Listen to The New York Times’s 1619 podcast on Apple Podcasts.
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McCall's 1619; ©1951; Misses' Bolero. Featured in McCall Pattern Book, Summer 1951 Vintage Vignettes Bust 34 Tenth & Delaware Vintage Bust 30 [insert your photos of this pattern made up] [insert your username, and make sure your preferences allow for people to contact you via e-mail. Do not list...
Vacui #1619 (2012). 24 cm h x 30 cm ⌀. Stoneware and glazes. Trapholt 2012. The New Carlsberg Foundation....
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Hollywood 1619; ca. 1945; One-piece wrap-around dress – The shaped collar extends into surplice line to waist in back. Inset belt end draws through slash at left side and ties in front. Cap sleeves cut in one with bodice. Two large pockets button to skirt. View 2 has square neck-line in front...
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Nicolaes Eliasz. Pickenoy The Osteology Lesson of Dr. Sebastiaen Egbertsz 1619 135 x 186 cm oil on canvas
Analyze and Discuss: The 1619 Project Video Introduction. Objectives: By the end of this lesson, students will be able to… Explain why Nikole Hannah-Jones pitched The 1619 Project to editors at The New York Times Magazine Analyze how the The 1619 Project's overall premise connects to the lasting impact of slavery on contemporary U.S. systems Apply critical thinking skills to evaluate common perceptions about U.S. history Evaluate how multimedia components contribute to the success of a video resource Warm-up: 1. Think broadly about what you learned about American history in school, and write down the names of some of the most important people in U.S. history. What have some of their contributions to this country been? What do the people that you listed have in common? 2. Are there any perspectives that you feel are/were missing from what you learned about U.S. history? If so, whose perspectives? 3. What have you learned about Black Americans' contributions to the U.S.? Make a list of influential figures. 4. This lesson will explore under-reported stories of Black Americans' contributions to the U.S., and will also examine the lasting impact of American slavery on contemporary systems in the United States. Think about some of the consequences of slavery, and make a list of present situations that can be traced back to it. Introducing the Lesson: In this lesson, students will analyze the main ideas of The 1619 Project from The New York Times Magazine by watching a video produced by MediaStorm to commemorate Nikole Hannah-Jones winning a Pulitzer Prize for Commentary for her introductory essay to The 1619 Project, "The Idea of America." You can find a full lesson plan on her essay here, and the Pulitzer Center's full curriculum for The 1619 Project here. The video provides an overview of what motivated Hannah-Jones to launch this project, as well as its central ideas and impacts. After summarizing the main ideas of the video, students will evaluate what new information they have learned about U.S. history from the project. Next, they will make connections to Hannah-Jones's observations which led to the formation of The 1619 Project and find questions they want to research further about the lasting impact of American slavery on the United States. Some useful vocabulary for this lesson includes: Erasure Narrative Resilient Demean Juxtaposition Comprehension Questions: Click "Watch the film" in the interactive below, and then watch the video. While you watch, answer the following questions. In the first few seconds of the video, Hannah-Jones is reading lines from her introductory essay to The 1619 Project. To whom is she referring when she says "our people were born on the water"? According to the video, why did Hannah-Jones want to create The 1619 Project? The video touches on several aspects of U.S. life that Hannah-Jones argues would not be the same without the legacy of slavery. What are some of these aspects? Make a list as you watch. According to the video, how did previous Civil Rights movements (in the 1860s and 1960s) create more freedoms for all Americans, not just Black Americans? What does Hannah-Jones say is "among our [Black Americans'] greatest contribution to this country"? What caused Hannah-Jones "a great deal of anxiety"? What was she worried would happen if the project hadn't gotten any attention? Discussion Questions: Now, discuss the following questions as a class or write the answers down on a separate sheet of paper. What new information did you learn from the video? Did anything surprise you? In the video, Hannah-Jones says that she "learned [in school] that Black people had never done anything but be owned by white people." Look back to your responses in the warm-up. How has your experience learning about the contributions of Black Americans compared to Hannah-Jones's experience? How many Black Americans appear in your list of the most important people in U.S. history? Are there more non-Black or Black Americans in your list? Why might that be? Think back to the video's discussion as you answer. Hannah-Jones uses the word "erasure" to describe how Black history has been treated in the U.S. What does erasure word mean in this context? Do you agree with Hannah-Jones that an erasure of Black history has taken place? Why or why not? What do you think Hannah-Jones means when she calls Black Americans "the true perfectors of American democracy"? Mediastorm applies several visual storytelling techniques. Use the following questions to evaluate the impact of these techniques, and why you think the filmmakers applied these approaches The first clip in the video is of an ocean. What purpose does this serve at the beginning? Think in terms of tone, mood, and/or how it connects to the spoken words accompanying the video. It uses images and video from the present day — do you recognize any of the images or text from recent news stories or elsewhere? If so, which ones? It also uses juxtaposition, where it puts images from the present and the past right next to each other to suggest a relationship and/or contrast. What does this add to the video's narrative? In the video, Hannah-Jones writes that it was important to her that "descendents of American slavery should be the ones to tell the story" in The 1619 Project. Why is this important? Extension Activities: Option 1: Reading and Analysis of The 1619 Project The video touches on some of the aspects of U.S. society that The 1619 Project argues can be traced back to slavery, including health, criminal justice, traffic, music, and others. Find the full magazine here in PDF form, and browse its table of contents on pages 6 and 7. Choose one of the essays where the topic interests you, and read it in full. Then, write a short essay yourself which summarizes the essay's main points, including how it ties its subject matter back to slavery and which adds any of your own ideas on the topic. Alternatively, prepare a presentation that summarizes the essay for your classmates or create a visual art piece that evokes the ideas from the essay. Option 2: Individual research Hannah-Jones says in the video that "there is virtually nothing that you can see that has not been touched by this legacy." Therefore, there are many more topics for The 1619 Project to explore in the future. Think about the things around you, and how they might have obvious or hidden roots in slavery. Once you have your topic, do what the authors of The 1619 Project did: conduct research on the topic and write about your findings. Use the following questions as you define your topic and research plan: What present dynamic has roots in the legacy of U.S. slavery? How can you make a thoughtful argument with evidence to back it up? What counter-arguments can you anticipate and incorporate into your writing? Feel free to email your original 1619 Project-style work to us at [email protected] for potential inclusion on our website. Find ten additional extension activities for The 1619 Project here.
Objections to the appointment of Nikole Hannah-Jones to an academic chair are the latest instance of conservatives using the state to suppress ideas they consider dangerous.
The arrival of 20 and odd enslaved Africans in 1619 has been called the beginning of U.S. slavery. It's actually far more complicated than that.
The paper’s series on slavery made avoidable mistakes. But the attacks from its critics are much more dangerous.
Artist unknown. Lady Catherine Smythe Scott, 1610. Oil on canvas; 205.7 x 127 cm (81 x 50 in). Raleigh: North Carolina Museum of Art, GL.67.13.6. Gift of Mr. and Mrs. James MacLamroc. Source: NCMA