Dit is het GLOEDNIEUWE, veel gedetailleerdere, eenvoudig te volgen patroon om een Fusion Patchwork Crochet Quilt te maken, het eindresultaat is adembenemend. Het is een nieuwe kijk op Patchwork met de toegevoegde schoonheid van haken en je zult versteld staan hoe je harde werk beloond zal worden. Het patroon bevat gedetailleerde beschrijvingen en foto's uit het echte leven, evenals steekpatroongidsen om u te helpen bij het haken. 1e pdf-download met uw Fusion-patroon 2e download met een alternatief steekontwerp voor de 3e rij voor uw Fusion-vierkanten. Je kunt het volgende maken: - Super kingsize King Size Koningin maat Dubbele maat Gooi maat Enkele maat Grootte kinderbedje Babymaat Uit hetzelfde patroon. Ook informatie over wat u nodig heeft om uw Fusion Patchwork gehaakte quilt te voltooien. Dit zijn 2 pdf-digitale downloads. Ik raad aan om bij Esty te kopen, het is snel en gemakkelijk. Vriendelijke groeten Gillian Houd er rekening mee dat dit patroon het intellectuele eigendom is van de eigenaar van "Patternperfectcrofts", het is alleen voor persoonlijk gebruik en niet voor wederverkoop.
Kawandi is a style of quilt created by the Siddi people of India, traditionally done by hand. It is truly scrappy and improvisational. While I like doing hand work, I was also intrigued by faster machine methods. I've listed some resources at the end of this tutorial if you are interested in creating Kawandi by hand, want to see another machine tutorial, want to see some footage of Siddi creating Kawandi by hand, and a discussion of creating Kawandi in your own style. This tutorial describes a new way of creating Kawandi by machine. These are NOT traditional Kawandi, but inspired by the joy and movement of Kawandi-style. I started with a background piece of fabric approximately 8x10", a piece of batting of the same size, and many scraps of batiks or quilting cottons. 1) Place the background over the batting, right side up (this is a quilt as you go technique, so the batting is incorporated from the beginning. 2) Place 4 scraps in the corners, right side DOWN - NOTE I'm using batiks in these examples, so its hard to tell that these pieces are upside down. In this image, you are looking at what will be the WRONG side of those scrap corners. 3) Begin UNDERLAPPING adjoining scraps into the corners. Fold approximately 1/4 inch on the side that will go UNDER the corner. Again, the scraps are placed upside down. Pin the piece in place along the edge. This will be machine sewn. 4) When you get to the next corner, fold the 1/4 inch on both sides of the scrap because it will go under 2 pieces of fabric. 5) Continue folding and underlapping scraps, pinning along the outer edge until you get the entire edge filled. Notice that it doesn't matter if you use short scraps, or long scraps. And again, its impossible to tell from this image because I'm using batiks, but you are looking at the right side of the background, and the WRONG side of the colorful scraps. 6) Sew 1/4 in seam all the way around the edge, removing pins as you come to them. 7) Clip the 4 corners close to the seam, being careful not to cut the thread. 8) Turn right side out by flipping each scrap over the seam. Use a tool to poke out or pull out the corners. There should be no raw edges of fabric along the edge of the piece because they are either in the seam OR they are folded under. 9) Carefully press the outer edge - taking care not to press the batting, as it might melt depending on fiber content. 10) The result is a piece with finished edges like this: 11) Top stitch close to the edge, This will secure all the folded under edges of each scrap. 12) When you are on the 4th side, approaching the beginning of your stitch line, turn the corner about 1/4" or 3/8" before you get there, to start the 'spiral' of stitching. The next steps are done just like Kawandi by hand, but you continue sewing on the machine. 13) To place the next piece, fold under 2 edges. Finger press or iron as necessary. Overlap the unfinished edges of previous scraps. 14) to place a color into a long strip, fold under 3 edges, staying aware of where you will place another scrap to overlap. 15) To keep a small scrap straight as you sew over the edge, it may be necessary to use long tweezers or stiletto. 16) Continue placing scraps and sewing in concentric rectangles, into the center. Note: this picture is from another project than the ones above. 17) Prepare the final scrap by folding under all 4 sides, and sewing the ever smaller rectangles/squares of stitching. 18) For the piece made of batiks, I decided the center "squares" looked better on the diagonal. Although not traditional at all, I've already broken so many 'rules', that I just decided to make this mine. Also, I'm aware that traditional Kawandi have 'folded flowers' in the 4 corners. Include them if you wish. Make it yours! Paula RESOURCES: How to make a Kawandi by hand by Kieren Dutcher https://youtu.be/yFd0xEfKeto How to make a Kawandi by machine (with binding) by Mel Beach https://pieceloveandhappiness.blogspot.com/2019/03/modern-kawandi-making.html Margaret Fabrizio travels to India to learn Kawandi from Siddi quilters: https://youtu.be/WqdIswL96q4 Margaret Fabrizio shows her own Kawandi quilts, and talks about making them in her own style. https://youtu.be/4NRxqOqp_UA
The description card reads, "Crazy Quilt 1883-1893 Silk, cotton, wool, and linen, pieced and embroidered with silk and cotton threads Crazy quilts, which emerged after 1850, were usually composed of small, irregular-shaped fragments of silk, wool, and other fragments pieced together. The seams were then embroidered using a variety of stitches. They acquired the name “crazy quilts” because of the strong colors and busy, confusing nature of their designs, typical of Victorian taste."
While shopping at the antique mall, one of the things I’ve been noticing re-surge more and more are Victorian Crazy Quilts and all of their lovely styles and forms. Since I cannot begin to to…
Hello again! I can't believe it's been a week since I've posted! My summer is still in full swing around here and time gets a...
the eastern Jewels blanket is live I never been so eager to write about a project as much as I have been for this latest blanket.
The reason that rugs are a subject of such fascination and admiration for so many is that within their threads they carry the weight of history. The designs (which may have religious, talismanic or totemic meanings) tell the stories of their weavers, and of traditions passed down from one generation to the next.
Très facile à réaliser et l' on peut le customisercomme bon nous semble: broderie, patchwork, dentelles , crochet, boutons (comme sur le modèle) Clic dans l' image, pour le patron !
10 Ideas for Repurposing Old Jean from A Cultivated Nest. A great collection of creative ideas for repurposing those old jeans.
Mother’s day is close. I mean like 10 days away close! Bah! If you are like me, you are in need of ideas. Here are 25 thoughtful gift ideas for Mother’s day! I loved all
Patchwork Zipper Pouch DIY Tutorial
Make folded Danish stars from fabric to decorate for the holidays! With just one straight seam, even the kids can get in on this holiday project.
In yesterday’s post, I described 3 different traditional crafts that share one common thread, the running stitch : Kantha, Boro and Sashiko. Kantha and Boro are traditional patchwork from Ind…
Easy as 1.2.3... Pops of color. Double Sided Quilted Cotton. No Lining
Peppen Sie Ihre Herbstgarderobe mit unserem Eurydice - Lässiger Khaki mit gekerbten Taschen Patchwork-Knopf Mantel Langarm. Dieser langärmelige Mantel aus einem bequemen Baumwollmischgewebe kombiniert mühelos Stil und Funktionalität. Der gekerbte Kragen, die Knopfleiste und das Patchwork-Design verleihen dieser khakifarbenen Jacke einen trendigen Touch. Mit seinen praktischen Taschen ist er sowohl praktisch als auch modisch für den täglichen Gebrauch.
Cleaning was inevitable. It had to happen.... I rarely custom quilt for customers anymore but I have a few ladies who have been with me from my beginning who I will always quilt for. This particular lady loves the asian panels and I have really enjoyed quilting these tops. There are a wealth of quilting designs to be found in the fabric and I have always felt comfortable playing with the lush traditional Japanese motifs. I auditioned threads to get the process started. I will probably choose the lightest thread you see. And despite my dislike of changing threads I will likely switch on the ivory, to... ivory. My default thread color choice is almost always the lightest color present in the quilt top. My machine and I love Superior Threads. So Fine 50 wt. thread is what I use for the majority of my long-arm quilting. Studio clean, quilt loaded, now what? You guessed it....Plexiglas. The Plexiglas had a boxy maze drawn on it already, instead of erasing it I laid it down and used it as a starting point. I liked the way it looked over the circle, so I left it and started adding straight line work mixed with a tracing of the Japanese water and flower motifs. Moving the Plexiglas from the quilt top to a white table, gives a different perspective, enabling you to see the quilting design independent of the quilt top. It's a great opportunity to start evaluating how the quilting works or doesn't work compositionally on its own. I like where it's going but the circles need more definition, at this point I decide to get rid of the boxy maze outside of the circle and define the circles with a quarter inch (ish) echo. hmm... it's ok but something isn't quite right. I feel like the density of the quilting in the circles is too heavy. Densely quilted areas are going to recede while the areas that are less densely quilted are going to pop. In this case I would prefer that the background recede not the circles... back to the drawing board so to speak. I leave the boxy maze but change the scale, I do like a quilting design that maintains a similar density throughout. All the straight line work is still too much of the same for me, there is not a strong delineation between background and foreground. I am going to lose the boxy maze and add swirls to the background area to define and simplify the space. I like the feel of where this is going, I think it is starting to work more fluidly with the quilt top. I love working through my designs this way, I am able to see a lot of different ideas come to life without committing to anything. I will continue working out the kinks in this quilting design but I feel more confident in my direction and don't feel like I am just staring at a blank canvas any longer. I hope this gives you some ideas on how to make friends with your Plexiglas. I will leave you with a couple finished Asian panel quilt details, the first quilt is the back of an owl panel, the second and third are Kimono quilts, all pieced by Carlene Embry. Have a wonderful week.
The reason that rugs are a subject of such fascination and admiration for so many is that within their threads they carry the weight of history. The designs (which may have religious, talismanic or totemic meanings) tell the stories of their weavers, and of traditions passed down from one generation to the next.
Welcome to my growing list of free tutorials. They cover a variety of topics, so just scroll down until something looks interesting and catches your eye. Enjoy! Regards, Carla Free Tutorial Links…
オフホワイトの長袖バンデージ トップは、生地の端切れと生産の「切り落とし」から組み立てられています。このため、各トップはユニークで一点ものです。服のアシンメトリーなフォルム、カットオフ、原材料の仕上げ、開いた装飾的な縫い目、素材のステッチ、独特のフォルム。伸縮性のある上質なオーガニックコットンを使用し、パッチワーク製法でハンドメイド。各トップはサイズに合わせて伸びます。トップはユニークで、「カットオフ」やスクラップ生産によって 1:1 で再現することはできません。ポーランドで手作業で設計および製造されています。 生地 94% オーガニックコットン 6% エラスタン画像のモデルのサイズは EU 34/36 で、身長は 165 です。 XS/Sサイズを着用しています。 洗濯方法：糸、ディテール、タグを保護するために、ドレスを裏返しにしてください。手洗いまたは最大30度のデリケートモードでランドリーバッグに入れて自然乾燥させてください。この衣類を乾燥機に入れないでください。
"The Jump" by Cristina Arcenegui Bono is based on an illustration by Sveta Dorosheva.
Join the Sew Much Moore Quilt Block Club Swap and connect with quilters worldwide in a creative, community-driven exchange
GÉNIAL! 10 façons créatives de donner une 2e vie à vos jeans!
My mother in law Nola was visiting this week, and brought with her this lovely crochet and fabric creation, which she has just finished… Isn’t it beautiful? And isn’t she clever! …
A Textile Designers guide to the art of Fabric Manipulation to use in simple craft projects
bolso tela japonesa bolso vintage en patchwork, bolso de mano en patchwork bolso okinawa
Working in the style of Japanese Boro mending with upcycled patches, I created a large visible mend that becomes the focal point of this thrifted denim shirt, thereby highlighting its age, worn nat…
Cabinetry projects Furniture projects Gift / Craft projects Home decor projects Home improvement projects Jigs projects Outdoor projects Shop projects Tools projects Toys / Puzzles projects Turning / Carving / Intarsia projects
Melody Crust talks on her blog about the importance of selecting the right quilting pattern to make the most impact on your quilt top. Calling straight line quilting elegant, click HERE to learn mo…
Оригинал взят у julianna_hor13 в Красота геометрии. (Оригами) Оригами - древнее искусство складывания фигурок из бумаги, которое плавно перешло в складывание орнамента на ткани в шитье. Складывать из кусков ткани или кожи оригами - занятие довольно трудоемкое. Относится оно скорее к области высокой…
Cathedral quilt blocks - a block it seems everyone tends to admire, with its complicated yet beautiful look. The block itself can be quite intimidating, for the seasoned or the new quilter.
Explore karnakarna designs' 1438 photos on Flickr!
(21) Одноклассники
When quilting meets crocheting, beautiful things happen. I am so excited to be sharing these photos with you. My very talented and dear friend, Tiffany Behmer of www.FannyLuWho.blogpsot.com, made t…
