier perhaps? It is something worth bearing in mind. Council of war during the Schmalkaldic War 1546. Note how the hose are starting to move towards the style more familiar in Elizabethan clothing and how the style of hats is also evolving. The caveat about the art aside and noting the fact it seems hard to spot the changes in clothing as they develop we can see things changing, perhaps in some images more than others. The image of the Council of War in 1546, shown above, hints at some of the styles of head wear beginning to change and certainly a more "Elizabethan" style of fashion, especially with the hose, starting to be perceptible. The tight fitting part of the hose is getting higher, with more of the knee being visible, and a more puffed and baggier top part of the hose is developing. The hose worn by the standard bearer in the last contemporary image from "Das Reichs Fahn", shown below, are a good example of this. Of course the adoption of the pluderhosen in the mid-1550s would radically change this move towards the "Elizabethan" style of hose, the Landsknecht never could follow the more universal Western European changes in fashion! Landsknecht, Niklas Stör c.1538. This chap looks very much like Landsknecht from images of c.1515 through to the 1520s. Note he is wearing one of the cloth "skull caps" or coifs that were fashionable in earlier decades. Niklas Stör 1530s. Again these chaps fashions haven't changed that much from earlier decades. Mail "Bishops Mantles" and cloth "skull caps" under their hats are still evident. Landsknecht, Heintich Aldegrever 1540. This chap wears no armour save his "Bishops Mantle" and he looks little different from Landsknecht of the 1520s. A technological development that clearly defined the mid-16th Century was the appearance of the pistol. A close look at the Reinhard V. Solms image below will show that tucked in by the Mounted Officer's leg is an early form of pistol. While these were certainly not the weapon of the common Landsknecht they were starting to be carried by the more wealthy Landsknecht Officers, probably if only for the fact they were new and rare as much as anything else! I was really keen to use the Warlord Games Officer carrying a pistol, not only because he brings the unit nicely into this period with the pistol but also because he is clearly modelled on the Landsknecht Feldwaibel by Hans Doring, see below. The miniature has been sculpted with a pistol instead of a halberd but other than that he is pretty much an exact copy. Of course this meant I had to try and paint him to match the art as closely as possible as well. Have a look below and see what you think. Landsknecht Captains. The figure on the left is from Warlord Games and carrys a pistol, see the image below that the sculpt is based on but with a Halberd rather than an early pistol. Hans Doring - Landsknecht Feldwaibel c.1545. Have a look at the miniature on the left above, apart from the change of weapon it's a pretty close copy. Hans Doring- Landsknecht Hauptmann c.1545. Note the polearm as commanders weapon/symbol of office and also the similarity in pose to the above image. It's a good reminder that artists often copied their own or others images and shows that an extra element of caution must be added when trying to date how the fashions changed. Reinhard V. Solms, 1540. Note how the officer has a pistol by his leg, wealthier Landsknecht were carrying these by 1540. As with the Landsknecht Feldwaibel I also felt that one of the Warlord Games Standard Bearers bore a striking resemblance to one of the chaps in "Das Reichs Fahn". I have tried to recreate him in his red and green to match the image as closely as possible. To his left is one of the Steel Fist 16th Century Foot Knights, a superb miniature. The harnesses that reflect the puffed and slashed Landsknecht clothing tend to be from around 1520 onwards and certainly this officers helmet is more suited to the mid-1500s than earlier. For this reason he had to be in this unit and I think fits really well into it. It's such a great miniature that I may have to use this command base with my 1520s Landsknechts from time to time as well. While I have tried to place this unit as accurately as possible in the 1540s I understand for many wargamers any Landsknecht is suitable for the whole 16th Century. This is fair enough, I think it just depends on what you are trying to achieve with your collection. I made the effort with this block because I wanted a unit that would complement the other mid-16th Century figures I have completed, see: http://camisado1500s.blogspot.com/2017/11/1540s-tudor-english-rebased.html and http://camisado1500s.blogspot.com/2016/07/marching-arquebusiers-and-mid-16th.html. Of course it also helps feed my Landsknecht addiction, if The Assault Group have been brave enough to sculpt such great figures for a rarely catered for period, that being the 1540s, then of course it would be rude not to paint some of them up! The mid-16th Century was an era of intensive warfare, even for the English who had managed to keep out of European Warfare for nearly two decades up to the 1540s, and I love the idea of having a collection that I can refight the engagements of the Enterprise of Boulogne and the Rough Wooing with. Another long term goal, furthering the Landsknecht megalomania, is to do a unit of Landsknecht for every shift in style during their 100 years or so of notoriety. The 1500s, 1520s and 1540s are all done. I just have to paint another 70 or so in pluderhosen at some point! That is a way off for now though. As always I have 101 other projects to be working on at the moment but I think some more stuff for the 1540s will be coming soon. Happy New Year. Landsknecht command base, the figure on the left is by Warlord Games and painted to match the image below. The superbly sculpted armoured figure is by Steel Fist. A Standard Bearer from Das Reichs Fahn published by Jacob Koebel 1545. Note how the hose are starting to look more "Elizabethan" in style. 1540s Assault Group figures with added Katzbalgers and head swaps. The 2 figures on the right have heads by Steel Fist Miniatures while the other 3 have plastic heads from the Warlord Games plastic Landsknecht box set. One of the bases of Landsknecht Pike, note the beards that have been sculpted on with green stuff. Armoured Landsknecht Pike. 70 Landsknecht Pikemen suitable for c.1530 to c.1550. 1540s Landsknecht Pike. The Landsknecht from the side giving a better view of the more colourful outfits worn under their armour. The block from the rear.

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 9" x 12" Finished Size: 9" x 12" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 55963598984A

Eight Virtues of Chivalry: Prowess, Courage, Humility, Loyalty, Honor, Faith, Courtesy, Franchise Calligraphed in silver ink on black paper. Knights of the middle ages followed these ideals, as part of their code. The art is based on a 16th century manuscript Mira Calligraphae The artwork is 6"x8" silver ink on black mixed media paper, gouache and gold Coliro watercolor paint. Calligraphy is done in Fraktur hand. The piece will come framed in a simple black frame ready to hang or display on a stand.

Together with his brother Agostino and cousin Lodovico, Annibale Carracci introduced artistic reforms in Italy based on close observation of the natural world. Annibale’s innovative and highly

Kunstwerk Malerei-Holz ; Tafelbild ; Gerung Matthias Dokumentation 1551 ; 1551 ; Lauingen ; Deutschland ; Schwaben ; Heimathaus Anmerkungen 100x200 ; . . . wider Laster und Sunde (Ausst.Kat.), Augsburg 1997, Nr. 97

I love the architecture of the row houses along the canal in Amsterdam. This art print is great as part of a travel gallery wall, or as a gift to remember a special trip, study abroad, or honeymoon. The Amsterdam print is a great gift for friends, newlyweds, and study abroad students. It fits in a standard 8x10-inch frame and is the perfect size for a gallery wall, bedroom, or dorm room. Details: • Artwork is 4x6 inches on 8x10-inch card stock • Packaged carefully and shipped flat. • See more city prints: https://wanderingpaperco.etsy.com?section_id=23536715 • Let's be friends on Instagram! www.instagram.com/wanderingpaperco

Wall Flora is a series of watercolour studies which document the varied species of plants living in and around a small piece of ancient dry stone wall. As part of the artist's ongoing project which is focused on the 16th century house and grounds at Swarthmoor Hall, close to her studio on the Levens Estuary in Cumbria.

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 9" x 12" Finished Size: 9" x 12" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 55966301835A

Found in France - Vintage Framed Lithograph/Print / Blue-throated Barbet by Ustad Mansur This is a charming printsfeaturing two very different birds. A blue-throated barbet (a Himalayan bird) would have been painted by artist Ustad Mansur. He was a seventeenth-century Indian painter and naturalist who served as a Mughal court artist, during which period he excelled at depicting plants and animals. He was the earliest artist to depict the dodo in colour, apart from being the first to illustrate the Siberian crane. No doubt to illustrate a book, the colours are lovely. There is Syrian writing in black bordering the bird. I have no idea what it says, unfortunately as I can't find out any more about it. It is framed in a simple, black and gold frame and hahasve a brown felt/velvet backing, which presents a small tear. The print itself is in nice age related condition with no major issues to note. The frame has a couple of minor dings, but nothing that detracts. Hard to determine age, I'd say it is early 20th century. Measurements to follow shortly. I scour brocantes, vide greniers, auctions, and all sorts of nooks and crannies to find wonderful old French treasures and it is a passion that grows greater by the day. Where I can I give the story behind each item as they too have had a life and are now looking for their own new story ... So I am happy that these long lost items are going to new homes. THE BORING BUT IMPORTANT BIT!! Please do check the photos as these form part of the description, and don't hesitate to ask for more information, pictures etc before proceeding with purchase, I am always happy to oblige. I describe my items to the best of my ability but please remember these are antique or vintage items and not every single flaw may be listed, It is part of the charm of bygone times and have had a previous life and could tell many stories. Everything is well packaged and I will send anywhere in the world as long as the item is within shipping weight limits and size. The "Everywhere Else" box has the highest postage rate so do no hesitate to contact me so I can add your country and change the postage accordingly. Please note my shipping costs are just that - I use recycled boxes where possible but bubble wrap, fuel and time are not included in the shipping to keep costs down for you, the customer. If you wish to purchase more than one item please ask me for the combined shipping cost. I am happy to reserve items until I've worked out the final cost. in any event, I do refund shipping differences. I use La Poste for small packets up to 2kg, and economy (but reliable) courier Mondial Relay or Happy Post for bulkier/heavier items. Everything is tracked for peace of mind. Mondial Relay is used for domestic shipping for most items. Layaway available on any item - life is too short to not have beautiful things! Last but not least, I hope you have enjoyed having a browse through my shop!

Ceramic tiles have been made in and around Delft, The Netherlands, since the 16th century. StoryTiles continues the tradition by creating miniature art-on-tiles. All tiles are baked in traditional Dutch ovens at a high temperature, what makes them heat and water resistant. Each design is unique, as it is hand baked and designed. Incl. hanging system. Made in Holland. Heat / water resistant. Small 10x10cm Read more Brand   STORYTILES

Domenico Caprioli poster print. Crafted from museum-quality, crease-resistant matte paper, this poster is built to last - just like the lasting impact Domenico Caprioli had on history.It's more than just a decorative piece - it's a compliment magnet that starts conversations like wildfire! Bold and imposing, this print instantly transforms the look of a room. The satisfyingly sturdy paper is equally at home in or out of a frame, and you'll quickly get used to hearing 'where did you get that?'Whether it adorns a classroom wall, personal study, living room or office, it also packs some serious educational value. As a captivating reminder of the story that Domenico Caprioli represents, it piques curiosity and inspires deeper learning.Like all our home decor, your print is carefully packaged to ensure it arrives in pristine condition, ready to captivate and inspire. And if you have any questions, comments or suggestions? We're a small friendly team, and we're just a message away!

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Art Print Print Size: 12" x 18" Finished Size: 12" x 18" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 59953489767A

Found in France - Vintage Framed Lithograph/Print / Blue-throated Barbet by Ustad Mansur This is a charming printsfeaturing two very different birds. A blue-throated barbet (a Himalayan bird) would have been painted by artist Ustad Mansur. He was a seventeenth-century Indian painter and naturalist who served as a Mughal court artist, during which period he excelled at depicting plants and animals. He was the earliest artist to depict the dodo in colour, apart from being the first to illustrate the Siberian crane. No doubt to illustrate a book, the colours are lovely. There is Syrian writing in black bordering the bird. I have no idea what it says, unfortunately as I can't find out any more about it. It is framed in a simple, black and gold frame and hahasve a brown felt/velvet backing, which presents a small tear. The print itself is in nice age related condition with no major issues to note. The frame has a couple of minor dings, but nothing that detracts. Hard to determine age, I'd say it is early 20th century. Measurements to follow shortly. I scour brocantes, vide greniers, auctions, and all sorts of nooks and crannies to find wonderful old French treasures and it is a passion that grows greater by the day. Where I can I give the story behind each item as they too have had a life and are now looking for their own new story ... So I am happy that these long lost items are going to new homes. THE BORING BUT IMPORTANT BIT!! Please do check the photos as these form part of the description, and don't hesitate to ask for more information, pictures etc before proceeding with purchase, I am always happy to oblige. I describe my items to the best of my ability but please remember these are antique or vintage items and not every single flaw may be listed, It is part of the charm of bygone times and have had a previous life and could tell many stories. Everything is well packaged and I will send anywhere in the world as long as the item is within shipping weight limits and size. The "Everywhere Else" box has the highest postage rate so do no hesitate to contact me so I can add your country and change the postage accordingly. Please note my shipping costs are just that - I use recycled boxes where possible but bubble wrap, fuel and time are not included in the shipping to keep costs down for you, the customer. If you wish to purchase more than one item please ask me for the combined shipping cost. I am happy to reserve items until I've worked out the final cost. in any event, I do refund shipping differences. I use La Poste for small packets up to 2kg, and economy (but reliable) courier Mondial Relay or Happy Post for bulkier/heavier items. Everything is tracked for peace of mind. Mondial Relay is used for domestic shipping for most items. Layaway available on any item - life is too short to not have beautiful things! Last but not least, I hope you have enjoyed having a browse through my shop!

These designs are printed on black cardstock. These are individual sheets of unique, hand-painted paste paper for art projects, collage, mixed media, making cards, scrapbooks, journaling, art books and covering surfaces in general. They could also be framed. Each sheet is approximately 8-1/2 x 11". Paste papers are one of the oldest forms of decorated papers, a "cousin" to marbled papers. They originated in Germany during the late 16th century, and were used to cover books and as end sheets. Paste papers are made using paint mixed with adhesive substances which are applied to wet paper using a brush, and then removed using combs and other tools to create unique patterns and designs. Although paste papers were popular hundreds of years ago, their abstract designs are fresh and contemporary today and can complement a myriad of art and craft projects.

Additional artwork information from the museum (© - Rijksmuseum - www.rijksmuseum.nl) Long accepted as the earliest known north Nether-landish self-portrait, this is probably a copy after a lost work. Such portraits illustrate the increasing status of artists. Jacob, whose traditional nickname means ‘son of Cornelis from Oostsanen’, looks directly at us. Behind him is a paper with the date 1533 and his monogram, I W (inverted) v A (‘J[acob] W[ar] v[an] A[msterdam]’). In-depth product infos Portrait of Jacob Cornelisz or Oostsanen is an artpiece by Jacob Cornelisz van Oostsanen. Today, the artwork is included in the Rijksmuseum's collection. The artpiece, which is in the public domain is included with courtesy of Rijksmuseum.The creditline of the artpiece is: . The alignment of the digital reproduction is in portrait format with an aspect ratio of 3 : 4, which means that the length is 25% shorter than the width. The painter Jacob Cornelisz van Oostsanen was a European artist, whose art style was primarily Northern Renaissance. The painter lived for a total of 61 years and was born in 1472 in Netherlands, Europe and passed away in 1533. Choose your preferred art print material option We offer a range of various materials and sizes for every product. We allow you to pick your favorite size and material among the following product individualization options: Acrylic glass print: An print on acrylic glass, often denoted as a UV print on plexiglass, will convert an original artwork into brilliant home decoration. Further, the acrylic art print makes a viable alternative to canvas or dibond fine art replicas. The poster print (canvas material): The Artprinta poster is a printed canvas with a granular surface structure. Please note, that depending on the size of the poster we add a white margin of approximately 2-6 cm around the print, which facilitates the framing with your custom frame. Aluminium dibond print (metal): An Aluminium Dibond print is a material with an outstanding effect of depth, which makes a fashionable impression thanks to a surface structure, which is not reflective. The Direct Print on Aluminum Dibond is the excellent introduction to art replicas on aluminum. The white & bright parts of the artwork shimmer with a silky gloss but without the glare. The canvas print: A printed canvas, which should not be confused with a real canvas painting, is a digital copy printed on a UV direct printer. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang your Canvas print without the support of additional wall-mounts. Canvas prints are suitable for any kind of wall. Artist overview Name: Jacob Cornelisz van Oostsanen Other names: Cornelisz. van Oostsanen Jacob, Jacob Cornelisz, Cornelisz. Jakob van Amsterdam, Cornelisz Jacob, Oostsanen Jacob van, Jacob Cornelisz van Oostsanen, Cornelisz. Jacob, Oostsanen Jacob Cornelisz. van, Cornelisz. Jakob, Jacob Cornelissen van Oostzaanen, Jacob Cornelisz. van Oostsanen, Cornelisz Jacob, Cornelisz. Van Amsterdam Jacob Van Amsterdam, Cornelisz. van Oostsaanen Jacob, Van Oostsanen Jacob, Jacob Cornelisz van Amsterdam, von Amsterdam Jacob, Van Amsterdam Jacob, Jacob van Amsterdam, Van Oostsanen Jacob Van Amsterdam, Cornelisz von Amsterdam Jakob, Cornelisz. von Amsterdam Jacob, Oostanen Jacob Cornelisz van, Cornelisz van Oostanen Jacob, Cornelisz. van Amsterdam Jacob, Amsterdam Jacob Cornelisz. van, Cornelisz. of Amsterdam Jacob, Van Oostsanen Jacob Cornelisz, Cornelisz van Amsterdam Jacob, Jacob Cornelisz. van Amsterdam, Cornelisz van Oostsanen Jacob, Cornelisz. van Oostsanen, Cornelisz von Amsterdam Jacob Gender of the artist: male Nationality of artist: Dutch Jobs: painter Country of origin: the Netherlands Artist category: old master Art styles: Northern Renaissance Age at death: 61 years Birth year: 1472 Place of birth: Netherlands, Europe Year of death: 1533 Died in (place): Netherlands, Europe Artwork details Title of the artpiece: "Portrait of Jacob Cornelisz or Oostsanen" Artwork classification: painting Broad category: classic art Period: 16th century Created: 1533 Age of artwork: 480 years old Museum / collection: Rijksmuseum Museum location: Amsterdam, Netherlands Website: Rijksmuseum License of artwork: public domain Courtesy of: Rijksmuseum About this item Article categorization: fine art print Method of reproduction: digital reproduction Manufaturing technique: digital printing Production: Germany Type of stock: production on demand Intended usage: art reproduction gallery, gallery wall Alignment of the image: portrait format Image aspect ratio: (length : width) 3 : 4 Aspect ratio meaning: the length is 25% shorter than the width Material variants: canvas print, poster print (canvas paper), acrylic glass print (with real glass coating), metal print (aluminium dibond) Canvas print (canvas on stretcher frame) variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" Acrylic glass print (with real glass coating) options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" Poster print (canvas paper) size options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" Dibond print (alumnium material) size options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" Frame: without frame Important information: We try in order to describe the products as accurately as possible and to demonstrate them visually. Nevertheless, the tone of the printing material and the print result may vary somehwat from the presentation on the screen. Depending on your settings of your screen and the condition of the surface, color pigments might not be printed as realisitcally as the digital version depicted here. In view of the fact that our art prints are processed and printed manually, there may also be minor differences in the size and exact position of the motif. © Copyright of - Artprinta.com

Artist: Probably Antwerp 16th Century | Painting: Crested Coat of Arms [reverse] | Original Medium: oil on panel

High quality art reproductions. Established in 2019, we make carbon neutral, fine art prints to the highest possible standards. We use the latest software and industry leading printers. We use Giclée printing. Giclée gives you consistent, affordable and long-lasting prints. Bespoke specifications and custom sizes are available on a wide range of finishes - including framed prints - without any minimum orders. We use very high quality archival papers from the world's leading paper mills. We typically use: Canson Infinity Platine Fibre Rag - 310gsm with a satin finish (fine art prints) Hahnemühle Photorag paper - 308g with a super matt, lightly textured surface (posters and illustrations prints) Hahnemühle Photo Luster 260gsm with a luster surface (photographic pints) Somerset Enhanced Velvet - 330gsm with a matt finish (watercolour prints) All prints are sized for easy printing. Off-the-shelf frames can be bought at many stores. This saves you money on bespoke frames. Please use the chat box on this page if you would like any further information.

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 9" x 12" Finished Size: 9" x 12" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 55968988013A

Albrecht Durer Great Piece of Turf. Published original lithograph of a 16th-century watercolor painting. Beautiful scene of flowers blooming in a wild spot. Printed on high-quality paper. The full sheet measures 8.25 by 11 inches. Image has a generous white border to make it easy to frame. Durer’s work is known for its painstaking detail. Beautifully composed and tenderly rendered. Durer (1471-1528) well known for his woodblock prints and paintings was a pioneer in the art form of watercolor painting - preceding by several centuries most others that took up this artform. Medium: Original Published Lithograph Date: 1954 Published: in the Netherlands. The page is in pristine condition. This is ready to plop in a frame and hang in your studio for inspiration. We'll mail with our usual care in a sturdy stay flat mailer. The print will come with a sturdy backing board enclosed in a cello sleeve. Visit my JBling shop: https://jbling.etsy.com

Ceramic tiles have been made in and around Delft, The Netherlands, since the 16th century. StoryTiles continues the tradition by creating miniature art-on-tiles. All tiles are baked in traditional Dutch ovens at a high temperature, what makes them heat and water resistant. Each design is unique, as it is hand baked and designed. Incl. hanging system. Made in Holland. Heat / water resistant. Small 10x10cm Read more Brand   STORYTILES