"Portrait of a Woman," by Bernardino Campi (late 1560s) DIMENSIONS • 9" x 12" (Image: 7.13" x 10.5") • 12" x 16" (Image: 9.5" x 14") • 16" x 20" (Image: 11.5" x 17") • 20" x 30" (Image: 16" x 23.5") • 24" x 36" (Image: 19" x 27.81") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.
Last week, I spruced up my 1560s gown for the Duke's Ball held by my university's Renaissance Festival club. It was lots of fun, and I enjoyed getting to bring out a gown I don't get to wear very often! It doesn't look much different from last time, but it has much nicer metal cord around the hem of the skirt and at the neckline and cuffs.
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A simple doublet in olive green wool, to match the calzoni (Venetian style breeches) I made some 15 years ago. My husband has taken up archery and needed some more practical warmer clothes for the winter months. This style is…
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Buy our French Gown pattern and be fashionable! Get our full-size paper patterns with complete instructions and historical notes for 1560s-70s Elizabethan Lady's overgown and kirtle known as a "French Gown". Included are overgown, boned kirtle, and sleeves. Fits busts 28"-48" and waists 21"-41". All Sizes in one envelope. Also included are assembly instructions, embellishment suggestions, and the extensive historical notes you've come to expect from Reconstructing History. Suggested Fabrics: light weight to coat weight wool, velvet or silk brocade, light linen for lining Yardage Requirements: Kirtle or gown: 6 yds 45" or 4½ yds 60" wide, Lining (optional): 6 yds 45” or 4½ yds 60” wide; Sleeves 2 yds at least 45” wide
Downloadable paper patterns with complete instructions and historical notes for 1560s-70s Elizabethan Lady's overgown and kirtle known as a "French Gown". Included are overgown, boned kirtle, farthingale, forepart, sleeves, and directions for a smock and partlet with ruffled collar. Kirtle and gown fits busts 30½"-48" and waists 23"-41". All sizes are included in one digital download. Also included are assembly instructions, embellishment suggestions, and the extensive historical notes you’ve come to expect from Reconstructing History. Your purchase delivers as a PDF download. Just open and print on your home computer. (Full size print shop versions available upon request.) Suggested Fabrics Kirtle, Overgown, Forepart and Sleeves: light weight to coat weight wool, velvet or silk brocade, light linen for lining Partlet, Smock: light linen Farthingale: medium-weight silk or linen, reed or cane for hoops Yardage Requirements: Kirtle or gown: 6 yds 45" or 4½ yds 60" wide Lining (optional): 6 yds 45” or 4½ yds 60” wide Smock 3 yds at least 60” wide Sleeves 2 yds at least 45” wide Forepart 2 yds at least 45” wide Farthingale 3 yds at least 45” wide Let us help you! At Reconstructing History, we want to see you wearing the best garments you are capable of making. Email us at info [!at] reconstructinghistory.com and we will answer any questions you might have.
Elizabeth Tudor, was born September 7, 1533. She would have to wait 25 years and two siblings before would acsend to the throne of England. In November 17 1558, Elizabeth became to a bankrupted country. So before 1558? Any clothing is not...
Explore renzodionigi's 32415 photos on Flickr!
Reforming Modern to fit the Reformation! I am a mad thrifter. In fact, I rather prefer cobbling my costumes together from recycled raiment rather than sewing them from scratch. It’s an exerci…
Portrait of Robert Dudley, 1st Earl of Leicester, oil on panel. Attributed to Steven van Herwijck. 1560s. Western European fashion experienced quite a change from 1550-1600. The Renaissance brought in a wave of art and culture that swept over Europe and is visible in the fashion of both men and women. Our clearest and most...
La Reine Margot, aka Queen Margot, was originally released in 1994. This French film tells the story of the wedding of Marguerite de Valois to Henri IV of France (then king of Navarre), and the St.…
Download Image of Adriaen van Cronenburg Portrait of a Lady and a Young Girl Holding Three Flowers. Free for commercial use, no attribution required. Portrait of a Lady and a young girl. Public domain photograph of 16th-century portrait painting, free to use, no copyright restrictions image - Picryl description. Dated: 1567. Topics: prado, 1560 s paintings in spain, 1567 portrait paintings of women, 16th century oil portraits of standing women at three quarter length, 16th century portrait paintings in the museo del prado, 16th century portrait paintings of unidentified women, adriaen van cronenburg, early netherlandish paintings in the museo del prado, portrait paintings of females with skulls, high resolution, female portrait, spain
This custom, one of kind Elizabethan gown is reenactment quality. Suitable for the 1560s-1570s, the bodice is fully boned with an adjustable size. The attached skirt has snaps and a hook and eye for closure. The pleating is heavily sewn and the puffed shoulders are stiff enough to stand on their own. Both the bodice and skirt are fully lined. A roll and small pseudo farthingale were used underneath the gown for photos. Measurements: - 64 inches long - 29-32 inch bust/underbust, as the nature of 16th c. bodices is to flatten busts it can fit a larger size - 23-26 inch waist, as it is boned it may accommodate a larger waist - 23 inch sleeve Condition: Very good pre owned condition.
I have a confession to make, I am not a huge fan of pink. It is a fine color and I can wear it without looking ill but in my day-to-day life it is rather absent. Yet a great deal of my costumes and historical clothing however are pink. I didn't really notice it at
Shockingly, I think I’ve seen every historical film designed by Janty Yates except her very first! She’s an Oscar winner (for Gladiator) and longtime collaborator with director Ridley S…
