Cierto, no me canso de los bocetos, ilustraciones, storyboards o escenarios de esta maravillosa nueva obra de arte. Cada vez encuentro más y más joyitas, y qué menos que compartirlas con vosotros... ^____^ Visitad a estos grandísimos artistas por favor: http://cosmoanimato.blogspot.com/ http://pavementmouse.blogspot.com/ http://billschwabdesign.blogspot.com/ http://www.shiyoon.blogspot.com/ http://claireonacloud.com/ http://lissabt.blogspot.com/
rocketumbl:Kouzi Akimoto Metal Skin Panic MADOX-01 Concept Art
This is an original Chris Greco preliminary background from the Walt Disney Studios production Lilo and Stitch (2002). This Production Background features 0 and was created at the studio and used during the production of the film. The overall measurements of the piece are 16" x 21" and the image itself measures 10.5" x 16".
42ème long métrage des Walt Disney Animation Studios, Lilo & Stitch est la première réalisation du duo Chris Sanders / Dean DeBlois. Le film, atypique sur bien des points, signe le retour des studios Disney aux films d'animation dit "mineurs", au budget...
Em destaque hoje a bonita arte criadas para o game "Ori and the Blind Forest", do Moon Estúdios e Microsoft Game Studio. As artes abaixo foram produzidas por Maximilian Degen, Johannes Figlhuber e Simon Koop. Confira também no final deste post o trailer...
Image 16 of 22 from gallery of Light as a Design Statement: Inspiring Ways to Manage Natural Lighting. Courtesy of Mendaro Corsini Arquitectos
The more I think about it, the stronger I feel that "101 Dalmatians" is the most modern of all Disney animated features. Artistically this is the peak, right here. A film which embraces modernism and a gutsy graphic style never attempted before or since. It is almost surreal to remember that this movie is over 50 years old! So why hasn't Disney Animation advanced even further in the decades following Dalmatians? I think part of the reason is the fact that Walt Disney himself did not care for this "artsy" look. He probably thought the film looked rough and too unpolished. To me the beauty of it is that it makes a statement which challenges the audience: Look, this is a sketch, but it is alive and real at the same time. And of course audiences completely bought into this concept and embraced the movie. Come to think of it, Disney experienced another breakthrough not so long ago: Mike Gabriel's short film "Lorenzo", which took pencil animation to the next level. More on that in an upcoming post. Above and below, concept art by Ken Anderson, inspired by Ronald Searle. The anatomically correct Pongo caught me by surprise. Story sketches by the one and only Bill Peet. Avant-garde Vis Dev by the one and only Walt Peregoy. Final frames from the film reveal the sheer joy of experimentation for an animated film.
Image 19 of 49 from gallery of Winners Announced of Inaugural WAFX Prize for World’s Most Forward-Looking Architectural Concepts. Re-use Prize Winner - I LOVE NYDALEN / SAAHA AS . Image Courtesy of World Architecture Festival
